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Description: American-International did not invent the juvenile delinquents-jalopies-reckless driving-hot rodders-build it at home-chicken testing category of movies. PRC and Monogram started churning them out in the mid-forties as part of their let-this-be-a-lesson-to-you genre, preceded by the zoot-suiter and jitter-buggers films, which was better than the social guidance movies teen-agers were being overdosed on at school. PRC did at least test card-carrying members of SAG. This one is a sermon vs speeding, and Darryl Hickman has it brought straight home to him when he side-swipes a vehicle and causes a collision in which his greatest mate is killed---the fate of all greatest mates in juvenile-theme films including "Rebel Without a Cause"--- and his mother is injured. Lots of lecturing precedes and follows.
Description: De Kersenpluk says the storyline about Jan visiting his grandfather for the last time during the summer in a tiny village in Drenthe. Thanks to Jan, his grandfather decides to do what he never dared during his whole life. Jan, as an outsider, is some sort of spectator of the life in the village, although he is also involved in that life.
Description: Cole and Erica run an upscale escort service which sets their clients up on anonymous and impromptu "dates" at hotels. They explore one of their female clients murdered, and that the boy who signed up for their service on the same day happens to be her husband. They set out to untangle these mysterious circumstances before the cops follow the leads back to them, while also dealing with different romantic relationships.
Description: Violante, a young and pretty catholic nun, is facing a several marital problems with her husband Jesus Christ - who stalks her through the dark corners of a decaying convent and seeks to punish her for her (alleged) sins. In a dark stormy night they struggle to victory every another to their private points of view. She quotes the bible in terms of unconditional love - He does the same in terms of capital punishment. But are His manly insecurities based on solid grounds? After escaping His jealous rage, the nun lurks through the dark alleys and the bars like a vampire. Doomed to loneliness, all she wants is a Man. And who can this Boy be?
Description: A young boy of Chinese-Cambodian descent dies, leaving behind his isolated mother and his lover of four years. Though the two don't share a language, they grow close through their grief.
Description: Sometimes, we're just waiting for a miracle. A nurse who is a Jehovah's Witness, grows fond of the miracle survivor of a plane crash. Two sexagenarians, a bartender and a parking lot attendant wish to discover their forbidden passions. A conservative, well-off couple drown their disappointments in booze and gambling. And a boy does his utmost to create amends for an irredeemable action, bringing us to a plane bound for Cuba. An ensemble movie where each hero affects the lives of others.
Description: It is the fate of a tiny frontier town, adjoining the no-man's-land where the Russians and Austrians are fighting out one of the final campaigns of Globe Fight I, to be occupied one day by the Russians, the next by the Austrians, and the inhabitants later acquire a complacent view of the changing allegiances. To the city comes Ann Warschaska, intent on avenging the suicide of her sister, who has killed herself after being betrayed by an Austrian officer. She knows no more about his identity than the number of his room at the "Hotel Imperial".
Description: When Ross is diagnosed with terminal brain cancer and given six weeks to live, his newly engaged older brother Seth offers to spend his $50,000 wedding fund on a final trip of a lifetime. Their plans are complicated when Ross invites a call woman to join the group and Seth’s uptight fiancée insists on tagging along. This raucous street trip comedy details hip-hop star Asher Roth.
Description: Director Ted Brooks and comedians Jack Norcross, Dandy Joslyn and Phil Miller are part of a troupe of promising young users rehearsing for a WPA present at the Garrick Theater in Fresh York and are stunned when the government withdraws their funding on the day of the show's dress rehearsal. Destitute, the troupe plans to return home when Mac, the scene doorman, offers to let four of the men, Phil, Dandy, Jack and Ted, to test the theater for a boardinghouse. After accepting Mac's offer, the boys improvise bedrooms out of the set pieces and meet amateur actress Lorie Fenton from Cleveland, who is eager to audition for them. When the boys learn she recently received a tiny inheritance, they let her to audition, hoping she will back the show.
Description: An ex-seminarian cut communist runs a hotel in Baguio. He then meets a handsome upcoming lawyer. A once-a-year trip to Baguio by the lawyer and conversations with the hotel owner develop into an affair which encompasses decades of socio-political changes in the country.
Description: On a desolate Navajo reservation in Fresh Mexico, three young folks – a college-bound, devout Christian; a rebellious and mad father-to-be; and a promiscuous but superb transsexual - find for love and acceptance.
Description: Roccia and a band of fellow gladiators join forces with a patrician called Glaucus Valerius to replace Nero, (and his evil henchman, Tigelinus), with a fresh emperor: Servius Galba. During the course of this bloody struggle, the gladiators lose their mentor and trainer - Resius - and then gotta rescue Lidia, Resius' pretty niece, from death on the cross.
Description: A Fine Step is an uplifting family drama centering on Cal Masterson (Luke Perry, Beverly Hills 90210) an award winning horseman whose relationship with his beloved horse Fandango allows him to achieve multiple championship wins. However tragedy strikes when Cal and Fandango are involved in a serious accident, ending Cal's horse riding days forever. Cal's devastation is slowly overcome when his fresh neighbour, 14 year old Claire Mason (Anna Claire Sneed, Glee) takes an interest in Fandango and convinces him that Fandango's competing days might not be over.
Description: Richard attempts to come to terms with the fact that his wife, Lisa, had an affair while on a trip to France, and thus, is reluctant to conceive a kid with her. As Lisa looks forward to moving on, their fresh neighbors' daughter might create that a hard endeavor.
Description: The National Theatre presents a major fresh production of William Shakespeare’s celebrated enjoy about the destructive power of jealousy. Othello, newly married to Desdemona – who is half his age – is appointed leader of a major military operation. Iago, passed over for promo by Othello in favour of the young Cassio, persuades Othello that Cassio and Desdemona are having an affair. Olivier Award-winning actor Adrian Lester (Henry V at the National Theatre, BBC’s Hustle) takes the game role. Testing opposite him as the duplicitous Iago is fellow Olivier Award-winner Rory Kinnear (The Last of the Haussmans, James Bond: Skyfall), who is reunited with director Nicholas Hytner (Timon of Athens, One Man, Two Guvnors) following their acclaimed collaboration on the National Theatre’s newest production of Hamlet.
Description: Praxis peels away the layers of narrative even as Brian, the film's axis, struggles to make his real self. Brian, a writer on the verge of a breakdown, is aided by Joe and an Elusive Girl as he sifts through the fragments of his persona to explore his real core. Fighting vs fear and the indifference of society - aptly symbolized by the medical establishment - his quest reflects the classical mythos of Proteus and the human find for meaning in the universe.
Description: #Sequence is a collective detail movie that was shot and released in a single day, December 21, 2013, on the opportunity of the celebration of the shortest day [ED + C]. Montxo Armendáriz coordinates is composed of 17 short movie whose common denominator is that they are shot in a single plane sequence and follow the guidelines of the festival identity JamesonNotodofilmfest short and initiative # littlesecretfilm.
Description: Shelly, a young dancer who dreams of becoming a singer, and Jaqueline, an experienced singer who has had some successes and bitter the decline of her career, are partners in a brash band in a scenario that It mixes the romanticism and the sensuality of the Brazilian periphery. Inserted in the universe of present business, between nightclubs and local TV shows, they explore that everything is disposable, like success, love and another human relations. Together, they seem to form a single trajectory of life, where Shelly represents the past of Jaqueline, while this figure like the probable future of the colleague.
Description: Dying of cancer, former thief Charlie Dawson decides to leave his gold to his namesake Charlene, the nice grand daughter of his two former partners. Not wanting to steal from family, the two former partners decide to rob Charlie before he dies. They hire a poker testing buddy, the violent loan shark Eddie, to do the job. Eddie decides to kidnap Charlene to convince Charlie to give up the gold, but Charlene's mate Emma gets in the method and is murdered. With the clock ticking, Eddie goes after the gold but runs afoul of Charlene's protective mother. The soccer mom is forced into a violent showdown to save her daughter and receive the treasure.
Description: Haji Saaban, the chairman of Melati Holdings, dies suddenly. His son Safuan suspects that the death has something to do with Melati Holding’s. He allows his brother, Saiful to avenge the death of their father. Saiful falls in love with the daughter of one of the board of directors and his desire for vengeance dissipates. Safuan feels that Saiful has betrayed the family and challenges him.
Description: Set during the end of the British Raj in Calcutta, the storyline revolves around the life of an immigrant Chinese hawker Wang Lu and his platonic relationship a local woman Basanti. The film also has the dubious distinction of being the first one to be banned (though temporarily) in India.
Description: After few behavior problems, teenager John is admitted to a psychiatric clinic by his family. There he meets Judith, for who he later falls in love. The trouble is that she does not have long to live is and they know it. This shall not prevent the emergence of a nice romance in the clinic.
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Set in Cappadochia, central Anatolia, WINTER SLEEP (KIS UYKUSU) focuses on the life of Aydın (Haluk Bilginer) a retired actor who actually runs the Hotel Othello. The name is significant, as it reveals his real preoccupation with performance, a trait reinforced by the framed bills on his study wall. With plenty of family cash at his disposal he has no need to work, but that does not stop him from screwing each penny out of his tenants with the support of his henchperson Hidayet (Ayberk Pekcan). Although perpetually drawing attention to his terrible background and unhappy childhood, it's clear that Aydın's life revolves fully around himself; and that the only method he can salve his conscience is to create charitable donations, preferably anonymously. With KIŞ UYKUSU we are back on thematic zone that director Nuri Bilge Ceylan previously explored in KASABA. He readily acknowledges Chekhov as an inspiration for creating a globe where no one has much to do except talk to one another. Aydın busies himself with a tons of tasks, including writing a column for the local newspaper and writing a ebook on the history of the Turkish theater. His sister Necla (Demet Akbağ) spends much of her time lolling on the sofa and wondering whether she could forgive her ex-husband for an unhappy marriage. Aydın's wife Nihal (Melissa Sözen) is equally indolent; her sole aim in life seems to be to chair a committee of prosperous locals dedicated to raising cash for the local school.Stylistically speaking KIŞ UYKUSU is slightly various from Ceylan's earlier work; there are fewer reflective sequences designed to prompt reflection on the landscape and the elements, and more face-to-face confrontations between the protagonists. They emphasize the primary emptiness of their lives, as they have nothing to but talk and talk, in contrast to their tenants - for example the local imam Hamdi (Serhat Kılıç) who wonders about taking a second job so as to create ends meet. On the another hand these lengthy conversations draw attention to the protagonists' love of surfaces; unable (or unwilling) to engage with life's realities, they would rather talk at rather than with one another.The wonderful landscapes of Cappadochia in winter, with its fairy chimneys and unspoiled Anatolian terrain, offers a mission of contrast to the characters' musings. While they spend their time both literally and mentally imprisoned within Aydın's hotel, the landscape offers a reminder of timeless virtues, as well as the fact that nature continues to flourish in spite of humanity's greatest attempts to destroy it.The movie comes to a climactic conclusion when Ceylan brings the indolent characters into contact with those forced to eke out an existence in harsh conditions. Nihal offers a financial gift to Hamdi's family; but fails to understand how such an act of apparent goodwill represents the ultimate insult. As Hamdi's brother İsmail (Nejat İsler) contends, it is nothing more than conscience cash to atone for the fact that Aydın's family were responsible for causing İsmail's son Ilyas's (Emirhan Doruktutan's) pneumonia earlier on in the film. Meanwhile Aydın discovers to his cost that the local educator Levent (Nadir Sarıbacak) has a jaundiced view of all wealthy philanthropists. Yet such experiences do not lead to any form of redemption. The movie ends with Aydın and Nihal sitting morosely in their deserted hotel, looking out of the window at the snow-covered vista beyond, imprisoned by their lack of perception.This movie won the Palme d'Or at Cannes; it deserves each success. A modern classic.
I had the possibility to see tonight this film in "Positif" (a french, highly rated, cinema review) "avant Première". When I made the usual reservation for Positif readers/ subscriber, the reservation said me (and it is listed in the invitation) "we remind you that this film lasts 3h and 16 minutes....". Unusual....I was aware of that, but , as Michel Ciment pointed out, in his introduction, there are 1h 30 mins films which seem to last 4 hours....and here, "on ne voit pas le temps passer" un-consciously used the game of a song by Jean Ferrat).And, indeed, this is true. Very several "important" happenings happen in the film, but the degradation of the relation between the two main characters takes zone tiny step by tiny step, and every dialogue is captivating, while the cast (all the cast) is wonderfully playing. Some scenes are surprising by their underneath violence (how a gift turns out to be an insult , and how the outrage is returned, is a flabbergasting sequence) The zone in Anatolia, the winter atmosphere, and the remarkable photography adds a piece of charm to the film. At the end, you will remember that it all started by a tiny stone thrown at a car.... and wonder how you were so much instantly entrapped by the intrigue, so much that it should have lasted as long as the mother and the whore, other lengthy movie, you would not have complained.I do not wish to spoil you by describing the plot, but it brings so many reflections about society, aging of a relationship, and a couple, that ... you will wish to see it again (which I will certainly do when it is theater released in August). It is an absolute masterpiece, and likely the greatest movie of the decade......(and of course Ceylon greatest so fat) Go to see it !
Winter Sleep is a masterpiece by Nuri Bilge Ceylan, a movie shining with literary eloquence and incisive social criticism. Aydin ("intellectual" in Turkish) is a failed former actor, actually a hotel owner with sufficient inheritance to create him command the scene as a condescending "king" of a village in Cappadocia. He feels licensed to instruct, intrude and judge, not only on his pitiable tenants, but also on his disaffected young wife Nihal and divorced self-doubting sister Necla. This sentiment ostensibly extends to poor, uneducated and religious classes of the country, making Aydin a stereotype of the Turkish elite. The brutal taming of the horse is an allegory of his marriage; young and cute Nihal is just other decorative item in his life, not an individual with her own rights and pursuits. Aydin also epitomizes a male-dominated society, cutting across lvls of education and affluence. A glimmer of hope comes with a stone breaking the glass. While ruthlessly and decisively able to overpower everyone else in his reign, Aydin is disturbingly challenged by a stubborn 10 year-old man Ilyas (Arabic equivalent of Elijah, a harbinger of the Messiah). Putting the lens on the perpetually pretending psyche of the western-styled intellectual, Winter Sleep portrays the Turkish nation struggling between the East and the West. Aydin claims to have ideals and concepts but has no intention to create a difference for the good, does not even attempt to empathize with his fellow citizens. His articulate quote from Shakespeare echoes a confession. It's no coincidence that Nuri Bilge Ceylan was charmed by Chekhov, a like-minded creator from yet other nation torn between civilizations. Hats off to 2014 Palme d'Or judges for their audacity. By recognizing the value of Ceylan's work, they have enticed global audiences to risk 3 hours 16 mins of their time to a non-commercial film, a feast of cinematography and acting bundled with literary gratification.
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