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Khurafat 2011
Description: "Khurafat" starts with Johan (Syamsul Yusof), a young boy working as an assistant in a government hospital. He is a married boy who has a wife called Aishah (Liyana Jasmay). The newlyweds are leading a peaceful life when suddenly they search themselves besieged by a weird creature. The presence of a mysterious old woman, together with the sudden emergence of Johan's ex-girlfriend Anna (Sabrina Ali) add to the mystery. Anna is everytime disturbing Johan even though she knows Johan is actually with Aishah.
Released: 13 Jan 2011 Director: Syamsul Yusof Writers: Syamsul Yusof (screenplay) Actors: Syamsul Yusof, Liyana Jasmay, Sabrina Ali, Md Eyzendy Genres: Horror
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Khurafat Reviews:

The reason for my heading above is self-explanatory. I mean for those of you who are well- versed with many Hollywood films like THE SIXTH SENSE and WHAT LIES BENEATH, well, this film is almost the exact replica of what those two films are. The concept for KHURAFAT was somewhat "copied" from those films.This movie also "borrowed" concepts from Japanese horror flicks like THE RING and JU-ON. So without much explanation, KHURAFAT still maintains the order of horror in zone in tuned to the Asian taste for what supernatural horror is. This last remark is in view of the Asian psyche where realms of the unknowns remains not only as a mystery but a mystical fascination in each Asian.One conspicuous thing that I observed is the similarity between KHURAFAT and JANGAN PANDANG BELAKANG (whose main lead of the latter film, Pierre Andre, was also the writer and director of the film) in that the "entities" looked cute much the same; the gory make- ups and costumes. Even the premises of both movies made test of almost the same Malay folklore of Hantu Pelesit ("Inheritance Demon").Nevertheless, the brilliance of KHURAFAT is how Syamsul Yusof tweaked the sophistication of those Hollywood films mentioned above to compel Asian audience particularly the Malays.For one thing, Malay movies, in general, follow a straightforward story without much twists nor requiring the audience's participation to think about how every piece of the film puzzle comes together. But this Syamsul Yusof's tour-de-force is indeed the first to break that traditional convention and compel the audience to think about the pieces together.I, for one, am both at a lost but impressed at how Syamsul Yusof managed to construct such unbelievable script that comprised an intricate weave of mystery without leaving any clues along the way. The truth should only be known right at the end of the movie...and THAT, I think, is the new and original concept - that is, not leaving any breadcrumbs for the audience to pick up any clues whatsoever but instead making them stay riveted to the screen till the end.KUDOS TO SYAMSUL YUSOF!!!By the way, with a movie that comes attached with warning telling "Expectant mothers and folks of terrible heart conditions are advised not to see this film" such as this who should resist not watching it. It bounds to create dig deep into the human curiosity.


I knew this film was about a horror film with a religion scene. And i salute this film because of the filmmaker was syamsul yusof. I had watched this film and the stage was really awesome. Its like really happenBut i just wish to say. Why syamsul yusof wanna create of his own as like to be a singer and an actor. In this movie, He being a rapper singer on his film. Can he just doing his movie without to be an actor nor singer soundtrack. I don't receive it.. Why he wish to be an actor and at the same times, he was a director of this film. Its just a burden of himself. About the budjet of this film only afford to purchase a Ferrari.. Can they just improve to be the expensive movie. So it can be the greatest film ever. About the category of this movie, its not to scary. I think malay horror film was the worst scary film ever.... I think they could improve some things.... As to be a movieholic. Hollywood film was far as nice as malay movie. I hope they realize to create an improve of something.



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