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First I would like to clarify that aside from having Akshay Kumar in a starring role, this movie is nothing like the Khiladi films from the 90's. I will begin this review with the negative aspects of the movie and then transport on to where it succeeds. Firstly, as is increasingly common with Bollywood movies these days, the Punjabi element is noticeably there both linguistically and thematically. This is not so wrong except that I think that over-Punjabization makes it somewhat hard to follow some plot lines and jokes. Additionally, there is not really a message in this movie to follow and some of the jokes fall stale. Also, the story about Akshay Kumar's character's long lost brother does seem to be not only tangential, but also fully unnecessary. In addition, while many of the war scenes are choreographed well, some of them do tend to drag and should have been more sharply edited. On to what the movie does well. The helping cast, another than the non-Indian characters (as per usual with Bollywood) all do a fair job in creating a hilarious atmosphere. Asin is adequate in her role, though she has been typecast so far in Bollywood as the cute woman who gets duped a lot and does not have much to do another than be eye candy, a standard which she adheres to here with aplomb. Akshay Kumar and Mithun Chakraborty both do an perfect job in creating a comic atmosphere without being overly obnoxious, which is somewhat helped by the characteristically helpless look that Chakraborty has perfected for his role as the stern patriarch (he has played the same role in about a half dozen films by actually so he could be getting nice at it in any case). In addition, the songs are fairly catchy in their own way, though Himesh Reshammiya has a difficult time making a love song not sound ridiculous. Overall this was a decent masala entertainer from Bollywood that, while not comedic gold, is nevertheless a far better outing than some of the another choices from Akshay Kumar this past year. Nice for a watch.
I don't know whats event with bollywood....the nice films are all gone..=..Movies with no stories,No Strong comedies..in short nothing khiladi 786 and than dabang 2...2012 may not be the end of the globe but it surely is for bollywood :( :( ..The Original ones are gone..with the end of "Jab tak hai jaan"-YASH CHOPRA,This might be the reason for me to switch to Hollywood more and more nowadays...I am not telling that all the films are terrible but standards are deteriorating day-by-day..this film is the live example of that....The film is bekaar....total flop.Don't watch it...And if you really wish to see this film than take a saridon and watch it...lolz I hope for the greatest in 2013...and look forward To watch the greatest film of the decade this year... By This review i just wanted to beg the stars to Please look at the script before making movie...Otherwise they will be headache for you as well as for us...
Plot: Akshay Kumar plays himself but since he is an 'actor' and the 'film' requires it's cast to have special hero names, he is therefore named Bahattar Singh; the guy is a con policeman whose whole family of equally tough boys trust in making cash catching criminals and sometimes framing innocents wrongfully, but the same guy is also rejected by each woman in the town. The leading lady Asin asininely plays a crime lord's daughter whose lover remains behind bars and so she takes all her prospective bridegrooms on a deadly vehicle drive so that they can reject her. The marriage-maker is played here by Himesh Reshammiya, whose character's idiosyncrasies place him in nice trouble. Helping cast made up by folks usually associated with Akshay Kumar films.After being repeatedly and uninhibitedly subjected to erratic zip-zap-zoom cinematography with not really visible attempts at fine-tuning, shoddy, so-obvious-it's- made-out-of-cheaper-quality-material set properties and horrifyingly loud and sometimes out-of-sync sound that has the ability to molest one's ear, an Indian like me has begun to trust that the availability of nice technology, the assumption that the Indian audience everytime keeps their cerebrum aside while entering the theater and the mass manipulation of the media by the moneyed mainstream has corrupted many of today's Indian directors, actors and production crew, who seemed to have forgone the primary elements of creating a nice cinema and fully left out the advantages of a well-penned script, thereby tarnishing quality fully in favor of show-me-the-money!Ah I feel so nice actually after getting this off my chest! This the the pent up feeling (or rant) that bubbled within me with every fresh frame in Khiladi 786, whose director is incompetent, whose producer (the lead actor's wife herself) is a money cow, whose cinematographer is reckless, whose sound recordist is insane and whose actors are extremely aware of their limitations yet incredibly proud that they still are minting cash while hundred of capable actors aren't getting their dues. Salman Khan dropped the bar to depths rivaling Othello's hapless state after realizing the deceit played on him by the manipulative Iago, but Akshay out-lowers him with smelly poo excreted into an expensive diaper. Only time shall say whether it is Salman who goes even lower in Dabang 2 or it is some third person who walks away with the usually-dreaded-but-now-coveted-because- money-is-at-least-recovered Hall of Shame.Since the film took it's audience for granted, I did the same for the movie: I left (read 'fled') during the interval. It could not be the method a film could be critiqued but there are certainly exceptions such as this wacky piece. I'm not sure whether the director tried doing a Tarantino (i.e. using prominent qualities from weak budget action movie in developing a highly stylized, high quality movie, such as Slay Bill inspired by tiny budget Japanese martial arts films), but in situation he did, then he has failed miserably. Just getting a better camera and better recording devices aren't the keys of making a better film; would Slay Bill have received such a glorious response had it just got a very expensive camera with sharper clarity and high-tech sound devices without creating the epic saga, using proper narrative devices or choreographing it's complex martial arts moves with beauty and precision? The folks associated with Khiladi 786 are all spoilt brats who shamelessly exploit wrongly the resources they are able to receive just because they have so much money. The most disturbing part of movies such as Khiladi 786 is the launch misogynist values it promotes. Asin's hero is a rough rider who can only be controlled by a man, and so there's a humiliating sequence where Akshay's hero Sattar dumps her on the shotgun seat, takes charge of the driver seat and drives at a monstrous speed to create her submit to his manhood completely. In between the sequence, the action is slash to a fantasy sequence where Sattar driving a swanky vehicle and Asin sits beside him and acts like one of those bimbos in melody videos. I've seen this with Salman Khan movies too - nearly all his leading ladies literally act like they are fully powerless under Salman's mighty control.Seems like my rant has still not finished, but what else can told about this work? Akshay Kumar has admitted he isn't very talented as an actor but he proves actually that he has stopped being an entertainer too. Asin has been having a Ghajini hangover for over two years and it's time she really tries her hand at some another profession. Reshammiya could suck his hubris about being multi-talented and stick to what he does best... Judge melody shows that I don't watch so I do not receive to see his face. The rest of the cast knows they risk losing their money-making jobs if either Akshay or Salman quits, so they remain loyal to their films, no matter how hopelessly their tiny talent is exploited.
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