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Kalyana Parisu 1959
Description: Baskar and Vasanthi are college-mates. A naughty woman creates misunderstanding between them, and an enraged Vasanthi complains to the college dean, who instantly dismisses Baskar. Actually left homeless, Baskar however manages to receive employed at a tea company, and gets to stay with his close mate Sampath. Vasanthi approaches Baskar and apologises for her cruel act. Baskar forgives her, and they both fall in love. Vasanthi lives with her mother and her elder sister Geetha who is unmarried. Baskar rents the vacant portion of their house. Over time, Vasanthi passes her exams and gets employed.
Released: N/A Director: C.V. Sridhar Writers: N/A Actors: Saroja Devi B., Gemini Ganesan, Akkineni Nageshwara Rao, Thangavelu Genres: N/A
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See Thullatha Manamum Full Song | on youtube.

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See Aasaiyinaale Manam Full Song | on youtube.

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Kalyana Parisu Reviews:

A tear jerker. Gemini Ganeshan acts as the disappointed lover and his love is Saroja Devi. Saroja sacrifices her love for the sake of her sister's happiness as her sis ( Vijayakumari ) loves the same person. Then the storyline takes some unexpected turns. The storyline depends upon few forced hapenings and coincidences. The morals and ethics enshrined in this film are quite outdated and may seem weird to us now.The highlight of this film is the comedy part by Thangavelu. He just sizzles and the scenes where he ( thangavel ) acts , the film turns into a laugh riot. And it is all good, clean fun, which is quite remarkable. The songs and the background score are quite OK. Gemini does a nice job. This film was a box office hit of it's times and the director Sridhar established his name and fame with this movie. Saroja devi is very cute and turns in a fairly OK performance.All in all, a film worth watching at least once.


The film which begins off on a cheerful and effervescent note, courtesy of Thangavelu's antics, gradually moves into a sober mood before ending in rather tragic circumstances for the leading actor, "Gemini" Ganesan. Although the latter looks a lot older in his role of a young boy in the formative years of his adult life, he puts in a reasonable performance without ever being outstanding. Probably because he gets overshadowed by Saroja Devi's near-perfect portrayal of a cute woman that gives up her love for her sister's sake and troubled by lovelornness that goes with the sacrifice. This is perhaps her greatest performance in a long and distinguished career, though it gotta be admitted that she was everytime expected to take on an eye-candy role with minimal scope for acting. Casting and Melody provided able help to the success of the movie. Be it ANR, in a subdued role, or B. Saroja testing an ideal foil to Thangavelu or Vijayakumari, the hero audience love to hate, they all played their part as well as anyone could. Likewise, songs composed by AM Raja and performed by himself and Suseela (mostly) were runaway hits, giving the connoisseurs one more reason to fall in love with the movie. All told and done, this was a Sridhar's movie, through and through. In fact, it was his first movie, as a director, and man what a difference he brought to the Tamil silver screen. His story-telling, coupled with neat screenplay and ahead-of-times shots, his penchant for romance, and an ear for nice melody are testament to his status as one of Tamil Cinema's finest directors. In my humble opinion, he is one of only two trend-setters that Tamil filmdom has witnessed (other being the mercurial Bharathi Raja) in its seventy-five plus years of existence; when Tamil cinema was neck-deep in period and mythological movies, he made a bold stand of saying a contemporary storyline with love as its focal point. In contrast to the films of its era, it had short and crisp dialogues, very tiny histrionics, a touch of realism in intimate/romantic scenes, thoughtful and limited casting, and a short climax. In addition to providing the audience with an alternative to films of the two large stars of 50s and 60s, MGR and "Sivaji" Ganesan, his films were a prototype for soon day Tamil entertainers. And mind you, it all started with Kalyana Parisu.


Its difficult to trust that this is C.V Sridhar's debut movie.You can really search a freshness in the film.the cast contains Gemini ganesan,saroja devi and vijayakumari.Especially the dialogues are well penned which enriches the quality of the movie.One special characteristic of sridhar film is that he does not confuse audience with lot of characters.He narrates the storyline with limited characters and justifies every and each hero with utmost intelligence.music is scored by A.M.Raja which is outstanding and the background score also is nice .sridhar has his own method of narrating happenings.Especially in the stage where gemini ganesan and saroja devi used to meeet daily,the director shows a tiny plant growing day by day and finally when the storyline takes a unexpected twist when saroja devi forsakes her love for her sister,the same plant loses leaves and stands with stem alone.The climax is very neat and when gemini ganesan wants to call out "vasanthi"(saroja devi) and streches his hand but finds his hand filled with flowers to want the newly married couple, its difficult to resist tears.On the entire the film is a gotta watch......



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