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Description: After giving birth to Bhagwan Shri Kartiyeke, Devi Maa Parvati forms a child-human photo from clay, adopts him, and asks him to guard the house and not allow anyone in while she bathes. The kid refuses to allow anyone in, including Bhagwan Shivji himself, who beheads him. When a tearful Parvatiji pleads, Shivji brings the kid back to life with the head of an elephant, and names him Gajanand, and assures him that no one will create fun of him.
Description: Risking his life, Luke ventures to Rome to visit Paul -- the apostle who's bound in chains and held captive in Nero's darkest and bleakest prison cell. Haunted by the shadows of his past misdeeds, Paul wonders if he's been forgotten as he awaits his grisly execution. Before Paul's death, Luke resolves to write other ebook that features the birth of what will come to be known as the church.
Description: It is 1680 – the time of dreamt snow after the Turkish invasion. In the deserted plains of Bácska a living soul cannot be found in a few-days’ walk. Three former prisoners returning from their Turkish captivity – Long-Legged, Lame and One-Eyed – appear among the crumbling walls of a large abandoned church without a roof. They are looking for their long lost home. How to revive a disappeared civilization? What is the survivors’ private duty? Without a roof, a collapse is inevitable. The Old Boy – a master of ancient knowledge – and his daughter come and with sharing sowing seeds they test to save the community of dispersion. No spiritual leader, no aims. Driven by rapacity, One-Eyed kills the Old Man, rapes his daughter and while looking for the remaining seeds he kills Long-Legged with a sudden anger. At the end of the film, the survivors need to face with dramatic encounters and unique temptations. Their redemption under the leadership of Lame’s young son is the pledge for the future.
Description: Director Arnaud de Pallières presents an experimental three-part movie designed to stimulate the intellect and inspire reflection on the past. The first part says the storyline of the last living Holocaust survivor, who is nearing the end of life and regrets not leaving behind an official record of the horrors he witnessed during the dark years of Globe Fight II. Later, a young historian researching a concentration camp in Drancy is shocked to explore that the website actually houses an unwelcoming housing project named La Muette (the Silent). The trilogy winds to a close with the storyline of a ship's captain who recalls the time he ventured up an uncharted river towards an undiscovered civilization.
Description: Eager to impress the Queen of Sheeba, a young Solomon accidentally releases the devil Asmodeus from his prison. With the Kingdom of Jerusalem in peril, Solomon and Princess Naama work together to search an end to Asmodeus' evil rule.
Description: Francisco Morázan has been in Costa Rica for five months where he has been appointed Provisional Chief of State. It has named for elections to install a National Constituent Assembly, which could be a legal structure to the Costa Rican state. The Assembly has decreed the validity of the constitution of 1825, the same as that of the Central American Federation; It has declared the accession of Costa Rica to the Republic of Central America. Two months soon Francisco Morazán is shot one afternoon on September 15, 1842.
Description: The Countess Cosel is based on the real storyline of the pretty Anna Constantia of Brockdorff, a German noblewoman who became a mistress of Augustus the Strong, Lord of Poland and Elector of Saxony in 1704.
Description: American R&B singer and songwriter Michel'le sits down with Wendy Williams in this one-hour special. Michel'le opens up to share her relationship with her children and ex's, the fresh direction of her career, and her actual connection with her fans. Featuring never-before-seen footage of unique moments with her family and friends, this is an intimate look at a girl on the rise.
Description: Prince Charles of Denmark, who was recently elected by a plebiscite of the Norwegian folks as Lord of Norway, and whose election has been confirmed by the Storthing, has decided to assume the game of Lord Haakon the Seventh.
Description: Opera adaptation of Marko Marulić's epic poem "Judita" ("Judith"), composed by Frano Parać, with libretto by Frano Parać and Tonko Maroević. Premiered 14th July 2000 in HNK Split (Croatian National Theater Split).
Description: In 1864, the death of the emperor of China's Taiping rebellion gives the rival Ch'ings an occasion to attack. They break into the Taiping capital; the emperor's son goes into hiding, taking with him his family's invaluable sword. The loyal units chief, Gao Dekum, wants to search the young boy and reinstall him as emperor of the heavenly kingdom of nice peace. But he is double-crossed by Bei Wenbing. Few years later, after ardent training in kung fu, Gao's son Yulong and his daughter are ready to avenge their father's death and lead the Taiping loyalists into war vs the Ch'ings. A showdown between Yulong and Bei appears inevitable.
Description: From Badr International comes the long-awaited series, Animated Stories of Islam, relating some of the nice stories that took zone before, during and after the Prophet Muhammad. Before the Light, the first movie in the 3-part series, relates significant happenings that took zone before the birth of Prophet Muhammad. It is a storyline of miracles - the miraculous discovery of the well of zamzam, and then, centuries later, the miracle of its rediscovery by the Prophet's grandfather Abdulmuttaleb; the miracle of his father Abdullah's life; and finally, the miracle during the Year of the Elephant, the year the Prophet was born. There miraculous stories - all works of God - prepared the method for the message of Islam to shine bright during Muhammad's Prophethood, and for centuries to come.
Description: 1901, Balangiga. Eight-year-old Kulas flees city with his grandfather and their carabao to escape General Smith's Slay & Burn order. He finds a toddler amid a sea of corpses and together, the two men struggle to survive the American occupation.
Description: “Who Killed Tupac?” is a six-hour limited series, focusing on the investigation, twenty years after the death of the prolific and influential rapper and actor, Tupac Shakur. Every installment of this investigative series will contain aspects from the legendary artist’s life as well as follow famed civil rights attorney Benjamin Crump as he conducts a full-scale, intensive investigation into key theories behind his murder
Description: A docudrama on the closing of the city of Schefferville. When Raoul loses his job at the mine because the operations are ending, he's been settled there for ten years with Carmen and their son. They're actually forced to leave the town, leaving behind the traces of an ephemeral prosperity.
Description: Although traumatized by witnessing the murder of his parents by one of the Choushuu, Ichimura Tetsunosuke's thirst for revenge leads him to desire strength. At the age of 15, Tetsunosuke approached the Shinsengumi, wanting to become one of its members. However, Tetsunosuke lacked the skill, mind, and will to emotionlessly slash down whoever threatened peace and the Shinsengumi. Even with the help of his brother Tatsunosuke and his newfound mates of the Shinsengumi, tiny did Tetsunosuke know the blood and pain he would have to face being part of this historical group.
Description: During an attack in a caravansary in which all the troops die, three folks manage to flee. After that they accidentally encounter in various territories and support every another out.
Description: Back in the stone aged we all went to San Fransisco to escape our parents and the Vietnam war. To laugh, dance and love every other. To create love not war. Melody bt Country Joe & The Fish, Quicksilver Messenger Service, The Steve Miller Band and Mother Earth.
Description: This visually ravishing and thought-provoking work portrays one of the USA’s nice shames—the 1955 murder of 14-year-old Emmett Till by two white boys in Mississippi—and movingly reminds us of this dark episode’s enduring relevance.
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This is a curio - the storyline of Joan of Arc leading on from a view of the English trenches in Globe Fight One (which was still of course, a reality when this movie was made). Geraldine Farrar might not look the part of Joan but she manages to convey all the power, spirituality and vulnerability the part demands. her acting is a tiny theatrical as you would expect from an opera diva but she is perfect nontheless. Wallace Reid (a tragic casualty of Hollywood not that long after this) is cute nice as well, although I thought the love storyline angle stretched credibility a bit in places. The movie itself meanders a bit but when you consider it is over eighty years old it still retains a remarkable amount of effect. Not as nice as the 1928 Dreyer movie but one to seek out.
All the Demille trademarks are here - large crowd scenes, wild orgies, torture - but there is also a beauty and imagination here that is lacking in some of his soon work. The test of double exposures for Joan's visions, the superb test of lighting and colour tinting, reveal a film-maker of greater depth than we might expect.Opera diva Geraldine Farrar seems a tiny old and hefty for Joan of Arc, but once you receive past that she truly gives an perfect performance. And Wallace Reid as her English lover lends powerful support.The camera is a tiny static and the "spectacular" war stage is really just hundreds of folks running around waving sticks in the air and falling backwards off walls (and I think very tiny attention was paid to the security of the extras and the horses), but this is still a very rewarding and innovative film. And we receive the original 1916 score performed on a Wurlitzer.The historical storyline is framed by a Globe Fight 1 (then currently raging in Europe) scene, which adds poignancy to the piece, but does create the central thesis of the storyline (that God takes sides in wars) a tiny harder to take. Ramon Novarro's in this somewhere - can you search him?
Joan The Girl was Cecil B DeMille's first epic, the category that today he is greatest remembered for, although at this mission it was more the situation that was hopping on a band wagon. After the heavy success of Italian "super production" Cabiria, DW Griffith had made Intolerance and Thomas Ince (forgotten today but a large name at the time) did a Globe Fight epic named Civilization. In 1916, all the large names were doing epics, and DeMille, actually established as Paramount's star filmmaker, wasn't going to be the one to miss out.Joan The Girl was something like De Mille's fourth or fifth collaboration with Jeanie Macpherson. Typically of Macpherson it has a tight story somewhat marred by some rather odd ideas. The framing story, set in war-torn Europe, is apparently there to give the tale some contemporary relevance, and it may be in part an Intolerance-inspired blending of narratives in various historic periods. However on MacPherson's part it seems to be a possibility to discover her interest in reincarnation. So we receive this daft tiny storyline about a British soldier who was in a past life the boy who betrayed Joan, and actually has to go and sacrifice himself in war to repay the debt. An officer holds up a bomb as if it were the catch of the day – "I need one of you chaps to go and drop this in the German trench. Oh and by the method it's a suicide mission, so think carefully before you volunteer" The entire thing looks like something out of Blackadder Goes Forth.This is DeMille though, and it's not about the daft plot – it's about the large picture. De Mille's deftness at handling crowd scenes had been apparent since his earliest films, but here he really gets to test that skill to its full potential. The main war sequence is as spectacular as those in Intolerance, but it is also convincing. DeMille apparently set the two opposing armies of extras genuine objectives – hence we receive a very true sense of desperation and determination. He makes nice test of high angles looking down on the action – God's-eye-views, perhaps. DeMille also builds up tension to the clash of armies with a mighty cavalry charge across the screen, and in this we see the seeds of the equivalent sequences in DeMille's The Crusades (1935) Eisenstein's Alexander Nevsky and Olivier's Henry V, all of which used and developed the opening cavalry charge to add excitement to war scenes.DeMille continues to progress well with his mastery of visual grammar. As per usual in his silent pictures, he makes some test of "Rembrandt lighting" – well lit actors vs dark backgrounds. Here however he achieves a related effect, albeit it with light and dark reversed, with clouds of dust or smoke framing the characters as silhouettes. Also much in evidence here is DeMille's test of photos to imply sound – for example a shot of church bells ringing, followed by a shot of Joan reacting to the sound conveys narrative (and in this situation hero information) without resorting to intertitles. DeMille knows that he doesn't necessarily have to throw in a game each time a hero opens their mouth, and as often as possible keeps a smooth flow of meaningful images. The romantic scenes between Geraldine Farrar and Wallace Reid are particularly effective as a result. Having told that, there is perhaps a bit too much pompous theatrical gesturing from the actors, which I suppose goes hand-in-hand with the rather unnecessary test of "thees" and "thous" in the titles.It's perhaps rather appropriate that, as well as being the first time DeMille brought epic spectacle to the fore, this is also his first storyline to include a massive dose of religious piety. For DeMille, as we can see here, God is a showman, a god of miracles, visions and righteous destruction. The incredibly egomaniacal DeMille probably saw himself as a related figure, dazzling the populace and hammering home his messages with spectacle and unique effects. So, with Joan The Woman, we see the beginnings of the DeMille who would one day part the red sea and resurrect Jesus on the silver screen.
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