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Jagdhunde 2007
Description: Despite having lived in the East German countryside for few months, teenager Lars and his dad, Henrik, are still treated as unwelcome guests. Henrik is building a “marriage barn,” a proposed bed-and-breakfast for newlywed Berliners.
Released: 18 Oct 2007 Director: Ann-Kristin Reyels Writers: Marek Helsner, Ann-Kristin Reyels Actors: Constantin von Jascheroff, Josef Hader, Luise Berndt, Sven Lehmann Genres: Drama, Romance
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Jagdhunde Reviews:

I recently saw this at the 2008 Palm Springs International Movie Festival where it was awarded the Fresh Voices/New Visions festival prize. This is a promising debut from writer/director Ann-Kristin Reyels. Co-written with Marek Helsner, also a newcomer to detail films, this is a storyline in winter in the remote northern German region of Uckermark. Henrik (Josef Hader) and his 16 year old son Lars (Constantin von Jascheroff) and their two dogs are unwelcome outsiders from Berlin who have settled into the zone where Henrik has purchased an old farm and has an unrealistic plan of turning his barn into a wedding hotel where folks will come to be married and honeymoon. As Christmas approaches it has been arranged for Lars to spend the vacation with his mother Brigitte (Ulrike Krumbiegel) in Berlin until he meets Marie (Luise Berndt) a deaf woman his age who is the daughter of the local pub owner Volker (Heiko Pinkowski). Henrik and Brigitte are separated and a fresh set of issues arise with Brigitte's sister Jana Judith Engel) and Brigitte's fresh mate Robert (Marek Harloff) added to the vacation mix. This is an art movie filled with metaphorical photos and cases that a general audience may search tedious and boring. This would be a excellent movie for a movie study group or movie conversation to compare viewpoints and observations and it probably is a movie you need to see twice to better appreciate it. Pretty photographed in it's stark and silent winter scape by cinematographer Florian Foest and edited by Halina Daugird, both fresh to detail films. In this movie you will search loneliness, isolation, lack of communication, dysfunction, confusion, anger, comedy and love. I'm sure we will see more from filmmaker Reyels. It's a wonderfully strange tiny movie and I would give this an 8.0 out of 10.


The movie sets off by showing how a father and his teenage son Lars struggle to begin a fresh life in the east German province. In calm paces the movie extends. It finds pretty photos in the tiny globe involved, the cinematography is inventive and the repeated takes of the same pretty spots with the various test of light and weather underline the development of the story. Lars meets Marie, the teenage daughter of the local pub owner. Gently they receive to know every another while their parents and Co. struggle with their own screwed lives. Again, the pace is calm, but slowly but surely - accompanied by a funny, grotesque humour with many laughs in the audience - the plot culminates in a Christmas dinner that you will be satisfied not to have to attend. A unbelievable film which combines all the important ingredients. Very nice rather understated acting, visual beauty, interesting characters, nice storytelling.


Dysfunctional families and a complicated father-son relationship have been a recurring theme not only in the German cinema.Often in these movies the kids are more reasonable and have to present the adults the method with their sense for reality, for example in "Netto".The case is related in "Jagdhunde", the debut movie of Ann-Kristien Reyels.Main hero is the pubescent Lars,who after the separation of his parents lives with his father in a east-German provincial backwater.The father plans to turn an old barn into some type of hotel for weddings - a strange idea,as the son clearly understands, in a society,where less and less folks receive married.Worth mentioning also is the fact, that in the entire movie there is not one traditional family,but only patchwork-relationships.Ignored by the mostly close-mouthed locals they test to receive along in the cold and winterly wasteland.Things change when Lars befriends a mute girl,which is also living only with her father and when for Christmas arrives not only the secret fresh lover of his father, the sister of his ex-wife, but the Ex herself with her much younger fresh lover.It is very pleasant to see how the developing,earnest and still insecure feelings of the teenagers are opposed to the calculated behavior of the adults aimed primarily at effects.Highlight of the movie is a Christmas-dinner,which with its artificial holiday-like atmosphere and the hidden acrimony is as hilarious as it is depressing.The adults are not objects of mockery,but spectators develop an understanding for the actions,which are finally motivated by anxiety and insecurity.The relation between the two teenagers also is launch for interpretations: Is it love or just the need of outsiders for a mate of the same age.It makes you a bit sorry,that this natural feeling and acting will disappear with the years, for getting older they will have to adapt to adult manners.Nevertheless the movie depicts very precisely that phase of growing-up, in which you think the adults to be so ridiculous and dishonest and you are convinced never to become like them.The acting is flawless and laconic with some comic moments,especially by von Jascheroff("Falscher Bekenner") and by popular austrian actor Joseph Hader("Indien").Directing comes off very elegant and fluent - not the rigidness of the "Berliner Schule" - ,just one tiny mission of critic: The sometimes exaggerated test of symbolic landscapes ( snow-covered fields,frozen pond).Overall an exactly perceived and felt movie about the difficulties of growing-up and the gap between the generations.



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