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Io Semiramide 1963
Description: A lover-slave Kir is taken from Semiramis, Queen of Assyria. The boy is convinced that he has been betrayed and plans a revenge. Mythological Kolossal for lovers of the genre.
Released: 22 Mar 1963 Director: Primo Zeglio Writers: Fede Arnaud (screenplay), Alberto Liberati (screenplay), Primo Zeglio (screenplay), Luigi De Santis (story), Sergio Spina (story) Actors: Yvonne Furneaux, John Ericson, Renzo Ricci, Gianni Rizzo Genres: Drama
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See Io Semiramide 1962 ( Italiano on youtube.

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Io Semiramide Reviews:

For some unknown reason, this movie has undeservedly sunk into obscurity. It is a lavish, dramatic tale of the legendary Semiramis, Queen of Babylon. According to this version, she is an unscrupulous, faithless schemer of boundless ambition, whose manipulation and successful plots propel her to the height of power by sweeping away all her opponents, often literally over their dead bodies. (King Ninurte and General Omnos are situations in point.) Aiding and abetting her cleverness and statecraft is the asset of her nice beauty. Yvonne Furneaux has seldom been more alluring or fascinating than she is in this role, no doubt her best. John Ericson is fine as the handsome, stalwart opponent Lord Kir of the Dardanians, the object of both her possessive love and her hate. Germano Longo is perfect as the ill-fated Assyrian general she manipulates and uses until his ultimate doom. The script is a nice one, the action is brisk and the sets and costumes are lavish and befitting royal Assyrian extravagance. Unfortunately there is no finished English print accessible at this time. The only one floating around is badly chopped and edited, but there are perfect German and Italian prints that can be obtained. "I, Semiramis" is definitely one of the better epic movies which still holds up well. It cries out to be restored and made accessible again for a fresh generation of viewers.


Trying to write a coherent synopsis for this sword-and-sandal extravaganza, (set in ancient Assyria), borders on the impossible. The main thrust of the plot seems to be the rise to power of the pretty but scheming Semiramis. To achieve this target she simultaneously works both with and vs Onnos, a general in the Assyrian army, and Kir, a lord defeated by Onnos in battle. Though her efforts eventually seem to meet with success, her murky tangle of shifting alliances makes for a messy story-line which never succeeds in giving us a grip on Semiramis's character. She's neither heroine nor villain and often appears to be controlled by the plot rather than in control of it.Fortunately, this film offers compensations: colourful costumes, exotic sets, and few flashy scenes which rise above the muddled plot. One of these scenes shows leading boy John Ericson stripped to a loincloth and bound to the side of a water-wheel. As the wheel revolves, it plunges his head in and out of the water. This calls to mind a related stage in Chapter 9 of the 1947 serial, "The Sea Hound," in which Buster Crabbe suffers a related torture on other water-wheel.Yvonne Furneaux is visually alluring as Semiramis and one wishes the script had furnished her with a more consistent and plausible character. John Ericson as Kir falls into the "passable" genre and though he seems slightly out-of-place, his failure to ignite the expected romantic sparks with leading lady Furneaux can once again be traced to that hodgepodge of a script.


Assyrian lord Minurte (Renzo Ricci) is getting old, and his son is still a kid who cannot follow on the throne yet. Few members of the court are thinking about taking the throne or at least test the occasion to share the power of the fresh ruler. There is Semiramis (Yvonne Furneaux), a girl who is enchanting any boy and wants to build Babylon, a town of her own design. Then we have Kir (John Ericson), the enslaved young lord of other country and a nice warrior, Omnos (Germano Longo), an ambitious, successful general, and last not least Ghelas (Gianni Rizzo), an adviser to the king. The complex storyline revolves around intrigue, treachery and murder. Some characters are not really round, and if the credits state that 5 various screenplay writers were involved, I can imagine they wanted to push it into various directions, perhaps. Semiramis herself is everything from tragic goddess to relentless devil, depending on which scenes you watch. But despite some plot holes, the film is entertaining enough to watch, 1960s costume drama above average.



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