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Into Her Kingdom 1926
Description: In Czarist Russia, a young peasant man is sent to Siberia for insulting the Grand Duchess. Released years later, he joins the fighting to overthrow the royal family. The whole royal family is condemned to death when fighting ceases.
Released: 08 Aug 1926 Director: Svend Gade Writers: William M. Conselman (titles), Ruth Comfort Mitchell (story), Carey Wilson (adaptation) Actors: Corinne Griffith, Einar Hanson, Claude Gillingwater, Charles Crockett Genres: Drama, Romance
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Into Her Kingdom Reviews:

One of many missing and presumed lost movies from the lovely Corinne Griffith. "Into Her Kingdom" was also part of the then-stylish wave of Russia-themed pictures. Griffith is assisted by the handsome Einar Hanson, who would die tragically in a automobile accident.The movie purports to say the storyline of the real-life Grand Duchess Tatiana, daughter of Czar Nicholas II. Tatiana was executed along with her parents and siblings but that fact was not popularly known when "Into Her Kingdom" was made. However, it does give the storyline a rather ghoulish quality and making a movie about a young girl whose fate was unknown shows a distinct lack of nice taste. While Tatiana has not endured nearly the nonsense that became attached to her younger sister, Anastasia, it is still a pity that the film makers chose to go this route.Note: This movie is considered missing and presumed lost and any reviews claiming to have viewed it could be looked upon with a wary eye unless the whens, wheres and hows of the screening are shared.


This turgid romantic drama 'Into Her Kingdom' (oughtn't it to be 'Queendom'?) seems to have been inspired by the rumour that Russian princess Anastasia somehow survived the slaughter at Ekaterinburg. There have been few perfect films and plays based on the Anastasia legend, but this is none of them. There's some impressive production design here, in the sets and costumes for the early sequences before the peasants receive revolting (ha ha), and in the final scene, but this movie's merits are far thinner than its flaws.SPOILERS THROUGHOUT. Corinne Griffith is regally cute as Grand Duchess Tatiana. (If somebody knows the difference between a grand duchess and a mere garden-variety duchess, please allow me know.) Early on, we see her as a kid along with Stepan, a peasant man slightly older. For some reason, the princess and the pauper are both pupils of the same tutor (Claude Gillingwater, looking elderly even in the 1920s). Was it the custom among Russian bluebloods for a female aristocrat to be educated alongside a peasant boy? I should only just barely agree that premise here.Eight years later, along comes the Bolshevik uprising. All the Russian royals know their goose is cooked. The lowly Stepan, at the tender age of 22, has somehow become the commissar who personally gives the order to execute the royal family ... including Tatiana, age 20.Tatiana's maid Sonia (good performance by Marcelle Corday) is so utterly loyal to royalty that she willingly trades clothes with Tatiana, allowing herself to be executed (disguised as the duchess) while Tatiana pretends to be Sonia the maid. I had no trouble believing that a loyal servant would do this ... except for the fact that, in true life, the Russian aristocracy's servants were executed alongside them, partly because the servants themselves also came from highborn families. Anyway, the swap gets the maid killed, but then Stepan discovers that Tatiana is alive after all. So he decides to marry her(!) to break her haughty spirit. Hoo-boyovich.Well, of course Stepan falls in love with Tatiana. But when the miscellaneous Bolshies explore she's still alive, her goose is cooked again. Now, what do you do if you're a grand duchess and things receive too hot for you in Russia? You head for Fresh Jersey!Oh, and somehow Tatiana manages to bring her royal raiments to Fresh Jersey too. Now, if I were a grand duchess fleeing the Russian revolution, I wouldn't package any fancy finery in my tuckerbag on my method out of town. This entire film is full of faulty logic.Some time passes. In Fresh Jersey, Tatiana and Stepan settle down as a married couple and test to forget the pesky revolution. They have a baby girl, who in theory is actually the heir to the grand duchy.But Tatiana is a typical housewife, until one day she overhears some local children testing fairy princess, and she decides to present them what a true princess looks like. She takes her fancy clothes out of mothballs, puts them on for the first time in years, and displays herself to the admiring children. When Stepan sees his wife all swanked up, he suddenly regrets that she's been cheated out of her noble birthright. He takes her and their daughter to Europe, hoping that the surviving royalty will recognise Tatiana as nobility, and reinstate her 'into her kingdom' ... as a game card tells in the last reel, finally explaining this film's title.But Tatiana chooses to greet her peers (and peeresses) in a housewife's dress, clutching her kid and indicating her husband while she announces that *this* is her kingdom. Fade out.That closing stage seems to imply that motherhood and marriage are the only real role for all women, not merely Tatiana. The actor testing Czar Nicholas resembles him slightly, whilst the actress testing Czarina Alexandra doesn't resemble that lady at all. Einar Hanson is perfect in a badly-written role, but the subordinate Bolsheviks in this film are a bunch of stock characters.The greatest performance is by Claude Gillingwater as the tutor. In the 1930s, Gillingwater consistently played sourpuss misers (sometimes with a nice heart underneath, sometimes not), and he was already typecast in such roles during his silent-film career. As the tutor in this film, Gillingwater is more sympathetic than usual, and after his last stage this boring film becomes much more boring. For a couple of performances and some impressive sets and costumes (dressing up a ridiculous script), I'll rate this one 4 out of 10.



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