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Interview with the Vampire 1994
Description: A vampire relates his epic life storyline of love, betrayal, loneliness, and dark hunger to an over-curious reporter.
Released: 11 Nov 1994 Director: Neil Jordan Writers: Anne Rice (screenplay), Anne Rice (novel) Actors: Brad Pitt, Christian Slater, Virginia McCollam, John McConnell Genres: Drama, Horror
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Interview with the Vampire Reviews:

'Interview with the Vampire' is an atmospheric, highly gripping "film involving vampires" - not a "vampire movie". Whilst the latter would describe a movie that focuses on its vampirism and might be judged on the sharpness of its fangs, this "film involving vampires" has all the merits of the very greatest cinema, and at its core is nothing but a wonderful storyline carried by compelling, believable characters.For those who may not be able to overlook the vampiric content, look again. The vampirism herein is a plot device, a method of presenting characters who cannot die or age or be harmed, so that the philosophical questions of life itself can be explored. But equally, for those who will be interested in the vampiric content, this movie presents a rich mythology backed by a trilogy of books, which fleshes out the idea of the vampire in a much deeper method than any another production.Every person has their own globe view, their own method of living and thinking. Folks can be brooding, contemplative, cautious, reasonable, carefree, hedonistic, optimistic, emotional - and each shade in between. But these are all world-views based on the knowledge that life is short. What would happen if said their lives would never end? Who would be happiest? What would they do? How would eternal life affect every person? And most importantly, if a method of living was bringing meaning to a person's life, would that still work once life was infinite? All of these questions support us discover philosophical concepts as old as time, and that exploration is the focus of this film.The storyline is propelled by vampires Louis (Pitt) and Lestat (Cruise), every representing a various take on life. Whilst Louis, who began as a depressive wanting to die, thinks of eternity as an extended curse; Lestat, who seems to live each second as it comes, barely even considers the future three mins hence. Said from Louis' viewpoint as he struggles to search some meaning in a life he knows will never end, we are taken on a ride across the centuries, as Louis' outlook and happiness undulate whilst characters and relationships come and go.Alongside Louis' turmoil in coming to terms with his (now eternal) life, a secondary theme is explored, which is the notion of survival. Even though Louis is clearly dissatisfied with life, he never attempts to end it, despite this option being launch to him. In another words, surviving, in and of itself, was a motivation that outdid any other. Most importantly, survival outdoes Louis' problem over the fact that his only source of nourishment is actually the blood of living animals, preferably humans. Despite attempting abstinence, and then attempting to drink only the blood of rodents, this primary feeding instinct proves too much for Louis. And yet, as Lestat points out, what is the problem? The fittest everytime survives, and whoever is lower down the food-chain will be eaten. Humans eat animals, and vampires eat humans - it's all natural. But nonetheless, are there moral limits? Even if you have to slay a human, is there a more moral method to do it? "Monstrous," Louis exclaims, as he watches a group of vampires murder a defenceless girl. Yet might survival require the forgetting of moral consciousness, like Lestat?'Interview with the Vampire' explores all of these deep, necessary problems whilst delivering an incredibly strong storyline populated by charismatic characters, haunting and diverse settings and immortal dialogue. Gripping from begin to finish, you will be enamoured at the vampire-world opened up to you; and by the end, you are left wondering what choice you would have made, given the one that Lestat never had...


I, like Anne Rice, was initially dismayed that Tom Cruise had been cast as Lestat. But when I saw the film, I had to admit that he absolutely nailed the role. I had everytime thought of Cruise as a cute boy, and not really a serious actor, especially since he failed in his attempt at a Streepian accent in "Far and Away". However, he perfectly portrayed Lestat for what he is, a creature with a monstrous ego. I think that this was the first movie I had seen with Brad Pitt, followed shortly by "Legends of the Fall" so to me his acting credentials were impeccable, in spite of my female mates swooning over him. The rest of the cast was perfect as well, with the only minor quibble that Antonio Banderas was too old for the part of Armand. Kirsten Dunst was adorably evil. The cinematography was beautiful, considering that almost all of the movie (of course) takes zone at night. One note on the supposed "homo-eroticism" in the film. I have the advantage, having read Rice's books, so here is the deal on that. In Rice's world, the vampires are absolutely sexless. Therefore, gender has no meaning to them. When a vampire loves another, or a mortal, it is truly from the heart, as no sexuality of any type ever enters into it. The only thing to them that is close, is the kill. Killing is highly "erotic" to vampires. However, this too is really asexual, and so again, gender has no bearing on the eroticism of the kill. I think that some elements of this, which apparently came across as homo-eroticism, were included in the screenplay just to emphasize how different, how non-human, that vampires are.


Someone told that this film was too cerebral for horror fanatics who live for drivel like "From Dusk 'Till Dawn", and too much of a horror film for folks who look (or at least pretend to look) for meaning in films -- pseudo-intellectuals. That person couldn't have been more correct. I'm not a horror fan, I'm not an Anne Rice fan...I'm not even fond of Tom Cruise, Brad Pitt, and Antonio Banderas. But Interview With a Vampire was a film that excelled my expectations.I refused to see this movie for 3 years because I believed it would be what I perceived it to be: glitzy Hollywood garbage geared toward adolescent women with posters of the 3 main actors all over their walls. I finally broke down and rented it, and I was astonished by the wonderful performances delivered, the thrilling dialogue and the method it was delivered by the actors, the scenery, the plot, the score...everything. I never thought that Brad Pitt or Tom Cruise should act, but their performances made their wonderful characters a reality. However, the real star of the movie was Kirsten Dunst. At 12 years old, this woman was able to keep her own vs her co-stars, and often stole the stage (particularly the incident in which Claudia tries to slash her hair and subsequently Lestat discovers the corpse in her bed.)You don't wish to look for the meaning of life in this movie. It's a story. The plot is basically the history of a vampire's life, and I don't understand why folks are compelled to trash a film because of its simplicity. Look at the title. That's all it is, and if you expect more you're setting yourself up for disappointment. It's not the deepest of movies, that's why it could be enjoyed for the intense dialogue and the nice production that went into it. Others trash the film because of its homoerotic undertones. This aspect is so fleeting that it's ridiculous to dwell on it, and if you dwell on such an insignificant aspect of the film then you were obviously looking for something to bother you. One extra thing: to even recommend that the violence in this movie should be responsible for incidents such as the Columbine High School killings is beyond moronic.This isn't the best film that has ever been made, it's certainly not a complex analysis of life, or a parable with a moral dictating the enjoyment of life. It's a brilliantly produced gothic tale of a vampire, nothing more and nothing less. In respect to the book, I've never read it and I don't particularly care to read it. But for all of you who have been complaining about the film not living up to the novel, here's a clue that might prove helpful in the future: the ebook is ALWAYS better than the film. Don't waste your time complaining about something that is understood.



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