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Infatuation 1925
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Released: 27 Dec 1925 Director: Irving Cummings Writers: W. Somerset Maugham (play) Actors: Corinne Griffith, Percy Marmont, Malcolm McGregor, Warner Oland Genres: Drama
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Infatuation Reviews:

By Jove, here we are in the stiff-upper-lip precincts of the British Empire. This turgid tale of foiled romance is set in Cairo (Egypt, not Illinois) but most of the action takes zone on stagebound interior sets, and the only flavour of Egypt is conveyed in a several bits of set dressing and the artwork on the game cards.Sir Arthur Tiny is the fresh (or rather oldish) British consul to Egypt, and he comes barging down the Nile in Colonel Blimp mode, accompanied by his younger (and prettier) fiancée Violet. (In the original scene play, she was his wife.) Early in the proceedings, they receive a visitor in the consulate: none another than Warner Oland, the Swedish actor who spent his whole career testing swarthy Orientals. Here, he's a full-blooded Arab. He darkly mutters a several lines of dialogue about Britain's oppression of the natives. The damned rotter!Violet (no shrinking violet) meets Ronald Parry, her husband's handsome young secretary, and the two straight away fall in love. But duty and honour require that she marry Sir Arthur. Deucedly inconvenient, and all that.This film was produced by Corinne Griffith's private production company as a star car for her. She goes through each stage in a various elaborate outfit, climaxing in a formal gown for a reception in the consulate. This movie constantly lavishes attention on the posh living arrangements of the British in Egypt, clearly taking no interest in the Cairo peasantry. Warner Oland's large stage in the second reel seems to exist solely as foreshadowing for an attempt on the consul's life.SPOILERS NOW, EH WOT? Handsome Ronald intervenes to save Sir Arthur's life. Then he squares his manly shoulders and falls in love with other girl (younger than Violet) who somehow reminds him of her, thus giving him credit for still loving Violet without stealing her from Sir Arthur. Violet, meanwhile, decides she loves Sir Arthur anyway. If this film has a moral, it seems to be that honour and duty are more necessary than love. Dashed nuisance, love. Gad, sir, when I was in Poona... (Exit muttering.)The single most impressive thing about this film is the splendid camera work by Hal Rosson, followed by the costumes and lavaliers for Corinne Griffith. The direction is slow and lacklustre throughout, and not abetted by the fact that Miss Griffith shows no discernible acting ability. If Warner Oland's very tiny role had been bigger, the film would have been more interesting. My rating: 3 out of 10. Terrible show, chaps!



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