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Infamous 2006
Description: While researching his ebook In Cold Blood, writer Truman Capote develops a close relationship with convicted murderers Dick Hickock and Perry Smith.
Released: 13 Oct 2006 Director: Douglas McGrath Writers: Douglas McGrath (screenplay), George Plimpton (book) Actors: Sigourney Weaver, Toby Jones, Gwyneth Paltrow, Sandra Bullock Genres: Biography, Crime, Drama
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Infamous Reviews:

Truman Capote may be special among newest celebrities to have two perfect movies made about his life. Just a year after Phillip Seymour Hoffman's mesmerizing performance in "Capote," Toby Jones does a fine, if more expected, impersonation of the creator of "In Cold Blood" and "Breakfast at Tiffany's." With the razor sharp wit and effete mannerisms more focused than they were in "Capote," Jones, in Douglas McGrath's "Infamous," is a more vulnerable Truman and is unquestionably in love with one of the Clutter family killers, Perry Smith. Although ostensibly a drama, "Infamous" is replete with Capote's celebrated wit, and the one-liners, which are often sexual in nature, are welcome relief from the heavier scenes.However, "Infamous" is at heart a love story, or rather two, love stories. The first romance is between Truman Capote and his coterie of largely female socialite friends, with whom he gossips and parties and self adulates. The second, much deeper love story, between Capote and Smith, starts as Capote explores Smith's background and family history. Although their relationship, which the movie implies was more than platonic, develops within the confines of prison, the two boys connect through related private tragedies in their childhoods. Smith, well played by Daniel Craig, was at least bisexual or even gay, according to McGrath's screenplay. Although a subliminal connection between the two assassins was recommended in both the movies "In Cold Blood" and "Capote," in this movie Dick Hickock, Smith's partner in the Clutter killings, recognizes Perry's orientation and taunts him with it.Although a bevy of well-known performers threatens to undercut the realism of the drama with a minigame of "isn't that so and so?," the acting rises above star cameos and blends seamlessly into the whole. In fact, the familiar faces aid in maintaining recognition of the parade of celebrities, such as Babs Paley, Gore Vidal, and Harper Lee that surrounded Capote in life. Borrowing a technique from Warren Beatty's "Reds," McGrath effectively uses witnesses that talk to the camera about Truman as though being interviewed at some soon date. Surprisingly, these interview segments do not interrupt the flow of the drama and enhance rather than detract from the film's power.And strong it is. Although the execution scenes have been filmed twice before, Truman's parting from the assassins and the current hangings remain almost unbearable to watch. Although two movies have preceded this one and similar essentially the same story, "Infamous" stands as a worthy addition to what is actually a trilogy on the Clutter family murders (1967's "In Cold Blood," 2005's "Capote," 2006's "Infamous"). Surprisingly, every movie is equally engrossing and brings its own viewpoint to the story. Like various facets of a prism or a three-film ver of "Rashomon," the tale of Truman Capote's reportage of the murders retains its fascination and the enigma of Capote's relationship with the killers. Rarely have three such powerful, outstanding movies been made from the same topics matter.


When I saw "Capote" I was really impressed by the presentation of the storyline and the quality of the acting. When I saw "Infamous" today, I was caught up with the storyline in a method I had not been before. It was closer to the experience when I read the ebook many,many years ago. "In Cold Blood" is about killing human beings, and I trust that it is no more right for cold blooded murders to do it than for me do do it as a member of society that authorizes the death penalty. I trust that the movie as well as the ebook makes folks think about this trouble The cast was superb, and I told the same about the earlier rendition, but this time the characters were totally developed and believable under the circumstances. I had been impressed before, but this movie is various from the last--it is more emotional, more detailed in rendition of the characters, and more interested in showing not just the destruction of Truman Capote, but in sharing the concepts that he expressed in "In Cold Blood".When I was growing up (I am 62 now) I recall that I did not like Capote when I saw him on talk shows repeatedly. I really knew nothing of gay culture or what even that meant at the time, so it had nothing to do with the sexual orientation. It had to do with the ego that was constantly expressed and realted to nothing that I really cared about.But what was incredibly necessary to me then and actually is that we can lose track of the fact that we are all human beings, a mission that was stressed in the film. Assassins may be killers, but they are us, in a way, filled with some of the same ambitions, hates, emotions that most of us can control. What separates us from them might not be very much, so why do we need to slay them as they jailed their victims? It is simple to kill, but not so simple to test to understand. This movie hits an emotional lvl that the previous movie did not. I am satisfied that it ultimately was made. I am also satisfied that the quality of the performances, the writing and most especially the direction, were so superb. Watch the stage where the farmer speaks only to Harper Lee and not Capote. It is an wonderful monologue, but the circumstances are noted.


Forget Capote! This movie blows Bennett Miller's ver out of the water. Not to take anything away from the Hoffman performance, but Toby Jones is wonderful as the late Truman Capote making me understand his pain and love and guilt for Perry Smith and his demise. This was all accomplished from a legitimately true place, not some "pull-my-heartstrings-Ron-Howard- music-swells" sort of way. The stage after he returns from his liason with Perry and the shift of emotions we see in Jones' face is reminiscent of Diane Lane's "train sequence" in Unfaithful. Incredible. And Sandra Bullock...where have you been hiding? Please Academy, do not be scared to honor this movie so close to its predecessor.



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