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In Gold We Trust 1990
Description:
Released: N/A Director: Chalong Pakdeevijit Writers: Buncherd Dhawee (screenplay), Norman Puemin (story), Tony S. Suvat (screenplay) Actors: Jan-Michael Vincent, Sam J. Jones, Michi McGee, Sherrie Rose Genres: Action, Adventure, Drama
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In Gold We Trust Reviews:

Maniacal mercenary Jeff Slater (Jones), and his right-hand boy Christoph (Kluppel)lead a band of baddies to Thailand to test and retrieve a cache of gold bars hidden in what looks like a miniature NASA spacecraft. Also after the gold is Slater's former 'Nam buddy Oliver Moss (Vincent). Moss takes his right-hand gal Debbie (Rose) along with him and his gang. But there's going to be plenty of conflicts and competition, not even amongst the two groups vying for the treasure, but from local soldiers, as well as a battalion of Japanese fighters hidden in a Thai cave (????). He who has the gold makes the rules...who will rule? This film is so great! It ranks among the greatest work of P. Chalong, the greatest work of Jan-Michael Vincent, the greatest work of Sherrie Rose, the greatest work of AIP, the greatest work of Christoph Kluppel and by far the greatest work of Sam Jones. All in one convenient movie! How can you lose? P. Chalong has directed six films in his career and we've seen three of them to date - Gold Raiders (1983), The Lost Idol (1990), and this. Sadly, it was his last movie, because he'd finally fulfilled his potential as a director and given us the P. Chalong that we've everytime wanted to see, if that makes any sense. He seems to be the only guy out there willing to hire the under-used Christoph - who, in real Tony Danza fashion only plays dudes called Christoph - but for some reason is dubbed with a Russian accent. He's a member of the squad of baddies that contains a guy that looks like an 80's-era Weird Al, and a Tommy Chong-like boy as well. Truly these are the villains that will strike fear in your heart. On the character side we have Sherrie Rose, who hails from our home state of Connecticut. She can certainly keep her own with all the testosterone around. And fanatic favourite JMV - even though it was the 90's at this mission - still wears his sunglasses at night in real Corey Hart fashion, as well has his Member's Only jacket and childlike hair part. Witness as he mispronounces the word "Laos" - but even still, he doesn't seem that drunk this time around. Whether that's a nice thing or not is up to you.But, ladies and gentlemen, no one can even come close to Sam Jones in this, the role of his lifetime. Jones, testing a baddie (which is rare for him) seizes the occasion with gusto. He's at his absolute greatest as he chews the scenery to shreds with hyped-up abandon. It's over the top in the greatest sense of the word, even a John Miller (From Honor and Glory, 1993)-like performance. It's beyond a tour-de-force. It's a tour-de-France as he attempts to lead his horde of highly-questionable antagonists to victory. Sam Jones in this film is enough to warrant a purchase.Adding to the silliness/weirdness (besides everything else) is the Godzilla movie-like dubbing of the Thai actors, the George W. Bush-like Texan "John Point" who appears in the beginning of the film, JMV shooting a missile launcher in mid-air from a parachute (it's in the trailer so it's not a spoiler) and plenty of another great, rewindable moments, which are normally so rare. This is truly one of the greatest Exploding Hut films we've yet seen, it really transcends the genre. But when purchasing this movie, don't confuse it with the 2010 release of the same name. Obviously the folks who made that one are film-illiterate because they've never heard of P. Chalong! Chalong was the first one to cleverly add a easy "L" to the popular inscription on our currency. We miss you, P. We really do.For releasing this movie, this is why we're everytime touting AIP. We give them props. In Gold We Believe is so much fun, and now, finally, Jeff Slater can go in the pantheon of nice film villains. We suggest this film highly! For more action insanity, please visit: www.comeuppancereviews.com


This film was originally conceived and written by Thai producers. An American producer kicked in some financing to upgrade the cast. The script did not change, so the bones of the movie are cute ridiculous but the military results are quite good, as is the cinematography. Of particular note is the crisper editing done for the American ver and the score, which musically distinguishes between three ethnically diverse elements, Thai soldiers, ethnic Hmong and American mercenaries. A fine Hollywood gloss was place on a foreign exploitation film.


This film was originally conceived and written by Thai producers. An American producer kicked in some financing to upgrade the cast. The script did not change, so the bones of the movie are cute ridiculous but the military results are quite good, as is the cinematography. Of particular note is the crisper editing done for the American ver and the score, which musically distinguishes between three ethnically divers elements, Thai soldiers, ethnic Hmong and American mercenaries. A fine Hollywood gloss was place on a foreign exploitation film.



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