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In Bruges 2008
Description: Ray and Ken, two hit men, are in Bruges, Belgium, waiting for their next mission. While they are there they have time to think and discuss their previous assignment. When the point is revealed to Ken, it is not what he expected.
Released: 29 Feb 2008 Director: Martin McDonagh Writers: Martin McDonagh Actors: Elizabeth Berrington, Rudy Blomme, Olivier Bonjour, Mark Donovan Genres: Comedy, Crime, Drama, Thriller
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In Bruges Reviews:

For those who might not know the name, director Martin McDonagh is an Irish playwright who won the Oscar last year for his short movie "Six Shooter" about a possibility encounter on a train, and that film's star Brendan Gleeson has returned as Ken, one of two hit boys sent to the medieval town of Bruges in Belgium along with his partner Ray (Colin Farrell) to rest and lay weak after a hit gone horribly wrong. Ray is a miserable bastard who makes it clear he's not satisfied about being in Bruges, but Ken convinces him that their boss Harry has a job for them there, as well as allowing them a possibility for some sightseeing, none of which improves Ray's mood. Things look up when he meets the pretty local girl Chloe, played by French actress Clémence Poésy--you may remember her as Fleur Delacore in Harry Potter and the Goblet of Fire--and scores himself a date, which also goes horribly wrong due to Ray shooting off his large mouth. From there things continue to go south as Ray and Ken receive into all sorts of messes and meet strange characters, all of whom will enjoy a part in the larger picture.There aren't too many non-Belgian movies set in Belgium, and Bruges is a pretty but odd zone to set an whole movie. You'll probably learn more about the zone than you ever need to know as Ken narrates their sightseeing excursions with a several factoids about the place. The whole first act is driven by the chemistry between Farrell and Gleason as they deliver rapid-fire patter that reminds one of McDonagh's background as a playwright, but it makes them as instantly endearing as Vincent and Jules in "Pulp Fiction," allowing for an even bigger impact as things happen to them. Our first encounter with the boys' boss Harry is an expletive filled telegraph and an equally amusing smartphone conversation with Ken, making it obvious that this is a mobster slash from the same cloth as Ben Kingsley's Don Logan. Those who don't recognize the voice will be thrilled when they learn who plays Harry, because it's a pleasant surprise.This is easy Colin Farrell's greatest role and performance in a long time, one that allows him to present a lot of range, not just as the big-mouthed prat we assume Ray to be, but also as a thoughtful boy distraught about what happened in London. Having seen the error of his ways, he feels the need to create right, even if he hides it with a lot of complaining and arguments, and that carries over to Gleason's Ken, continuing his nice run with McDonagh.McDonagh has created a intelligent script that interweaves its tiny cast of characters into an intricate crime caper that mixes humor, violence and real heartfelt human emotions into a brilliant debut feature. Just when you think you know where things are going, McDonagh throws a sharp curve ball at you and then another, and another, and cute soon, what started as a two-handed talkie has turned into a hold-your-breath action flick, when Harry turns up in Bruges to rectify some business that Ken has botched. Even so, it never loses what made the first half so charming and entertaining, because McDonagh's impressive dialogue remains at the forefront for the extended confrontation between Ken and Harry. The ending might be somewhat grim for some tastes going by the lightness of what's gone before, but the method everything is tied together makes it all worth it.Anyone worried that Tarantino and Ritchie's greatest work might be behind them, can revel in the promise of McDonagh's take on the crime-comedy genre, as this talented filmmaker shows that "Six Shooter" was no fluke and this film starts what's likely to be a long and promising movie career. On top of that, if "In Bruges" doesn't end up being the funniest and most quotable films of the year, then it could be very close


...in Bruges. Two Irish hit boys (Brendan Gleeson and Colin Farrell) are sent into hiding by their British boss (Ralph Fiennes) in Bruges, Belgium after a botched job only to learn that the most damning job awaits one of them just around the corner. Bruges is a picturesque tourist trap built around the oldest and greatest maintained medieval town in Belgium. Director and screenwriter Martin McDonagh bleeds the setting and the material for all its worth and makes his detail movie debut in magnificent style.The dark comedy built around the existential quandaries of hit boys has been done to death over the years. If last summer's "You Slay Me" was the relentlessly dark and relentlessly sitcom-y take on the genre, then "In Bruges" is the hipster art movie take on the theme. McDonagh deserves all the credit in the globe for breathing life into the stale storyline by texturing the tonal shifts with crisp digital camera-work (that is surprisingly haunting), deep hero development, and by creating a unbelievable sense of place. Imagine a Graham Greene novel ("Brighton Rock" specifically comes to mind) updated by David Mamet. The dialog is super smart and wickedly un-PC while the comedy parts are as gut-busting as the crime thriller parts are suspenseful.McDonagh has also brought together an outstanding cast who thrive in the material. Farrell defies all odds and manages to be as sympathetic in the dramatic parts as he is charmingly sarcastic in the comedic parts. Brendan Gleeson gives a fantastically nuanced portrayal as Farrell's mentor and friend. Meanwhile, Ralph Fiennes channels the scary-as-hell energy he's used previously in "Schindler's List" and the newest "Harry Potter" movies in a limber subversion that is a frighteningly fun to watch. The helping cast is to die for, with Jordan Prentice spot-on as a coked-up dwarf actor shooting an abhorrent art movie on the roads of Bruges, and Clemence Poesy coyly seductive and unforgettable as Farrell's unlikely local love interest.Ultimately "In Bruges" meanders down too many cobblestone paths, and one stage near the end involving a bell turret stretches credibility but adds important dramatic effect. Certain plot elements will turn off a huge segment of the viewing audience. However, those with the right mindset will be greatly rewarded. "In Bruges" is hilarious, contemplative, sometimes scathing, often nihilistic, but marked by a shockingly hopeful undercurrent while tones shift and the colors of the human condition undulate in McDonagh's insightful light. The comeback of a commanding talent has been heralded...in Bruges.


Going into this movie, I didn't have the highest expectations for it. However, I went to see it anyways, and allow me just tell that by the end credits I was fully shocked out how much I now liked this movie. It was not only very funny but you were able to connect with the characters in a method you didn't think you would. The plot was def. very interesting and kept my attention the entire method through. Only true trouble I had with the film was that it was a tiny bit too long, but it didn't take away from anything. I could also tell that I'm not a large Colin Farrell fan, but after this film I trust that he has proved that he can keep his own with the another leading boys out there. I thought there were some pretty moments that they captured on movie where you see him dealing with his characters inner demons. I would highly suggest this film to anyone who is looking for something "different", if you're sick of seeing the same "hollywood-esque" movies, then please give this film a shot. If anything, play it for the witty dialogue.



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