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I grandi condottieri 1965
Description: Stories from the Ebook of Judges
Released: 08 Oct 1965 Director: Marcello Baldi, Francisco Pérez-Dolz Writers: Ottavio Jemma (screenplay), Flavio Niccolini (screenplay), Marcello Baldi (screenplay), Tonino Guerra (screenplay) Actors: Anton Geesink, Ivo Garrani, Rosalba Neri, Fernando Rey Genres: Adventure, History, War
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I grandi condottieri Reviews:

Spectacular hokey Bible epic produced by by San Paolo Movies formed by two episodes from Bible , the first filmed in Almeria (Spain) by Spanish director Francisco Perez Dolz and second in Cinecitta , Rome , Italy , by Italian filmmaker Marcello Baldi . It deals with Gedeon (Ivo Garrani) , a humble farmer who is assigned by an Angel (Fernando Rey) to a holy point to conquer Amalekites . The second part concerns Samson (Anton Geesink) and Delilah (Rosalba Neri , Francesca Neri's mother) who robs Samson his wonderful strength ."I Grandi Condottieri" or "Great Leaders of the Bible" remains an enjoyable and entertaining picture with nice camp performances that still looks fine today . This dumb but fun movie includes breathtaking outdoors , a lot of extras and with glorious paper-Maché sets on the temple of Dagon . Ivo Garrani is surprisingly great as Gedeon along with a sympathetic Angel well incarnated by Fernando Rey . Anton Geesink as Sansone or Samson is acceptable though his popular war vs a philistine units is hopelessly phony . Rosalba Neri supplies largest surprise by testing a tempter and pretty vixen Delilah . Being a Italian/Spanish co-production here appears few actors usual from Peplum and Spaghetti Western such as Barta Barri , Luz Marquez , Beni Deus , Jose Jaspe , Paolo Gozlino , Mirko Ellis , among others . The stories of Gideon and Samson from chapters 6-8 and 13-16 of The Ebook of Judges . As is the pattern throughout the ebook of Judges, the Israelites again turned away from God after 40 years of peace brought by Deborah's win over Canaan and were allowed to be oppressed by the neighboring Midianites and Amalekites and the kids of the east. God chose Gideon, a young boy from the tribe of Manasseh, to gratis the folks of Israel and to condemn their worship of idols. Very unsure of both himself and God's command, he requested proof of God's will by three miracles: firstly a sign from an angel in Judges 6:16, and then two signs involving a fleece, performed on consecutive nights and the exact opposite of every another . On God's instruction, Gideon destroyed the town's altar to the foreign god Baal and the symbol of the goddess .However, God informed Gideon that the boys he had gathered were too many – with so many men, there would be reason for the Israelites to claim the win as their own instead of acknowledging that God had saved them. God first instructed Gideon to send home those boys who were afraid. Then the King told to Gideon, "You shall separate everyone who laps the water with his tongue as a dog laps, as well as everyone who kneels to drink." During the night God instructed Gideon to approach the Midianite camp. Gideon overheard a Midianite boy say a mate of a dream in which God had given the Midianites over to Gideon. Gideon worshiped God for His encouragement and revelation. Gideon returned to the Israelite camp and gave every of his boys a trumpet and a clay jar with a torch hidden inside. Divided into three companies, Gideon and the three hundred marched on the opponent camp and they cried, "A sword for the King and for Gideon!" and the opponent units fled .According to the biblical account, Samson was given supernatural strength by God in order to combat his opponents and perform heroic feats such as killing a lion, slaying an whole units with only the jawbone of an ass, and destroying a pagan temple. Samson had two vulnerabilities, however: his attraction to untrustworthy girls such as Delilah and his hair, without which he was powerless. These vulnerabilities ultimately proved fatal for him. One day the Philistine leaders assembled in a temple for a religious sacrifice to Dagon, one of their most necessary deities, for having delivered Samson into their hands. They summon Samson so that folks can gather on the roof to watch. Once inside the temple, Samson, his hair having grown long again, asks the servant who is leading him to the temple's central pillars if he may lean vs them . He pulled the two pillars together , and down came the temple on the rulers and all the folks . Thus he killed many more as he died than while he lived


Narrating from the Bible, director Marcello Baldi took the Ebook of the Judges and turned its best-known chapters 6-8 (about Gideon) and 13-16 (about Samson) into a film. Well.As a statement on responsibility and how folks grow with their tasks, the first episode about Gideon's conversion to support his suppressed folks fulfils its mission. Fernando Rey as the angel and Ivo Garrani as Gideon are equally effective. Garrani lends a touching element to the hero of a easy farmer who is challenged to create the transport from indifference to substantial leadership.The second episode, as opposed to that, doesn't click at all. While "Gideon" has mostly outdoor scenes, "Samson" seems to have been restricted to the studio (Cinecittà, by the way). Yes - Rosalba Neri is duly ambiguous as Delilah, and Spanish veteran actress Ana María Noé is fine as Samson's mother - but muscular Dutch Anton Geesink reminds of a groggy Rocky IV. The concluding action scenes, though, were directed cute well.Remains unclear, what sense the picture had. Emilio Cordero's production company San Paolo, of Rome, financed three Old Testament filmings, apart from this one, "Giacobbe, l'uomo che lottò contro Dio", and "Saul e David", all directed by Baldi in 1963-4. If they were meant for people's spiritual edification, they probably didn't receive off the ground as much as a service in St Peter. Italian release date, Oct 8, 1965, didn't quite help that idea, when most Bible flicks normally premiere around Christmas.Another puzzle is the question who directed. Italian-language credits launch with "un movie di Marcello Baldi" and close with "regia: Francisco Pérez Dolz." It might be possible that either helmed one of the episodes, even more so because they are rather various in style.The odd narrative technique (kind of a double feature, if you will), if appropriate to the Bible's episodical structure, tends to prove that the storyline of only one Israelite character didn't fit the ninety-minute format, so, for the love of it, they place two stories together, presumably regardless of the fact that episodical movies were alla moda in the mid-sixties.Perhaps the weirdest bit about the film lies in its resumption of the "Sansone" character, who, as a muscleman, had haunted Italian (and foreign) screens from "Sansone" (1961, with Brad Harris) to "Ercole Sansone Maciste e Ursus gli invincibili" (1964, with Renato Rossini). This one, however, is the only true Samson, although possibly the worst of all. It's like with the Bible: you've must trust in it...



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