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Description: Arivaali (Genius) is a 1963 Tamil language drama movie written, produced and directed by A. T. Krishnaswami. The movie details Sivaji Ganesan and P. Bhanumathi in lead roles. The film, had musical score by S. V. Venkatraman and was released on 1 March 1963.
Description: Iruvar Ullam (Two Hearts) is a 1963 Tamil-language drama movie directed by L. V. Prasad. The movie was produced by Anand under Prasad Films and stars Sivaji Ganesan and B. Saroja Devi in the lead roles, while M. R. Radha, T. R. Ramachandran and S. V. Ranga Rao enjoy pivotal roles. The film's soundtrack and background score were composed by K. V. Mahadevan, while the lyrics for the songs were written by Kannadasan. K. S. Prasad and A. Sanjeevi handled cinematography and editing respectively. The movie was a makeover of Telugu movie Bharya Bharthalu (1961) which was based on novel Pen Manam written by Lakshmi Thiripurasundari. Screenplay and dialogues were written by M. Karunanidhi. The movie was released on 29 March 1963 and became successful at the box office.
Description: Gopal dearly loves his brother Raju, despite the latter's unkind acts and frauds. But fate seems to have something else in shop for Gopal as he is later accused of killing Raju
Description: Bandha Pasam is a 1962 Indian Tamil language movie directed by A. Bhimsingh and produced by Periyanna. The movie stars Sivaji Ganesan, Gemini Ganesan, Savitri and Devika in lead roles. The movie had musical score by Viswanathan–Ramamoorthy. This film was dubbed in Telugu as Aadharsha Saadharalu.
Description: When Elvis Came to Visit takes zone in a suburb to Stockholm and is an intimate movie about a small, but yet momentous, meeting between Lukas and the young man Elvis, whose parents are from Iran. Lukas, not an immigrant friendly person, tries to hold his distance but the young boy's innocence gradually affects him.
Description: A bandleader tries to romance a dancer by sending her boyfriend, a musician, out of town. However, things receive complicated when he finds out that a gangster has designs on her too.
Description: Punar Janmam (Rebirth) is a 1961 Indian Tamil-language drama movie directed by R. S. Mani. The movie stars Sivaji Ganesan, Padmini, Ragini and P. Kannamba in lead roles. The film, produced by N. S. Diraviyam under Vijaya Movies banner, had musical score by T. Chalapathi Rao and was released on 21 April 1961.
Description: Uthama Puthiran is the storyline of a queen who gives birth to twins. But as fate would have it, one of the twins is forcefully abandoned and grows up elsewhere. He grows up as a type and honest man, while the another twin grows up as a greedy and arrogant man. When fate brings both the twins together and they begin fighting, it is only their mother who can bring peace.
Description: Chandrasekaran, an industrialist, is very successful in his business and has a loving family. His three sons and two daughters live happily as one family. He brings up an orphan, Rangan (Sivaji Ganesan), who is utterly devoted to the family. Calamity strikes the family in the form of loss in business. The last daughter's marriage gets cancelled. The brothers and their wives ill-treat their parents and Rangan and his wife. Seeing this Chandrasekaran has no choice to ask Rangan and his wife leave their house. Aftermath Chandrasekaran dies a broken-hearted boy leaving his wife and youngest daughter to be in their children's merciless hospitality. Rangan, with his simplicity and pure-hardheartedness, takes it upon himself to look after the mother and sister. In the end, he proves that love and affection is the best wealth.
Description: After meeting in a chat room, Fede (22) arrives at a downtown building to have an intimate encounter with a gay couple older than him. As the night unfolds, Fede has an intense and saying experience. The next morning finds him different, as if suddenly he had found a fresh possible method to love.
Description: Estranged from his family, Jonathan (Hedlund) discovers his father has decided to take himself off life help in forty-eight hours’ time. During this intensely condensed period, a lifetime of drama plays out. Robert (Jenkins) wars a zero sum minigame to reclaim all that his disease stole from his family. A debate rages on patients’ rights and what it truly means to be free. Jonathan reconciles with his father, reconnects with his mother (Archer), sister (Brown-Findlay), and his love (Adams) and reclaims his voice through two unlikely catalysts – a young, wise-beyond-her-years patient (Barden) and a no-nonsense nurse (Hudson). Through this intensely life affirming prism, an unexpected and strong adventure of love, laughter, and forgiveness unfolds.
Description: Sivaji Ganesan plays the younger physician to the lord (R. Balasubramaniam) and his wife (Padmini) was modelled on Kannagi as the personification of female virtues. The physician is commanded to the palace to treat the lord where the princess (M. N. Rajam) falls for him and virtually enslaves him, preventing him from going back to his wife.
Description: Sivaji Ganesan plays the role of a prince who is separated from his parents by his father's foe at a very young age. He grew up as a ferocious and vicious cavemen. Then he meets Jamuna, who by her word of love and affection turns Sivaji for good. Both set out to search the secret of Thangamalai to search and save Sivaji's parents.
Description: Thirumbi Paar, directed by T. R. Sundaram, was an interesting movie in which Sivaji Ganesan played a role with negative shades. The hero dabbles in avenues such as journalism and politics. T. P. Muthulakshmi plays the dumb wife of an elderly husband (K. A. Thangavelu) who goes to work early. Sivaji Ganesan, a seducer, who sneaks into the dumb woman’s house, alters the clock to send the husband away well before the usual time. This sequence was mercilessly scissored by the censors and what was left lost its touch of satire and innuendo!
Description: Koondukkili (English: The Caged Parrot), also spelled as Goondukili, is a 1954 Tamil language movie starring M. G. Ramachandran, Sivaji Ganesan and B. S. Saroja in the lead roles. Koondukkili deals with the problems of poverty, greed, abuse of girls and the poor. MGR is married to B. S. Saroja and they have a son. MGR and Sivaji Ganesan are friends. MGR goes to jail for a mistake committed by Sivaji. B. S. Saroja is left with no cash or house to live. Sivaji tries to support her but he has his sinister motive, to have a relationship with B. S. Saroja. After she repeatedly refuses his attempts to support her, Sivaji begins to sadisticially taunt her. Meanwhile, Kuchalakumari is in love with Sivaji. MGR gets released and saves his wife from Sivaji.
Description: The storyline says a tale of a God who lives in a kingdom among the clouds who is at fight due to the kingdoms fighting over the ownership of his daughter. To settle the trouble the God placed a spell on his daughter transforming her into a Pau fruit and to be thrown on earth. As it landed in the seas it was swept a shore and was found by the maids of a queen who ate the fruit. She was found to be pregnant not long afterwards.
Description: When unstable Connie is tragically widowed, she finds it impossible to care for her delinquent adolescent daughter, Niki, forcing her son, Bill, to take his sister in. As the two start to forge a healthy bond, well-meaning Bill implements his own way of treatment for Niki’s mental troubles, but, when turmoil persists, he gotta reconcile his beliefs with what now may be greatest for his sister.
Description: After going down in the fifth round, boxer Bud Gordon bowed out of the limelight. Actually residing in a fixer-upper apartment in Fresh Jersey with his girlfriend, Bud longs for his former Manhattan glory. In an effort to receive back in the game, he makes a deal with a crooked restaurateur. But fast schemes rarely bring simple pay-offs and as the consequences of his business negotiations unfold, Bud has to create a choice between his integrity and his aspirations.
Description: After John’s absent father is struck by a stray bullet, Primo takes it upon himself to verse the young man in the code of the streets—one founded on respect and upheld by fear. A member of the Bloods since the age of twelve—both in the movie and in reality—the roads of Brooklyn are all Primo has ever known. While John questions whether or not to enter into this life, Primo gotta decide whether to leave it all behind as he vows to become a better husband and father. Set during those Fresh York summer weeks where the stifling heat seems to encase everything, Five Star plunges into gang culture with searing intensity. Director Keith Miller observes the lives of these two boys with a quiet yet pointed distance, carefully eschewing worn clichés through its unflinching focus. Distinctions between fiction and true life remain intentionally ambiguous, allowing the storyline of these two boys to resonate beyond the streets, as they face the question of what it means to be a man.
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