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Description: After confessing to infidelity Margo is torn between her religious husband and her young lover. Trying to break the vicious love triangle where everybody is the abuser, the victim, and the saviour, she gets a possibility for salvation.
Description: UigiG needs to go out and feel, like his favorite film's star. His girlfriend, just like her, loves to smoke and play the authenticity... but that's before she ceases to exist.
Description: Anna, married to a husband much older than she, longs to see her island, which is right across the island she lives. She has never visited it again since her marriage. Thus, she persuades Mathio, a young shepherd to take her there with a 'borrowed' boat. He accepts, hoping for a romantic adventure. However, all she wants is to see her island. Her husband follows her ...
Description: Valparaíso, Chile. Manuel tired after eleven years of relationship decides to rebel at the orders of his wife Gaviota who suffers from depression. Locked in the bathroom they will bring out their fears, resentments and frustrations by discovering their darkest secrets.
Description: Rune works as a porn photographer but has terrible times finding fresh models. He and his wife Kicki don't even have cash for breakfast. She then offers herself to stand in front of the camera, which Rune agrees with. He calls Peter who takes the vehicle to Rune's country house, where Kicki is actually on the road.
Description: The movie says the storyline of Angel (Adila Fitri), a 15-year-old teenage woman who can never agree the condition of her sister Hendra (Ali Mensan) who was born with mental retardation. Although Angel was so embarrassed and hated him, Hendra was never sad. Hendra became a kid with unique needs due to a tiny amount of illness. Even so, he remained faithful to give an older brother love to his sister. Because he has a brother who has mental retardation, Angel is often ridiculed by his mates "the idiot". One of the women at her school called Agnes (Kimberly Ryder) really hates Angel because it is considered a threat to receive Aji's heart (Aaron Ashab). The life of Hendra with his own globe but still loves his sister. One day, Aji will have a birthday party by inviting all of his friends. Agnes and Angel compete to be the queen of the party.
Description: Mike and Leah have been together for seven years, but they have never made a decision. As their summer rental on Fire Island draws to a close, things are looking bleak. They quickly explore what lengths they are willing to go, both to avoid, and then to force, a choice. Their future depends on the flip of a coin.
Description: After getting beat up by her husband, a girl leaves home and seeks refuge at her cousin's place, surrounded by a strange assortment of people, including an equally abused transsexual.
Description: Mic, partially deaf and injured after a robbery, is abandoned by his accomplice in an unidentified forrest. A young woman, acting strangely is then going to take care of him, although difficulties of communication separate the two individuals, every of them appearing to live in a globe of his own.
Description: When Kelly's newborn baby is stolen from the hospital where she works, she squads up with Gloria, also a victim of baby abduction, to receive her kid back from a black store adoption ring.
Description: A cocktail party at which no topic, thought or action is taboo. The effect is Jungian pornography a wickedly funny and often troubled look at what we feel and think but dare not say. Recorded theatre performance.
Description: In an island perpetually suspended by Asian values, the spirit of a dionysian culture lays dormant. What stays awake is the everyday repression of sensuality in the name of a constructed morality naturalised by the weight of history. Within this landscape, underground director Chew Tze Chuan continues the find for depictions of native sexuality in history which remains undocumented and only whispered about. With reference to native historical texts and the mythological and religious depiction of the 'Holy Whore', Chew constructs a mythology of a hermaphrodite who comes to city to impart a wisdom that proves to be too carnal and untimely. Years in the making and strung together with documentary-like footage of orgiastic happenings, punctuated with moments of refrain into randomness, the movie later escalates into a schizophrenic psychedelia of multicultural and polymorphous sexuality.
Description: When a young, talented marketing boy meets a popular author, he is at first taken with her. But when she begins manipulating him with sex games, he starts to re-evaluate his erotic urges, and starts down the dark path of bondage and discipline. Starring Julia Ann as the dominant seductress and Logan Pierce as her willing student. Also featuring Jodi Taylor, Seth Gamble, Marcus London and Scarlet Red.
Description: Pras has almost complete college, has rich parents and a beautiful, faithful fiancee but is suddenly diagnosed with lung cancer. He only has six months left to live. Pras’ parents ask Tika’s parents to let them to marry. Tika, who is very much in love with Pras, agrees although her parents oppose. Pras takes Tika to live in the fishermen’s village. He wants to contribute to the village. Tika hides her pregnancy although Pras is aware and pretends not to know. Death finally comes but Tika is relieved as Pras has enjoyed his life.
Description: "Loneliness" - 11-year-old Rose feels unnecessary in her own family, misunderstood and unloved. Rose, her mother, her stepfather and her tiny stepsister are enclosed within the walls of a tiny apartment in a high-rise building. But one night, the anger that has accumulated in the soul of a woman spills out.
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Once I complete watching HAHK for the first time in 1997(3 years after its original release), I had absolutely no doubt as to why this film became the highest grossing Hindi movie of ALL TIME. HAHK is a situation where everything comes perfectly together - direction, acting, music, cinematography, sets, costumes and that additional indescribable "magic" each classic has.HAHK's storyline in itself is nothing special. Heck, it doesn't even have much of a plot to talk about. But what keeps us hooked to this 3 hour+ saga is a crisp screenplay, and the charming method in which everything is presented. In a film where there are barely any conflicts and everybody loves everybody else, the audience could've easy been turned off by the excessive sugar. But HAHK's best achievement probably lies in the fact that it NEVER feels fake. The cast's chemistry is so natural and there's such generosity behind the emotions that you can't support yourself but fall in love with this globe of theirs. This is something none of the HAHK copy-cats(to this day!) should accomplish. So many films tried to recreate that magical family atmosphere, but none(especially Barjatya himself!) should really pull of that feeling of genuineness.Moving on, HAHK doesn't have a single "boring" or "lets quick fwd. this scene" moment in the movie. And that's what it ultimately is - a super entertaining musical dealing with two families and two irresistible characters in Prem(Salman Khan) and Nisha(Madhuri Dixit). These are career performances from two of Bollywood's finest looking people. Folks forget that Salman Khan started off being a fairly solid actor. Not only should he easy enact the typical Bollywood emotions, but his special mischievous 'ada' and natural charm went well with his nice looks and lean physique(buffing up was the worst thing he did to himself). 1994 was still a time when we should count on him to deliver a likable performance. And Salman isn't just likable here, his infectious energy and charm makes Prem utterly irresistible. I don't understand why Madhuri has everytime been seen as the present stealer in this movie. Salman matches her all the way. Speaking of Madhuri, she just glows in each frame here. Her charming performance was simply intoxicating. Who wouldn't fall in love with Nisha? Salman-Madhuri share terrific chemistry. One of the greatest ever in fact. Prem and Nisha's romance develops slowly and beautifully. Each stage shared between them is memorable and trust me, their moments will bring you back to watch this film again. The powerful helping cast in HAHK definitely provides the film with the ideal stability and mood to further enhance our impression of these sweet characters as believable. The casting team hit gold because each actor looks excellent in the role he/she is portraying. The melody is also BRILLIANT and the song picturizations/choreography remains unsurpassed. Barjatya cleverly keeps the narrative flowing with every song. AND that was a HUGE key because 14 songs could've easy slowed the movie's pace down.Bottomline: HAHK to me is the quintessential Bollywood entertainer. The movie, despite being unrealistically sweet, never feels fake(something no another film has been able to recreate, not even the director himself). Each actor in the cast adds something to create the film special. The leading stars to this day haven't given more likable performances. If you look up the word chemistry in a Bollywood dictionary, a pic of Salman/Madhuri from HAHK could be there. Overall, just an incredibly charming film that you can't support but fall in love with.
No Spoiler but is rather lengthy and maybe too much feature for some people. Hum Aapke Hain Koun, what can I tell about it. I'll begin with the fact is my favourite film of all time. Why? I really can't say. Because trust me when I tell that there have been much better films made before and since it. I know this and yet this remains my favorite.The storyline is quite simple, too easy some folks tell but thats not necessarily a terrible thing. It's about Prem (Salman Khan) and Nisha's(Madhuri Dixit) love story. Prem is from a loving family and home, appropriately named Prem Nivas. Everyone loves everyone else including the servants and pets who are treated as one of the family. When Prem's older brother Rajesh's (Monish Behl) marriage is arranged with Pooja (Renuka Sahane), the oldest daughter of a Professor Chaudhary (Anupam Kher) and his wife (Reema Lagoo). The Professor and his wife are also school mates of Prem's kaka or uncle (Alok Nath) who has brought up the two brothers after the death of his sister and her husband.During this 'rishta' Prem meets Nisha who is Pooja's younger sister. He instantly falls in love with her, but Nisha develops a powerful dislike of him. What follows is a sweet and mischievous intercourse of jokes and pranks that they enjoy on every another during the marriage ceremonies. While taking his bhabhi (sister-in-law) home, Prem apologizes to Nisha for anything he has done. Nisha is extremely surprised at his sensitiveness and also starts to like him.Following this are many sweet sequences of how their love blossoms with songs aplenty in between. While the two are lost in every another and their fresh found relationship, fate takes a nasty turn as tragedy strikes both the households. Prem and Nisha search themselves in a delicate situation. And they call upon themselves to sacrifice their love and happiness for their families.Music is excellent. No ground-breaking items nor any A.R Rahman genius of any kind. But it is entertaining, catchy and sweet and some numbers such as Didi tera dewar will remain in our memories for ever. Picturization is also excellent. Not one song could be skipped in the movie. Not even the two minute long babul song.Performances are of course excellent. Madhuri Dixit excells as Nisha and fully convinces the audience as the sweet-hearted but mischevious sweetheart of the house. Nisha's hero reminds me slightly of Rekha's Manju in Hrishikesh Mukherjee's Khubhsoorat. This is Salman Khan's greatest performance to date. Even though I'm quite obsessed with him, I own that he is not a very nice actor. But in this film he is flawless as the sweet and lovable Prem. The rest of the cast was also well chosen, each single one of them from Pooja to Tuffy the dog. They gave us the impression of being a true family. Many films since have used almost all the members of this cast for another family movies.Direction is also excellent. Sooraj Barjatiya excells at romantic cinema. The scenes between Prem and Pooja and Prem and Rajesh present the love between bhabhi and her devar and two brothers. The sweet moments between Prem and Nisha are also wonderful as they keep your heart still for few minutes. The intricacies of love, from first attraction, to love slowly growing in a young girl's heart to deep understanding are shown with intricate and realistic detail.The one letdown is the screenplay by Sooraj Barjatiya. Some lines given to Salman are embarassing, especially the english ones where the sentences are not sentences. Cute sad for someone who has an MBA.HAHK was a landmark in indian cinema for many reasons. First was that it was the first films with no violence at all. The entire marriage song craze also started. First full-fledged family drama. Since then we've had many such films and most of the audience has become bored of them. I think the last one of this category we'll be seeing is Kabhi Khushi Kabhie Gham. I personally love these non-violent family dramas, I don't think I'll ever receive sick of them. Today, many folks will tell that HAHK wasn't a nice movie, and I think it is because they have seen too many of the copies made after it. I still maintain that it's my favourite film and that not only could you watch it but also own it. It is the Sholay of our times although I never liked Sholay :)
The success of this movie is a memorable landmark inasmuch that the violent legacy of action movies pioneered and boosted by Amitab Bachan came to an end and films again took a semi u-turn to social and family oriented depiction of human values that are more close to true life.This romantic cum social legacy of Hindi films came to an abrupt end by the release of movies, like "Sholay" and "Zanjeer" in early 70s, when Amitabh set the scene for his personification of a young mad boy willing to turn violent. In this way, the cool, romantic and charming personality of Rajesh Khanna eclipsed to give method to the fresh Super Star.HAKAK turned the tables, insofar, that this pretty song studded and family drama having a focus on light merriment and jubilant frenzy took to the hearts of the audience and Salman Khan and Madhuri Dixit touched fresh heights of stardom ushering in a revived era of filmdom that is the touchstone of social and family drama.
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