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Description: Olivier and Alex, two jaded teenagers, wander without purpose in a nightly suburb. In preparation of a debauchery evening, they receive wasted, smoke some joints and talk about sex. Their conversation drifting, they sink into a night of errancy and disinhibition under the melody of neons, motors and distant barking. A sensible and sincere look on a confused and reflective adolescence.
Description: After finding out that his financial aid has run out, Jose Fernandez spirals into a fit of anxiety a week before he's due to interview for a prestigious internship that should determine the course of his future.
Description: Set in a near future where a government- approved drug can alter your sexuality, the corporation marketing the drug goals vulnerable gay folks who have checked into a cruising resort which doubles as a correctional facility.
Description: A girl experiences a medical miracle, after which she has only a several days to bring together her estranged children, save the family's wallpaper business and rekindle an old flame.
Description: Myna is a young illegal immigrant girl from an eastern Country that is at war. She works as a home assistant for a marriage and their tiny son. When the parents go on a trip, Myna has to shoulder all the responsibility for the household and the kid since the marriage have believe in Myna. However, one night, the kid has an accident and Myna, who knows that she can be deported if she goes to the hospital, decides to support the kid in underground ways. Written by Anonymous
Description: Set in England in 1977, The Week Elvis Died is an evocative and bittersweet look at life from a child's mission of view. Karen (Jennifer Williams) aged 10 is bullied at school by Julie and her gang. Her dysfunctional family can't support her and she doesn't confide in them. All she has for comfort are her descant recorder, her pet rabbit Elvis and her adoration of top disc jockey Tony Blackburn.
Description: Carol Morley's debut short uses the iconography of the category of melodrama – the staircase, the father – to discover the storyline of a girl's relationship with her father, and the impossibility of recreating a time, a place, and a memory. Cross-cutting between the woman protagonist and her father, the movie creates a sense of crisis and conflict. As the woman invests her feelings in her surroundings and describes happenings connected to her father, we are drawn into a globe of pain and pathos. Morley's first directorial credit was her graduation movie from Central St. Martin's School of Art.
Description: In this suspenseful wartime drama set during Globe Fight I, a band of American troops are directed to venture behind opponent lines. Their point is to rescue a platoon missing soldiers. From director Steven Luke, the movie charts the tense relationships between black and white troops during the war, who, despite their diverse range of backgrounds and perceived differences, are forced to work together in order to survive the horrors and dizzying consequences of war.
Description: In the year 2000, 30-year-old Mariah Carey was the most successful female recording artist of all time. In September that year she began filming Glitter, her pet project, a movie based on her childhood and her extraordinary rise to fame. But 12 months soon she’d suffered a finished emotional and physical breakdown and her career lay in ruins.
Description: The second of Thomas Meighan's three 1927 vehicles, We're All Gamblers was also the first of two collaborations between Meighan and director James Cruze. Based on Lucky Sam McCarver, a enjoy by Sidney Howard, the storyline concerns a refugee of the Lower East Side who rises to the uppermost rungs of the nightclub world, all for the sake of a "dame." Boxer Sam McCarver (Meighan) falls in love with society woman Carlotta Asche (Mariette Mische).
Description: One winter in the 1930’s somewhere in northern Finland, a first communion ceremony is interrupted by the comeback of android dental surgery. All the kids in the village gotta have their teeth replaced with sets of dentures as a communion gift to prevent future problems. The fate of Juha’s teeth seems to be sealed, unless a higher power decides to intervene…
Description: The staging of the eternal war between boy and the time. Boy desires immortality, but his earthly body is destined to die, so he watches unarmed, just as a spectator, to the flow of his life happenings while the time is running out. Finally he will understand that only through the memory and the sign he can cherish a desire for immortality. The Time will end for everybody, but only those who will be able to leave a sign, will live forever.
Description: In the aftermath of a serious nuclear contamination, Victor and Darline live barricaded at home, wear gas masks and raise a kid in a globe that seems to have no future. They test not to succumb, to establish a fresh normal, but something shocking will definitely tag their destiny.
Description: Anna parties a lot. She is 17 years old. When it comes to men, she is the "one night stand" type of girl. But then, out of the blue, she falls in love and gets pregnant. What will her conservative mom say?
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There is very tiny basketball to be seen here - in fact I think there's only one stage where any characters now enjoy ball. But that lack of on-court action is the very mission & purpose of the movie; the plot is driven by an NBA lockout wherein the users are being denied the occasion to enjoy the sport they love (and receive paid for it), all because the "Powers That Be" feel they aren't making enough cash from it themselves. This is a very true trouble in modern sport, and this movie seeks to confront many aspects of it; from the rich insular Establishment of western societies in general, to the very idea of human endeavour becoming a commodity for profit. And as the majority of NBA users are black and the owners white, the film doesn't shy away from the trouble of race either. Comparisons with slavery may seem heavy-handed, but the reality is that these black athletes' livelihoods are fully at the mercy of rich white men; their blood & sweat turned into dollars to fill their owners' pockets. These are big, political problems atypical of your standard sports film - anyone expecting a "gutsy underdog" storyline or a heartwarming tale of redemption through difficult work & squad spirit, will be sorely disappointed. This movie is all about social commentary and witty dialogue, and the intentionally-underwhelming ending is intelligent yet pragmatic. There's no Rudy or Coach Carter to be found here; the central hero has lofty ideals, but realistic expectations - he knows he's everytime testing someone else's game, and the guidelines are rigged vs him. High Flying Bird feels real, modern and urgent, in stark contrast to the feel-good dreamy nostalgia of most sports movies. Soderbergh makes his mission well, and everytime delivers technical excellence in his filmmaking, so your appreciation of this movie will depend entirely upon how interested you are in the problems it presents. But it feels like something of a landmark moment in the sports film genre.
This movie just doesn't say the storyline well. I don't understand what it is about, and the fact that all the characters talk in a cryptic manner complicates the matter further. The movie had nice production, but is boring and frustrating because I don't know what it is about.
As Steven Soderbergh made his method back to detail movie directing, bringing us the rough round the edges psychological horror Unsane - shot on iPhone 7+ smartphones. By contrast High Flying Bird was not shot on iPhone 7+ phones... now iPhone 8+...Soderbergh spoke about a fresh age of B-Movies. Not in the sense of second rate - but going back to the golden age of cinema, when b-movies were cinema fillers for large audiences.They were shot on weak budgets. Often with limited lighting and not too many stars or spectacular sequences, with crowds of extras.Instead, the director had to work around his limited means creatively, often filling a lot of the movie with dialogue - as it's much cheaper to shoot: if you can't movie all those scenes, you can everytime have one hero say other hero what happened.Be in no doubt, although a lot of those old B-movies were fillers, some were remarkable pieces of cinema. All the better for being forced into constructive test of limited resources.Indeed, this was how movie noir was born. And that is very much what High Flying Bird reminded me of. Those old b-movie sports pictures which couldn't afford the large action scenes so left the sport part in the background while the action focused on the backroom talk.I loved the cinematography. And it was absolutely refreshing to see old school camera angles instead of the tedium we receive actually - when each child with a several hundred dollars to spend sports a DSLR and Bokeh inducing lenses.Boken is no excuse for cinematography. And this is why the test of tablets is a breath of new air. Without those boring ricks to fall back on (do we really need to see other extreme shallow depth of field close up?), each shot in this film was thought about. Each shot had a purpose. And how nice to have the wide depth of field of tablets bring the surrounded architecture into play. Not a shot or a building was wasted.And that's what this is all about. Instead of cinema fillers we have Netflix fillers. Who knows, just like the last time some of them may just turn out to be tiny gems. Soderbergh knows he'll never victory any Oscars for these fresh b-movies. As did those film directors of old. But he knows he'll have the freedom to create the movies he wants to create and have fun doing it.
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