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Her Private Affair 1929
Description: A married society girl accidentally kills her would-be blackmailer and suffers a crisis of conscious when his disgruntled butler is charged with the crime. Even after his acquittal, however, the girl suffers guilt and paranoia.
Released: 28 Sep 1929 Director: Paul L. Stein Writers: Herman Bernstein (adaptation), Herman Bernstein (translation), Francis Edward Faragoh (dialogue), Francis Edward Faragoh (screenplay), Leo Urvantzov (play) Actors: Ann Harding, Harry Bannister, John Loder, Kay Hammond Genres: Drama
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Her Private Affair Reviews:

...and I didn't even like it. I watched this because Ann Harding had a starring role, and I had never seen a performance of hers from this early in her career. However, if you are coming to this movie expecting the Ann Harding of "Double Harness" be prepared to be disappointed.This movie is better than some early talkies in the fact that the users transport and speak naturally. It is worse than many others because there is tiny depth in the performances - they should all be slash out of cardboard as far as motivation goes. Compare this movie to "The Dance of Life" from the same year - 1929 - and see what I'm talking about. This is the time-honored tale of the penitent wife who has strayed, with Ann as the wife, Vera Kessler. However, the boy with whom she has strayed is portrayed as such an outlandishly capitalistic gigolo it's difficult to trust he would have bothered to place down his adding machine long enough to do the deed for which he is blackmailing numerous women. Then there is the gigolo's roommate who seems to be doing his greatest Renfield imitation minus the compulsive consumption of insects, supposedly from being shell-shocked during Globe Fight I. Why the gigolo keeps this insane fellow around is not really explained.Vera decides to pay the gigolo the blackmail cash he demands, not because she fears her husband would leave her, but because she doesn't wish to harm him. However, when they meet, an argument takes zone and she winds up shooting and killing the boy in self defense. She runs away and avoids detection, but actually she has two sins on her conscience - her infidelity and the fact that an innocent person has been arrested for the killing she committed.My assessment - this movie is worth watching for its historical value only.


Like almost all of Ann Harding's Pre-Code films, she plays a girl who is NOT especially virtuous or has a past (i.e., a skank). I everytime found it odd that she was repeatedly cast this way, as she looked sweet and refined--not having that vampish or sexy quality such a hero could have.The movie starts with Harding getting a smartphone call from a blackmailer. You have no concept WHAT she's done, but it's obvious she'd bothered by this call and later goes to her husband to ask for money. A bit later, you see the blackmailer and his low assistant. He treats this helper like dirt and the boy threatens to slay the blackmailer. Only mins later, Harding visits the blackmailer and the two struggle with a a gun--and it goes off. Harding dashes away--worried that she might receive caught and that the boy might survive! What occurs next you'll just have to see for yourself.As for this film, it's very talky--something that is common in many of the early talking pictures. Instead of looking like a movie, it plays more like a play--a very, very cramped play. What I mean by this is that the movie is mostly set-bound and the actors generally stay in the middle of the screen huddled near every other. This is not accidental, as early sound technology was cute archaic and the actors required to stand close to the microphones--much closer than they would in the 1930s. Also, like a play, there isn't much in the method of incidental music--mostly because, once again, they hadn't perfected this either. Trust it or not, in movies from 1929 (give or take a year or so), the melody you do hear often was played by an orchestra just next to the set--just off-camera! Adding the melody soon was a process still in the future. As a effect of all these factors, the movie comes off rather poorly--with tiny energy or excitement. I think if the movie had been made just a year or two later, it would have been a lot better. However, I'll give the movie a 5 simply because compared to another 1929 films, it's not that terrible and is reasonably entertaining.


Her Personal Affair which was the second movie of Ann Harding's career was taken from a flop Broadway enjoy The Right To Slay which had a sad run of only 16 performances in 1926. But with the advent of sound even flop plays found a store as the films looked for dialog laden topics matter to film. I have to tell this about Her Personal Affair and particularly Ann Harding. Though like all the early talkies overacted, it's considerably less so than some of the stuff place up for Academy Awards. It also did not test game cards as many early sound movies did, a carryover from silent days.Sad to tell it's a dull drama about a wife who becomes the victim because of some indiscreet letters to a cheap blackmailer played by John Loder. When Loder winds up shot to death, he's not terribly mourned, it's generally accepted he was a lowlife. Still the authorities do have their diligent duty to perform.Her Personal Affair though interesting in spots is not anything to stay up nights or wake up early to see, unless you are an Ann Harding fan.



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