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Description: The last several years, Matthew and Kate live in the village. An happening occurs in their lives that leads to a radical redefinition of relationships. The past and the show are intertwined into one confused storyline in which the characters lose sleep, drive every another out of the house, rush into the arms, starting a fresh circle. And precisely at this time mates from Berlin come to visit them.
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Description: On December 7, 1972, NASA launched Apollo 17, a lunar point crewed by Eugene Cernan, Ronald Evans and Harrison Schmitt. It would be the last time humans traveled beyond weak World orbit, the last time boy landed on other celestial body, and the last time boy went to the moon. The Last Steps uses rare, heart-pounding footage and audio to retrace the record-setting mission.
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Description: Lou Reed narrates this Tv unique that takes a look back at the beginnings of the punk rock movements in Fresh York & England, the underground punk scenes in the 70's & 80's, and the punk resurgence in the 90's. A collaboration between VH1 and Spin magazine.
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Description: Filmed during difficult and decisive years of the democratic struggle vs the regime of Augusto Pinochet, it is the first movie in which a group of Chilean filmmakers, without anonymity test to give a global acc of the Chilean case of those days. The movie reflects the vision and private testimony of its director about his country at that moment.
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Description: Santiago de Chile, 1994: financed by mysterious textile entrepreneurs, the rock band Lucybell enters the Sonus Studios to record their first album, by the hand of the popular Argentine producer Mario Breuer. The budget is enough for only eight days. Santiago de Chile, 2017: after being disappeared for twenty-three years, the videotapes with the chronicle of those eight days come to light. This was the creation of Peces, one of the most necessary Chilean records of the '90s.
Description: The final months of pregnancy and the first ones after the birth of a baby are special experiences in a woman's life. And when this everyday life is lived inside a prison?
Description: Til Infinity is a full-length documentary celebrating the twenty year anniversary of the critically acclaimed Souls of Mischief album, "93 Til Infinity" with over 50 interviews from notable MC's, producers and DJs. Til Infinity offers a retrospective and in-depth look at the famed Hieroglyphics crew's landmark 1993 debut album. Oakland California filmmaker Shomari Smith interviewed the whole Hieroglyphics collective while traveling across the country to capture intimate dialog with hip-hop notables.
Description: Vs the backdrop of Taiwan's turbulent presidential elections in 2004, TIGERWOMEN GROW WINGS portrays three girls of various generations. Noted opera singer Hsieh Yueh-hsia, internationally renowned writer Li Ang, and 23-year-old movie director Chen Yin-jung are featured in this documentary, which focuses on the changes taking zone in the lives of girls in Taiwan's youthful democracy.
Description: The movie presents the poetic journey of Amereida, a adventure and poem by Latin American and European artists, poets and architects in 1965 from Tierra del Fuego to Santa Cruz de la Sierra, Bolivia. The movie reconstructs the happenings that made this special experience of art and life possible, as well the consequences, in particular the “Ciudad Abierta” (Open City) in Chile.
Description: The 20th century was the century of oil. From farm to fork, factory to freeway, there is no aspect of our modern life that has not been shaped by the oil industry. But as the "post-carbon" era of the 21st century comes into view, there are those who see this as the end of the oiligarchy. They couldn't be more wrong. This is the remarkable real storyline of the globe that Large Oil is creating, and how they plan to bring it about.
Description: As Americans fret about the Obamacare site and wonder how the country became enslaved to the highest healthcare costs in the world, we turn back the pages to look at how the modern medical paradigm came together in the early 20th century, courtesy of the Rockefeller Foundation and their cronies. Join us this week as we discover the true history of modern healthcare and the true motivations behind the family that brought it to you.
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I first came across "Hell House" about a year ago on Sundance Channel's "Doc Day," and having everytime been interested in movies involving Christianity ("Saved!" and "Dogma" are my two favorites) I decided to sit down and maybe have a laugh or two at the down-south fundamentalism. What I saw wasn't much of a laugh: "Hell House" depicts young Christians in what has been named an "evangelical haunted house," in which they portray different scenes of folks committing "sins," then being dragged off to hell by a demon in a cheap Halloween mask. In short, it's not a great movie for your Sunday afternoon.Director George Ratliff first heard about this particular hell house when it attracted media attention for doing a school shooting stage just a several months after the Columbine shootings (though the house had been doing this particular stage for quite some time, it raised controversy in 1999 for being so later after the Columbine massacre). He was allowed into the tight church community to create his 1999 documentary short "The Devil Made Me Do It," and went back a several years after to create this, the detail length-version, "Hell House." On the DVD features, Ratliff explains that the only method he would be allowed into the community to shoot the movie was if he promised to portray things exactly how they are, and not place his own spin on them or test to counter the message of the church.This is where the movie sometimes gets criticism, as we are seeing some very offensive behavior from those putting on Hell House, and the only folks there to dispute them are a bunch of drunken teenage Slipknot fans. To me, though, it shows how well the church has paralyzed the community with fear, as everyone goes along with this perverse project with smiles and clapping hands.And yes, the Hell House itself is cute disturbing- depicting scenes of botched abortions, a gay boy dying of AIDS then renouncing God and being dragged off to hell, a woman killing herself after being raped at a club (then once again, being dragged off to hell), even a boy burning for all of eternity because his uncle molested him as a child. To sum up, these folks are "crazy" with three K's.People seem to forget, however, that the movie was not made by these religious fans themselves, but by an outsider. Most of the negative reviews for this are slamming the topics matter alone and the hideous folks contained inside, which I think isn't fair. Yes, it's hard to not be disturbed by "Hell House," (if I had seen this when I was younger, I would be convinced that I was going to hell) but you need to receive past that and look at how Ratliff gets inside these people. I think I walked away from this film feeling much more informed on the horrors of deep-south Christianity. Rather than having a vague concept from different stand-up comedians, this film really gets to the nitty gritty of it all, which makes "Hell House" my all-time favourite documentary.So if you wish to be afraid this Halloween, forget "Friday the 13th" or "The Exorcist" hunt down a copy of "Hell House" and prepare to be terrified.
Hell House director George Ratliff doesn't have to test difficult to present the bizarre side of the Trinity Church in Cedar Hill, Texas and their annual Halloween sideshow. Rather than any reasoned attempt to invite converts to Christianity, this is old style 'fire and brimstone' scare strategies straight out of the Old Testament and reminded me of a modern day Chick tract. The subject are somewhat predictable, ranging from abortion, homosexuality and suicide right through to the alleged evils of Harry Potter and role testing games. The horror present is finished with high pressure sales strategies at the end to convert and agree Jesus. Disturbingly, the emotional intensity of the present is quite effective, especially on the younger teenagers in the audience who appear somewhat shell shocked as they are given a last possibility to repent. Pastor Jim Hennesy opens the documentary and is probably the most disturbing hero shown, with his authoritarian nature and expressionless stare. His church group is clearly a cult, finished with hysterical followers weeping, swaying in trances and speaking in tongues. Each single hero that comes onto the screen has a downbeat story, from the single father struggling with four kids to assorted rape victims and even an amateur wrestler. In parts, the documentary becomes unintentionally hilarious, with a six sided 'pentagram' (actually the Jewish Star of David), a DJ who can't remember the name of the date rape drug he is supposed to be warning folks about and a Christian teenager showing an inexplicable fascination in testing an imagined 'victim' of the morning after pill. Overall Hell House is more an illuminating insight into the bizarre beliefs of this Pentecostal church than any cutting edge social commentary, but somehow it works. Ratliff's direction is neutral, and he merely observes the goings on rather than actively staking out a position. With a cast of characters this odd, nothing else is needed. The only signs of independent thought in the movie was a tiny group of irate teens who gave one of the pastors their direct opinion on the Hell House. A interesting footnote only mentioned briefly in the documentary. With 12,000 visitors at $7 a head, plus a concession stand, and all with volunteer labor. I guess what the Trinity Church doesn't create in converted souls, they reap in cash. 7/10
Hell House is an interesting documentary looking at a church's annual performance that demonstrates to folks how simple it is to be flung into the screaming maw of Hell. The filmmakers are attentive not to be too judgemental of this bizarre phenomena but in doing so miss the possibility to look at the moral complexity that the storyline really offers.The church's Hell House appears to condemn folks who are victims of others - in one section a girl, who we explore was abused by her father, has drugs plied upon her, is raped and then in despair commits suicide - for which she is condemned to Hell. Other vignette details a young man, abused as a kid by his uncle (is there a theme here?), dying from AIDS - naturally he gets dispatched to Hell too. The church don't now bother condemning the abusers as much as they do their victims. Presumably the abusers repent and the pearly gates launch wide for them whilst their victims languish in a hell of red lights, dry ice and perspex ceilings.The movie is fascinating and yet leaves the feeling that it should have been so much more. It also opens for debate the real morality and humanity of the folks who organise this ghoulish performance.
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