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Heimweh... dort, wo die Blumen blüh'n 1957
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Released: 22 Nov 1957 Director: Franz Antel Writers: Franz Antel, Kurt Nachmann, Rolf Olsen Actors: Sabine Bethmann, Rudolf Prack, Paul Hörbiger, Hans Holt Genres: Drama, Music
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Heimweh... dort, wo die Blumen blüh'n Reviews:

I consider this film a document of where we (in the western world) come from. A soap with true moments. Sentimental - of course. But we receive quite a several glimpses of bygone times that really existed whether one likes it or not. I could know because it was the globe I grew up in. The storyline is absolutely standard: boy meets girl, misunderstandings, separation, desperation, reconciliation. Doesn't this cover at least 50% of all stories being told? Sabine Bethmann has a pretty face (her hero doesn't require too much acting), Paul Hörbiger shows great presence. No, it's certainly not a nice movie. I liked: the office and workplace scenes; the Wiener Sängerknaben; "Good night" on the staircase (they did not sleep in one room); the factory owner's daughter - almost contemporary; the women's looks - none of them skinny; the abbot's reason for smoking - it supports vs the lice. If you're not scared of sentimentality, this film will deliever you with some - anthropological, historical - insight.


A by Catholicism and false sentimentality inspired, by Franz Antel directed Heimatfilm: should the premise ever be less promising? At the begin of the movie Sabine Bethmann tries to commit suicide by jumping into a river, probably as she was already aware what type of movie she was getting involved in (it can not be that she had that much grieve over Rudolf Prack?).She could have been left alone, but unfortunately priest Hans Holt comes along and saves her from drowning; actually the movie has to continue. For the next half hour she is mum, which is understandable as she has actually to face the Vienna Boy's Choir that tries to support her in refusing to shut up; she also has to deal with the unavoidable Heimatfilm lover (that's a laugh) Rudolf Prack and with our priest who gets to close to her for Catholic comfort. But not to worry, the Franz Antel was assisted by an advisor from the Catholic Church, and thus the priest is never allowed to receive too close.The soul of Sabine Bethmann may have been saved, but did the makers ever think about the soul of the viewer? (3/10)



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