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Headless 2015
Description: In this "lost slasher movie from 1978," a masked assassin wages an unrelenting spree of murder, cannibalism, and necrophilia. But when his tortured past comes back to haunt him, he plunges to even greater depths of madness and depravity, consuming the lives of a young girl and those she holds dear.
Released: 28 Feb 2015 Director: Arthur Cullipher Writers: Nathan Erdel, Todd Rigney (based on character and situations created by) Actors: Shane Beasley, Kelsey Carlisle, Ellie Church, Dave Parker Genres: Horror
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Headless Reviews:

Headless is Found's excellent sister film, a much anticipated tie-in that has so much to live up to. Scott Schirmer's Found (2012) took the horror globe by storm, sweeping up variety of awards at movie festivals and gaining an immediate cult following. Headless is Found's "film within a film", a no- holds barred, '80s nasty that pushes the envelope of nice taste and has a lasting impression on at least one of its viewers.To produce a stand-alone, full-length film of Headless is no simple feat. Headless required to shock on a visceral lvl whilst maintaining the original film's dark psychological edge and taboo themes. With expectations high, the potential for failure and disappointment was very real. The nice news is that Headless delivers the goods. Scott Schirmer passes the directorial reins this time around to Found's unique results director, Arthur Cullipher, whilst maintaining co- producing responsibilities with Kara Erdel. The Found units can breath a collective sigh of a relief. The combination of talent here is a winning formula.Headless is fast-moving, bloody beyond belief, boundary-pushing (there's one particular act of carnage that I've never on screen in such candid and unflinching feature before), psychological, hallucinatory, surreal and unpredictable. It manages to honour the themes of its predecessor whilst adding something fresh to boot.The whole cast is perfect but unique mention gotta go to young Kaden Miller for his chilling performance as the Skull Boy. The character's physical presence takes the film to other level. It's a jaw-dropping pièce de résistance. With the presence of this character, we witness the killer's (played by a truly believable Shane Beasley) ride into a hellish insanity.As an aside, I hadn't expected to see this film so soon. At around 1.00am on a cold February morning, I realised I'd received an invitation to catch a preview screener of the film. Sleep was place on keep until the movie had been devoured. In a way, this is how Headless could be viewed. It is a midnight movie, through and through. Excellent entertainment for a gathering of gore- hounds or the category enthusiast who needs something fresh to rekindle his love of the modern horror movie. Whilst being released in 2015, the '70's (and early '80's) atmosphere is soaked into each frame. With faux print damage, large hair, cheesy dialogue and zero political correctness, this is like uncovering a hidden gem in a filmmaker's cupboard. If The Texas Chainsaw Massacre and The Last House on the Left married and had a child, its name would be Headless. 9.5 out of 10. Close to indie perfection, this is unmissable. From the moment the credits start, your senses are reeling from the physical insults delivered to the characters from the original Headless footage. Nasty but nice.


You ever see one of those horror flicks where the assassin does all manner of inhumane and despicable things to their victims? Of course you have. You ever wonder just how they should have become so depraved and what should possibly motivate them to continue their sadistic and cruel behavior? Maybe you have, or maybe you didn't place any further thought into it. Have you ever been disgusted and repulsed to the mission where you couldn't continue watching?I'm asking all these questions, because the answers are simple: You will. Whether or not you have, you'll search out. And... you just might be.If you haven't watched FOUND by Scott Schirmer, you should. Its based on the novel of the same name, by Todd Rigney. That storyline includes a movie within itself, and that movie is HEADLESS. Easy one of the most brutal and integral parts to FOUND, it was a throwback to 70s underground indie horror exploitation that drove the assassin in FOUND to commit his own atrocities. FOUND was so well received by the underground horror heads, that it spawned a successful crowd- funding campaign for a full length HEADLESS feature.I actually understand how such a cruel and demented assassin should be created. I should feel his pain. His nightmarish hallucinations should drive any one to such lengths.While this movie includes incredibly horrific acts of intense brutality, they seem natural for the creature committing them. By the time it was over I realized had thoroughly enjoyed all which I had witnessed. Then again, I'm a fairly twisted individual that knows it's all just entertainment. Yet, to be entertained by such heartless acts, to cheer along at the ghastly images, it makes me wonder... What the hell is wrong with me? Also, what the hell is wrong with Arthur Cullipher and Nathan Erdel?Cullipher has masterfully crafted a movie that is as equally beautiful, surreal, atmospheric, and lucid as it is sickening, perverse, gut-wrenching , and unapologetic. He and few colleagues from FOUND (Scott Schirmer, Nathan and Kara Erdel, Leya Taylor, and Shane Beasley reprising his role as the killer) have given us a peek into the mind of a demon not spawned from Hell, but birthed of the torment that was all he had ever known.Plot and storyline are definitely present, and certainly not pleasant. Headless should have easy just been a load of graphic, sexualized violence to satisfy the sickos - and we receive plenty of that - but a tale is to be told, and you will understand just where its "headed" right from the start.This movie feels like it's from 1978. It looks gorgeous, and sounds equally appropriate. They made sure to test the right clothes and cars to receive the proper atmosphere going. Don't even receive me started on the roller rink. The killer's house is dingy and disgusting, he's living in a filthy old run down building on a farm. Shane Beasley provides an wonderful performance as the Headless killer. In the original short from FOUND, he didn't have to do much but slay women, eat their eyes, and hump their heads. He gives so much more in this role for the detail film. We know and experience not only the horrors and pain he inflicts, but those he has suffered as well.Kelsey Carlisle, Haley Madison, and Ellie Church give nice performances in their roles, proving they have what it takes to be shout queen material. There is an abundance of occasion for wailing and agony from the victims in this film, and by its very nature, these girls gotta scream!There is comedic relief in all this gruesome slaughter. Brian Williams' Slick Vic is a sleazy 70s roller rink tycoon scumbag asshole, paired perfectly with Ellie Church's Betsy. Their on- screen chemistry is undeniable. It's like they are married or something. I also thought the hitchhiker stage was cute hilarious, without even trying. The FX are all practical and top notch. There are gallons of blood, assassin gore, gruesome mutilations, and those unique things that only the Headless assassin does to his victims. Everything looks great. The melody and score are so perfect. At times the score is haunting, and it even gets chilling what melody will be heard during some of the most gruesome scenes.The bar just got set higher for indie horror. This movie is absolutely everything I imagined it might and be much, much more. This will surely go down as one of the sickest, most well-executed indie movies ever. It has immediately rocketed into my top 3 ever. I loved each second of this sick, twisted movie!


The Plot.In this "lost slasher movie from 1978," a masked assassin wages an unrelenting spree of murder, cannibalism, and necrophilia. But when his tortured past comes back to haunt him, he plunges to even greater depths of madness and depravity, consuming the lives of a young girl and those she holds dear.This movie is unrelenting and border on those classics of the 70s like I Spit on your Grave for it's depravity.It is one sick film that is some how mesmerizing and oddly touching, as the plot unfolds with flashbacks that say us how this sicko got this way.I should not take my eyes off it and there is very very tiny dialog.It's a gotta see.



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