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Girls Against Boys 2012
Description: After a series of terrible experiences with men, Shae squads up with her co-worker, Lu, who has a simple, deadly method of dealing with the opposite sex.
Released: 01 Feb 2013 Director: Austin Chick Writers: Austin Chick Actors: Nicole LaLiberte, Danielle Panabaker, Matthew Rauch, Liam Aiken Genres: Drama, Horror, Thriller
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Girls Against Boys Reviews:

I'm surprised that the viewers didn't really understand the film in it's entirety. Shae has just gone through a horrific rape, she has also been dumped by a narcissistic prick who has no true feelings for her. She's in her own private hell. What does Shae do? She creates a fantasy. A fantasy where she and "Lu" go on a killing spree. Lu Lu is a figment of her imagination. She is the Riot Grrrl inside Shae. How do I know this? At the end the camera pans across to all the territories they supposedly killed all those men. They are clean, gratis of any bloody carcasses. Why? Because no one died in these scenes. The director is letting us know that it never happened. Shae takes a bath, cleansing herself, starting fresh. She's ready to take on the world. She is no longer afraid. She's brushing her teeth and the camera pans right and shows us the Japanese robe "Lu" wore while killing Shae's DJ friend. It's hanging there as if it's everytime been there. It's Shae's bathroom robe. Then we see Shae at work, smoking in the stairwell. When she's talking to the crying girl, Right before Shae inhales the smoke from her cigarette, the camera goes out of focus on Shae's face and in the background you see other light. This light is of other cigarette being inhaled. This is letting us know that "Lu" is NOT dead. At least not in Shae's mind. Shae has actually taken on Lu Lu's persona. She is no longer an innocent. "Lu" has everytime been there. And actually she sit's behind Shae figuratively, keeping watch over her girl. Shae required those fantasy's and "Lu" to receive her through the rape and breakup. She will probably everytime distrust men. Of course it's all relative. This is what I perceived happened. I encourage you to watch it again if you don't trust me. I loved this movie. The acting, cinematography and melody made it a really pretty movie that made me really think.


At least the original I Spit On Your Grave knew what it was (exploitation plain and simple). This garbage tries to dress itself in artsy decor, even as it shows a young boy being dismembered. But whatever you think you might be getting from this film, you won't receive it. As a feminist statement...well, watch Thelma And Louise again. As exploitation, it is nowhere near as extreme as the poster art would have you trust (the one stage I described being the exception). As cathartic revenge, Death Want this ain't. The fact that it earned a tiny over $6K at the box office (probably not enough to cover the catering costs during filming) proves there is no audience for this cr*p and as Dana's looks fade, the several roles she gets will quickly fade as well as she is singularly without any acting talent, exhibiting here the same vacant stare throughout the whole film (the another lead actress is now cute good). I could also mission out that in addition to being anti-male (well, not quite all of us), the movie is also very homophobic.


GIRLS AGAINST BOYS is other cheap revenge picture with a battle-of-the-sexes slant. It feels very much like a cheap I SPIT ON YOUR GRAVE makeover and even details an actor or two who appeared in one of those films, I can't remember which. This one seems to have even less plot than usual and is merely a string of set-pieces of the main two characters going around and butchering unsuspecting blokes, some of them deserving, some of them not.I search movies like this one almost entirely devoid of merit. The cheap digital look of the production is almost anti-cinematic and an example of everything I DON'T wish to see in a film. The acting is generally low and exaggerated and the violence brief and not very shocking. The topics matter is distasteful but the approach is so lame that none of it is possible to take seriously.



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