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Girl from Starship Venus 1975
Description: A young Venusian woman lands on World to discover the planet. She lands in Soho in London, UK where she has ample occasions to research sex on Earth.
Released: 01 Oct 1976 Director: Derek Ford Writers: Derek Ford (script) Actors: Monika Ringwald, Mark Jones, Andrew Grant, Tony Kenyon Genres: Comedy, Sci-Fi
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Girl from Starship Venus Reviews:

A long time exponent of sex and horror cinema, Derek Ford crafted his two 1975 movies around the persona's of two tiny known starlets. Sex Express a/k/a Diversions was a star car for the self-destructive Heather Deeley, while The Sexplorer offered leading lady status to German actress Monika Ringwald. Much more lighthearted than Sex Express, The Sexplorer upgrades sci-fi themed nudies like The Nine Ages of Nakedness and Zeta One to the naughty 1970s. Aliens from Venus land their spaceship slap bang in the middle of Piccadilly Circus,but their comeback comes with more of a whimper than a bang,as their spaceship is nothing more than a minute silver sphere which unceremoniously lands in a puddle. One of the aliens materialises in the form of a nude German-accented woman (Monika) while other Venusian stays onboard the silver sphere/spaceship and continually yaks to her. When two airhead masseuses search her wandering around their massage parlor starkers they think she's the shell-shocked victim of a clothes snatcher and send her on her method in a pea-green masseuse's uniform and a fiver in her pocket. Monika goes on to scare a boy by entering a urinal and eyeing his 'large probe' while her attempts at directing traffic in a high road are met with the –seemingly genuine- amusement of onlookers.Eventually she is offered a zone to stay by Allan an honest, understanding type of a guy,who spends his nights walking the roads after being ditched by his girlfriend. Scenes between them are like a flashback to the Ford scripted oldie Saturday Night Out in which a sailor has an affair with a bohemian woman and finds it hard to cope with her eccentricities. Things really go pear shaped however when Monika's mate in the silver sphere equips her with a 'full range of sensory organs' which has the unintended result of causing her to roll around naked allot. A turn of happenings that gets the voice of the sphere into a huff,whining 'decease forthwith…it's dirty...I absolutely forbid it' like an irate film-censor.While on the surface it looks like a single-joke film (alien is mistaken for sexy foreign woman and inspires reprobate reactions like 'you Scandinavians don't beat about the bush, do you') The Sexplorer is now one of Derek Ford's better sex comedies with his self-penned script showing an uncharacteristic amount of inventiveness and wit . Alongside farcical misunderstandings and more nudity than you can shake a 'large probe' at,the film's funniest and freakiest moment finds Monika being offered a drink in a strip-club which has the side-effect of turning her green from head to toe (complete with spray painted Afro-wig). As one hero remarks-'she's bloody green as a traffic light'. Ford also shows where his heart lay by throwing in lots of zone work-night-time shots of Soho and Piccadilly Circus and scenes taking zone in grimy men's toilets and nicotine stained launderettes create The Sexplorer a nice 1970's London film. The most enduring aspect of The Sexplorer though,remains its theme song which the late Don Lang belts out on the soundtrack few times. Lang-born Gordon Langhorn-was a trumpeter by trade who played on the Beatles White Album and even had a whiff of top ten success in the late fifties. Here Yorkshire's respond to Bill Haley serenades The Sexplorer with 'she's the woman from Star Ship Venus,she's arrived from outer space,and she's landed on our planet just to watch the human race. She's got turned onto permissiveness actually keeps up with the pace,she's the interstellar traveler of love'.This was Monika Ringwald's only lead role,though for a limited actress (to place it mildly) Monika's career brought her some diverse work. She was a model for naturist publication Health and Efficiency,appeared on The Benny Hill Present and can be seen dressed up as a 'Spiv's floozy ' on the back cover of The Kinks' 1974 idea album Preservation Act 2. Monika was also a cover woman for Witchcraft magazine 'the monthly chronicle of horror,Satanism and the occult' which juxtaposed articles on the inquisition and witch-hunting with pictorials of nude models and boy wearing goats heads! Given these brushes with the occult,you might wonder if she sold her soul to appear in a Derek Ford film. While nice looking, Ringwald has a sometimes difficult to understand German accent and seems to have been blessed with only two facial expressions-boredom and confusion. All of which makes it tempting to view The Sexplorer as an in-joke parody of her career. The storyline of a lifeless,slightly 'distant' woman lost in a foreign land and surrounded by peculiar Englishmen seems as much Monika's storyline as it is the Sexplorer's. That may sound a tad cruel,but with autographical touches like having her real-life agent Alan Selwyn enjoy a boy who takes one look at her then leeringly promises 'if you've got what I think you've got under there,you'll create a very nice career out of it'-its sometimes difficult to interpret the movie any another way.Ultimately appearing in The Sexplorer never made Monika Ringwald a star and in 1978 she retired from showbiz to marry a vehicle dealer. Considering the fate that befell Heather Deeley-Derek's another 'star' of 1975-Monika's is a satisfied ending. For their troubles Monika and Derek have even managed to collect one popular fanatic in the form of Reservoir Dogs Director Quentin Tarantino-who encountered the movie aged 14 under its US incarnation The Woman from Star Ship Venus. Suitably impressed Tarantino has gone on to screen The Sexplorer at few 1990's movie festivals,reviving it as a midnight film in Austin Texas in 1996. As is the situation with most of Ford's seventies output The Sexplorer also exists in a longer, hardcore ver (with extra pornographic footage shot by Derek behind closed-doors in Beeleigh and Maldon) in which Miss Ringwald presumably got to research 'emotional involvement'-as its referred to in the film-in much greater depth.


Found this one by possibility when it was mentioned on a unique interest forum. Being a fanatic of flicks showing 70s London I got the DVD – and was entertained in such a fine way! Firstly the campy settings, the non-existence of unique results and the funny cliché kind personnel in the movie (gay sex photographer, greedy sex present guests etc...) create it an extraordinary tour-de-bad-taste in B-film history. Secondly the hilarious humor thrown in at all points (e.g. when a doctor gets a nervous breakdown after examining the girl, finding no pulse and trying to re-animate her). But thirdly – and mostly – what I did not expect: the true sweet and romantic love storyline evolving throughout the film's episodes. I will not spoil anything here but give one comment: to feel love anyone needs a heart. You will know when having seen the movie (recommended).In total there is a lot of rather innocent nudity, a bit of foul language and a diversity of nice concepts woven into this one. Plus a great soundtrack. From me 8/10.


So, the trivia tells "The Sexplorer", also known as "The Woman From Starship Venus", is Tarantino's favorite British film. If that's true, it's other reason why I'd like to give him a smack in the mouth ("Death Proof" being the another one). Ever heard of "A Matter of Life and Death", Quentin? "The Third Man"? "Bridge on the River Kwai"?His endorsement is probably the only reason anyone hears about this film now. There's not much to tell about it, and it doesn't have much going for it another than nudity.The "plot", or rather the premise, is as follows: an extra-terrestrial girl comes to Earth, here named "Dum", to research humankind. When she first appears she is fully naked, and lucky for her, she appears in the type of gym where everyone else is naked too. I'm not sure if such a gym exists on planet Earth, even in the crazy '70s, but whatever. The girl meets a great guy and a not so great guy. The great guy takes her home, where she travels through time (apparently) to encounter the mean one, who takes her to a sex present and tries to have sex with her in a room full of balloons.Why was it important to add the time-travel aspect? It is so negligible most viewers probably won't even notice it.Throughout the movie, there is a voiceover of the protagonist - who has her hair slash into a helmet-like shape - speaking with some guy, perhaps her boss, discussing whatever's event to her. It nudges up vs comedy throughout, but is never funny or insightful.Judging by all the films I've seen, the '70s were a time as foreign to us actually as the planet this woman is supposed to come from.



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