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Description: Since the mid-90’s, and the outbreak of common digital video editors, like iMovie and Windows Film Maker, a silent epidemic has spread through our education system: The common "Video Project." Educational videos produced by teens, to educate their peers on topics they haven't been taught yet, themselves. In 2015, (visionary producers) Daniel Ahrens & Jason Flood amassed a considerable collection of History Class video projects from across our nice nation. "The History Project" curates these projects, and arranges them chronologically to say the storyline of America. This is our past, said by our future.
Description: Pickup trucks are essential to the American method of life; manufacturers compete to outsmart, outmaneuver and outlast every other; experts, designers and historians weigh in on the most influential innovations in the truck globe over the past 120 years.
Description: "Thirty-five years ago, I witnessed the kidnapping of a boy I knew. He has disappeared since. Ten years ago, I caught a glimpse of his face while walking in the street, but I wasn’t sure it was him. Parts of his face were torn off, but his details had remained unchanged since the incident. Yet something was different, as if he wasn’t the same man” (Ghassan Halwani).
Description: The storyline of Farewell to My Concubine is itself very dramatic. Lillian Lee is rumoured to have written the original screenplay in the late 1970s, which was made into a two-part tv series on RTHK by Alex Law under the name Lord Chau and Lady Yu. Lee then adapted the storyline into a novel in 1985, which soon inspired a detail film, scripted again by Lee and directed by Fifth Generation mainstay Chen Kaige, going on to become an international sensation that won the Palme d'Or at the Cannes Movie Festival and Greatest Foreign Movie at the Golden World Awards among another accolades. What's more, the Peking opera of the same game featured prominently in the novel, the TV programme and the movie was itself adapted from a Kun opera, which was in turn based on the historical chronicle Primary Annals of Xiang Yu, from Records of the Grand Historian.
Description: Follow General George Armstrong Custer from his memorable, wild charge at Gettysburg to his lonely, untimely death on the windswept Plains of the West. On June 26, 1876, Custer, a reputation for fearless and often reckless courage ordered his troops to drive back a huge units of Lakota and Cheyenne warriors. By day's end, Custer and nearly a third of his units were dead.
Description: The historical-revolutionary movie by Dmitry Frolov, permeated with the romanticism of the revolutionary happenings of 1917, echoing the moods of August 1991. Since the movie was shot the day after the win over the coup plotters in the USSR in August 1991. All thoughts of the beekeeper - quotations from Lenin's works.
Description: Director Elia Kazan and playwright Arthur Miller were once greatest mates and professional colleagues, to most that knew them then in both capacities as soul mates. Their politics were related which was reflected in their work. Kazan was a Communist Party member for a several years in the mid-1930's, but Miller never officially joined the party ranks. Their relationship changed in the early 1950's when Kazan was subpoenaed to testify in front of the House Un-American Activities Committee where he called names of Communist Party members past and present.
Description: The real happenings of Lieutenant Commander Arman Anwar of PASKAL, an elite unit in the Royal Malaysian Navy, and his team's point to rescue the MV Bunga Laurel, a tanker which was hijacked by Somalian Pirates in 2011.
Description: Despite their private short comings, many of the Roman Empires nice engineering accomplishments were introduced during the reign of the Caesars. The tradition continued under Vespasian, builder of the Coliseum, Trajan, builder of the Forum, and Hadrian, builder and possibly the designer of the Pantheon. Finally, a decade soon Caracalla built a bath complex/recreation center in an effort to safe his own reputation in history.
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With its magnificent acting, writing and directing, this masterpiece by Walter Hill is unique, not only in the method it maintains its epic quality in the span of two hours, but in the powerful chemistry between the two main characters. The majestic melody and scenic photography combine perfectly to compliment the stunning performances of Wes Studi as Geronimo and the breath-taking Jason Patric as Lt. Charles Gatewood. The unique friendship shared between the two grand, thoughtful boys is the main interest that holds this movie together, with Patric's performance being the most exceptional, amid a talented helping cast of large names.As a righteous officer and gentleman who remains loyal but unpoisoned by excessive patriotism, Gatewood is a tough but calming influence in the face of nice danger, while displaying a maturity that bewilders his more primitive companion Al Sieber (Robert Duvall) who exclaims, "You don't love who you're fighting for and you don't hate who you're fighting against!" In this way, Gatewood is just as complex as he is likable, instantly gaining the believe and admiration of both his mates and enemies.Whether he assumes the role of an ambassador with his deep eyes and charismatic presence or that of a soldier with his masterful horsemanship (performed by the actor himself), Jason Patric brings a unique depth and beauty to Gatewood, making him one of the most impressive and under rated heroes ever captured on film. His presence alone makes this movie a nice classic, as well as a thought provoking treasure!
'Let's begin with this: All written history is revisionist. The current happenings are revisited and revised in the perspective of the "re-visitor." That said, this remarkably well written, well acted, and generally well executed film is likely the greatest acc of the "Geronimo Campaign" out there. Head and shoulders above much of the another junk out there about this necessary American figure. It is, to boot, beautifully filmed and deftly directed. And the narrative approach worked perfectly with this subject. Well worth a couple of viewing hours by anyone who sincerely wants to know what was up with all that.'
This movie was part of the revival the western category had in the beginning of the 90's in the wake of Dances With Wolves. Not all of the westerns from this period are worth seeing (Bad Women is a nice example of that) but there are gems among them. This film, Geronimo: An American Legend being one. It makes an clever comment regarding the frankly despicable treatment the Apaches, among another American Indian tribes, recieved at the hands of the American government. In this lies the movies strength and the presentation of this theme is the focus of the film's plot. It plays like a historical thesis or argument. This being terrific for folks who are looking to know exactly what happened to the Apaches.However, folks who find for nice dramaturgical nerve in movies could avoid this film. Because there is none. The plot faithfully depicts the historical progress of happenings and refuses to fully demonize the Whites (although they clearly are being portrayed as the expansionist aggressors)in order to build a protagonist-antagonist plot-structure. This makes the film slow, and for non-buffs a tedious experience.Finally, the movie has a terrific soundtrack by Ry Cooder and a knock-out performance by Wes Studi as Geronimo!
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