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Description: The movie shows the genesis of the Swiss Tropical Institute under the direction of Rudolf Geigy. From his employees and students he was partly admired, partly feared. His moods and outbursts were legendary. As a wealthy industrialist, he was able to afford virtually everything and generously invested in the establishment of the Tropical Institute, but also made considerable development aid in Africa. A find for traces with contemporary witnesses.
Description: The Biography brand has everytime strived to document and discover the lives and stories of our nation’s modern presidential leaders in order to better understand our country’s past, show and future
Description: Operation Bootstrap, a non-profit community-based organization, was founded in October 1965, just two months after the Watts rebellion, as a response to a neighborhood in distress. The 1968 documentary captures Bootstrap’s point of economic development with scenes of girls and boys training for a range of employment occasions including how to operate power sewing machines for work in the local garment factory, to the fresh technologies of the day, the IBM keypunch machines. Especially engaging are the scenes of “sensitivity sessions” hosted by the organization, where black and white Angelenos debate problems of race and racism in 1960s America. The film’s cinéma-vérité style allows for a certain closeness with its topics and allows for a precious time capsule glimpse into this vibrant and struggling community.
Description: Sammy Davis, Jr.: I’ve Must Be Me is the first major movie documentary to examine the performer’s vast career and his adventure for identity through the shifting tides of civil rights and racial progress during 20th-century America. Sammy Davis, Jr., had the type of career that was indisputably legendary, vast in scope and scale.
Description: We discover the life of one of the 20th century's most charismatic performers. Bob Marley Bob Marley's renown actually transcends the role of reggae luminary: he is regarded as a cultural icon who implored his folks to know their history.
Description: 10/24/1973 Capitol Records Rehearsal Session, Capitol Record Tower, Los Angeles, CA SET: You can't blame the Youth. Slave Driver, Burnin' and Lootin', Rastaman Chant, Duppy Conqueror, Midnight Raver, Place it on, Stop that Train, Kinky Reggae, Stir it up, No more trouble, Receive up stand up
Description: Portrait de groupe is a movie series of filmed portraits that shows all kinds of groups gathered under family pretexts, friendly or professional, in a single fixed, wide shot (style: family photo) and silent of 3 mins and 20 seconds.
Description: Lire is a cinematographic series of filmed portraits that shows, in a single huge fixed and sound sequence shot of 3 mins 20 seconds, a writer reading the beginning of his last published book.
Description: An LWT South Bank Show, presented by Melvyn Bragg, exploring the phenomenon of countertenor singing. With its unique, soaring beauty, the high male voice is today enjoying a large resurgence in popularity. Heirs to the celebrated castrati of the sixteenth and seventeenth centuries, today's countertenors produce their voices by wholly natural means. In this programme international stars Michael Chance, Andreas Scholl and James Bowman, as well as popstar Jimmy Somerville, shed light on the appeal of the male falsetto. Meanwhile, experts such as Michael White zone today's countertenors in their historical context. What emerges is a compelling portrayal of an unmistakable vocal style, rooted in church and operatic tradition, yet fully up-to-date, resonating louder today than at any time in the last two hundred years.
Description: Each year since 1980, I have filmed the Nice Friday ceremony reconstructing the Passion of Christ in Burzet, a remote village in the Ardèche area, where for seven hundred years, the local folks have dressed up to celebrate and perpetuate this religious rite. (Gérard Courant)
Description: A movie about an ongoing cinematic journey that began in 1978: a vast anthology of personality portraits named Cinématons, dealing with folks in the arts. Historical, ethnological, sociological and psychological, this anthology is a living record of the artistic community of the last 20th century which attempts to respond these questions: Why movie everyone? Why select cultural personalities? How do the topics look at their image? How much exhibitionism and narcissism is involved in being filmed?
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