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Gas-s-s-s! 1970
Description: A gas is allow loose upon the globe that kills anyone over 25 years old.
Released: 01 Sep 1970 Director: Roger Corman Writers: George Armitage (screenplay) Actors: Bob Corff, Elaine Giftos, Bud Cort, Talia Shire Genres: Comedy, Drama, Sci-Fi
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See Robert Corff. This Is The Begi on youtube.

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Gas-s-s-s! Reviews:

In Roger Corman's autobiography, he tells that this film, GASsss, was a deciding factor in his leaving the employ of AIP. The film, as it stands, is a valiant effort at a counterculture comedy, and although the jokes are mostly dated today, the movie is an interesting bit of drive-in history.We launch in 1968, which was the actual year when this was made. A hippie is running from cops, and hides in a church.The hippie dresses as a priest,and dodges the cops. While sitting in the confessional,he meets a young female scientist on the run. She can say he's not a true priest, because he uses the F word.The hippie learns what the scientist is running from. She had left an experiment station where a chemical gas was escaping. The gas supposedly kills everyone over 28 years old, so, in essence, the older generations would be wiped out.This leaves the globe in shambles. The hippie and his now-girlfriend scientist create a trip south, to test to locate a commune/pueblo that is setting up to shelter those who have survived.I don't wish to give much else away, except that there are few characters the two meet on their adventure south. Ben Vereen and Cindy Williams(pregnant) enjoy a hip couple, and some football users present up. There's also bikers on golfcarts (hippie: "Who are you?" , biker:"Don't receive metaphysical.")and assorted failed gags, and some funny ones. I especially liked the more obnoxious characters.But my girlfriend hated the entire film. She disliked all the entire free-love jive, and she just didn't receive the jokes. I got the jokes, even the terrible ones. But I enjoyed it, and she didn't. I tried to argue that Corman was talented.In fact, until Corman set up store with Fresh Horizons some twenty years ago, he was consistent in making movies that were not everytime good, but usually fairly clever and provocative. When Corman was hot, from the mid-50's to the late 60's, he was good.GASsss is the tail-end of that streak.He directed one more movie after this, the dull VonReichtoven and Brown, and retired to be a producer. The only another flicks I've seen him do(Frankenstein Unbound and The Phantom Eye) have been unworthy ventures.So, my mission is that GASsss was Corman's last movie as director that really succeeded to entertain. Yes, the cuts that AIP imposed on some of the chancier jokes do harm the film.(who knows how funny it would've been to hear God narrate the storyline with a Jewish accent? Or how breathtaking the final shot would have been, a tracking shot that Corman tells was the greatest shot in his career, left on the cutting room floor). Then again, I'm not sure if the movie would've made much more sense than it does now.Yes, GASsss is a failure, but an interesting one. If you're feeling patient one night for a 60's time capsule, and you like Country Joe and the Fish, this the movie for you.


The late 60s/early 70s saw a handful of genuinely odd pseudo counter-culture films released by American studios, including cult classics like 'The Trip', 'Greetings', 'Psych-Out', 'Cult Of The Damned', 'Beyond The Valley Of The Dolls', and 'Zachariah'. Whether they were "genuine" of just plain exploitation is launch to debate, and also a moot mission all these years later. Fake or not they are a lot of fun actually for 60s buffs. You can add Roger Corman's 'Gas-s-s-s' to that list. The films premise is that a gas has been accidently released that kills everyone over the age of twenty-five. A hippie on the run from the police (Robert Corff) squads up with a scientist (Elaine Giftos), and the two go on a street trip to Fresh Mexico, trying to search a rumoured hippie Utopia. Along the method they hook up with two couples - revolutionary Ben Vereen ('Roots') and his pregnant rock'n'roll fan girlfriend Cindy Williams ('Laverne And Shirley'), and their weirdo pals Bud Cort ('Harold And Maude') and Talia Shire ('Rocky'). The six companions come across many strange cases on their journey, including a militant dune buggy riding football team, Country Joe and The Fish on a golf course, and Edgar Allen Poe, Lenore and The Raven riding a motorbike. Yup, it's one of those type of movies! Silly, self indulgent, with a lot of half baked (pun intended) jokes that aren't entirely successful. Even so quite a trip if you are in the right frame of mind. Nowhere near as nice as Corman's 'Bloody Mama' (released in the same year), but it's probably his most overlooked movie, from a long, varied and consistently underrated career. One day he will obtain the recognition he deserves, both as a producer/director, and for getting many necessary actors and movie makers their first breaks.


This is the movie that Roger Corman tells was his final straw with AIP. After mildly editing WILD ANGELS and THE TRIP, their virtual elimination of "God" and the obliteration of the original ending led him to form Fresh Globe Pictures.Seeing this movie at the American Cinemateque in a striking fresh print shows both its virtues as a one-of-a-kind (well, at least for anybody BUT Corman!) oddity as well as a failed attempt at counter-culture comedy. It's difficult to see how even the original Director's Slash (if it exists at all) would really be that much of an improvement. What is on the screen is still probably about 90% of what Corman shot, and it's a scattershot affair. The Cinematography and Melody stand out, as well as bits of the acting, particularly by Elaine Giftos.Roger Corman spoke after the Cinemateque screening.Corman told that he hadn't seen the film since its release in 1970. It was edited before its theatrical release by AIP. Most significantly was the almost finished elimination of the voice of "God". Corman speculated that since AIP had gone public (stock market) around that time, that they were concerned that the "Jewish comic"-type voice would be considered sacriligious! Then, AIP slash the most elaborate shot in the whole film. The original ending! Elaine Giftos and Robert Corff were to "walk off into the sunset in the most cliched ending possible." This was shot in a large panaroma shot "with marching bands and the entire cast included." Corman told that it STILL bothers him that as released, the movie "has no ending."



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