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Description: Amuro Namie's last dome tour! Starting in February 2018, the diva went on her Final Tour 2018 ~Finally~, bidding farewell to fanatics through 17 shows nationwide and other six Asia tour stops. She attracted 800,000 folks to her tour, the biggest ever for a solo artist in Japan. Every limited edition release of the tour contains her final Tokyo Dome live, her outdoors 25th Anniversary Okinawa live in September 2017, and one another live, giving fanatics the most finished Amuro Namie experience. This edition contains the Tokyo Dome live in May
Description: Guitar legends John McLaughlin & the 4th Dimension and Jimmy Herring & The Invisible Whip join forces for this Meeting of the Spirits at the Capitol Theatre, featuring every artist in separate sets followed by a collaborative performance of melody McLaughlin first played with his 1970s electric band, Mahavishnu Orchestra.
Description: A melody video by Mylène Farmer in which she plays an angel who is sent down to world because god has "the feeling that they [the humans] have spoiled this pretty and easy thing I've named love".
Description: Sator - Live on scene at Sticky Fingers, Gothenburg, Sweden, in December 2006. 1 WAR MUSIC 2 SO DRESSED UP 3 NO REASON 4 ANGELINA AND SISTER RAY 5 FIND THE TIME 6 JETSLIDE 7 KISS OF THE RAT 8 I WANNA GO HOME 9 YOU'RE OUT OF MY HANDS 10 GOODBYE JOEY 11 YOU AIN'T NOTHING TO ME 12 DANCE TO THE ROCKET FROM THE CRYPT 13 GHOST OF MY CONTROL 14 AIN’T SEEN NOTHING 15 ESCAPE FROM PIGVALLEY BEACH 16 I’D RATHER DRINK THAN TALK 17 THIS AIN'T THE WAY HOME 18 SLUG IT OUT 19 I'LL WAIT 20 NO PLACE TO LAND 21 THIS IS MY LIFE 22 PIGVALLEY BEACH /LET'S DANCE 23 RING RING (ABBA) 24 GET OUT OF MY WAY (John Hodgson)
Description: The Met assembled a vocal dream squad for Jonathan Miller’s ellegant production of the eternal Mozart masterpiece: Renée Fleming as the Countess, Cecilia Bartoli as Susanna, and Bryn Terfel as Figaro. With James Levine—one of the world’s nice conductors of Mozart—in the pit, Bartoli interpolating two rarely heard alternate arias, and Dwayne Croft as the Count and Susanne Mentzer as Cherubino, this is a performance for the record books.
Description: The two-time GRAMMY Award-winners return as you've never seen them before with Synthesis Live. Filmed in the fall of 2017 at the Grand Theater, Connecticut, this concert movie details a re-imagining of some of Evanescence's best-loved songs with the spotlight on Amy Lee's virtuoso piano and voice supported by the combination of full orchestra, electronics and the band. The fresh arrangements give a focus to the emotions and stories in the band's songs. Filmed at the Grand Theater, Connecticut, Fall 2017
Description: An esoteric fairy-tale, a mystical-dreamlike tale, and a symbolic-Masonic course: No matter which perspective you consider it from, The Magic Flute will everytime be one of Mozart’s undisputed masterpieces. Amidst exotic, fanciful settings and cruel trials to defeat knowledge, amidst musical enchantment and threatening hostile forces, is the final win of nice over evil and love over hate. Singspiel in two acts to a libretto by Emanuel Schikaneder, the Zauberflöte is one of the Salzburg genius’ last masterpieces, which he probably began composing in May 1791, not even six months before his death. The opera had its debut in Vienna on 30 September 1791, conducted by the composer himself and with Schikaneder as Papageno.
Description: The ambiguities of Verdi’s theatre are particularly clear in his baritone roles, among which is that of Boccanegra, corsair turned doge of Genoa and the troubled observer of the conflicts that tore apart 14th century landowners and peasants. An eminently political opera in which power struggles are interwoven with family conflicts, Simon Boccanegra echoes the life of its composer – the boy who championed the cause of Italian unification and overcame the loss of his wife and children.
Description: The Sonics are revered by garage rock fanatics worldwide, but they have everytime carried a tiny more weight in the Pacific Northwest. They are to Washington what Springsteen is to Jersey. So in early 2015 when the band dropped their first fresh record in 50 years, Simple Road Records in Seattle was their destination to celebrate Record Shop Day with mates and fans. Performing to a standing room only crowd on RSD 2015, recorded by KEXP, and mixed and mastered by the nice Jack Endino, the band ferociously tore through the night joined by a stream of luminaries paying respects to the lords of the Northwest. “Live at Simple Street" is what that evening sounded like. Now, celebrate Record Shop 2016, because THIS IS THE SONICS
Description: Mahavishnu Orchestra Live On BBC at the Paris Theatre, London, 25.08.1972. John McLaughlin, Jan Hammer, Rick Laird, Billy Cobham & Jerry Goodman. Tracks : 1. Meeting Of The Spirits 2. You Know You Know 3. Lotus On Irish Streams 4. The Moonward Race
Description: Formed by John McLaughlin in 1971, the Mahavishnu Orchestra pioneered the fusion of jazz elements into rock melody while still undeniably retaining the power and muscle of a full on rock band. Band: John McLaughlin, Bill Evans. Mitchell Forman, Jonas Hellborg & Danny Gottlieb Tracks: 1. Radio-Activity 2. Nostalgia 3. East Side, West Side 4. Clarendon Hills 5. Medley: Blues for L.W., It’s the Pits, Living on the Crest of a Wave 6. Jozy 7. Pacific Express 8. Mitch Match 9. Mitch Match (Reprise)
Description: Formed by John McLaughlin in 1971, the Mahavishnu Orchestra pioneered the fusion of jazz elements into rock melody while still undeniably retaining the power and muscle of a full on rock band. Band: John McLaughlin, Ralphe Armstrong, Narada Michael Walden, Jean-Luc Ponty, Gayle Moran, Steve Kindler Tracks: 1. Wings of Karma 2. Hymn to Him 3. Power Of Love (audio only) 4. Smile Of The Beyond (audio only) 5. Vision Is A Naked Sword (audio only) 6. Sanctuary (audio only)
Description: Magic opera, Singspiel, a comedy with spectacular scene effects, Masonic ritual with Egyptian mysteries, heroic-comic opera? Die Zauberflöte is heard more often and has been more frequently performed, discussed, queried and interrogated than almost any another work in the history of opera. It is rare for the mysteriousness and multiformity of a work to be adjured with such mantric intensity. It is equally rare for a work to play such undisputed success despite all these debates – and for over two hundred years at that.
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