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Forget Us Not 2013
Description: An in-depth look at the persecution and subsequent death of the 5 million non-Jewish victims of the Holocaust and the impact on those who survived. Through stories of survivors and historical footage, these lesser-known voices are brought to life.
Released: 07 Aug 2013 Director: Heather E. Connell Writers: Heather E. Connell, Lane Shadgett Actors: Ron Perlman Genres: Documentary, Drama, History
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Forget Us Not Reviews:

"Forget Us Not" is an award-winning, seventy-minute documentary presenting the experiences of what are referred to as Nazism's "other victims." History's focus is on the six million Jews the Nazis murdered because Nazism's focus was on Jews. But it is a tragedy, and a nice lie, that too many folks have no concept that Nazism also targeted non-Jews. When I speak about the Holocaust, I ask audiences, "What group did the Nazis mass murder first and last, even after they surrendered to the Allies?" No one has yet been able to respond that question. The respond is handicapped Germans. If you are surprised, you don't understand Nazism. A nice first step would be viewing "Forget Us Not." Ron Perlman provides sonorous narration. Archival black and white movie clips are interspersed throughout, including one brief, insufferable shot of Nazis laughing. Lieutenant Commander Jack H. Taylor, "the first Navy Seal," testifies to the horrors of Mauthausen. What melody there is is excellent. Most of "Forget Us Not" consists of four living survivors saying their own stories. Wilhelm Heckman's storyline is said via voice-over narration and photographs. Heckman was a musician and alleged to be a homosexual; he was interned in Mauthausen. Robert Wagemann is the most articulate interviewee. Before his birth, his mother was imprisoned for distributing Jehovah's Witness pamphlets. His mother's obstetrician was Jewish, and thanks to Nazi policies, he disappeared. Wagemann was a breach birth, and his mother had only a midwife for help. Wagemann's hip was injured. When Wagemann was five years old, he was ordered to report for a physical. His mother overheard a doctor telling that he'd break for lunch, come back, and murder Wagemann. Nazi Aktion T4 was designed to eliminate defective people. Wagemann's mother grabbed her son and rushed to the exit. A nun blocked their escape; Wagemann's mother was insistent. She took her naked son to a riverbank and dressed him in the policy of the reeds. Wagemann told his target was to communicate to young folks living in the West how fortunate they are, and what type of freedom they have. "Tolerance and conscience is the most necessary thing," he says. "To war racism and hate you have to have tolerance. You have to look upon the next person as your human brother and human sister. You have to support him when he is in need...if you slash yourself what comes out is red. If he cuts himself, it's the same color." Ceija Stojka was an Austrian-Romani survivor of Auschwitz and Bergen- Belsen. Her family was Catholic. Her interview offers the most graphic features of horror. She describes the death of her tiny brother Ossi from typhus, dead bodies of babies rolling out of trains when the doors were opened, and her attempt to match decapitated heads to appropriate bodies when she came upon an "insanely large" pile of corpses. Natalia Orloff-Klauer was Ukrainian. Her parents were rounded up and used by the Nazis as slave laborers. Her experience was one of slow starvation and hideous conditions. Her mother became ill, never recovered, and died shortly after the war. Later, Orloff-Klauer survived the firebombing of Dresden. Even rescue presented nightmares; survivors had to be stripped naked, shaved, deloused, and paraded for inspection. After the fight she lived in a damaged railway car. The Grace Presbyterian Church of Wichita, Kansas sponsored the surviving members of her family and made it possible for her to come to the US. Veronika Young was a Polish slave laborer. Her interview was the least satisfying. Young repeatedly stated that she did not remember key details, including the name of the city she was born in. She told things like "It was horrible." I want the filmmaker had found a more articulate and authoritative Polish survivor. There are certainly all too many Polish survivors of Nazi atrocities. After Jews and Gypsies/Rom, Poles were the most persecuted national group under the Nazis. The Poles' role in WW II was key, and better understanding of what the Nazis did to Poles would support the viewer.Filmmaker Heather E. Connell's previous work addressed orphans in Cambodia. Her humanitarian approach is clear. Connell devotes the final twenty mins of the movie to the founding of the United Nations, to mention of another genocides, and to every survivor's exhortations to the audience. Realize how lucky you are, survivors insist to young viewers. Be tolerant. Take care of every other. Never again. The "other victims" are often ignored for ideological reasons. I know students who have been lead to trust by Christophobic scholars and media that Nazism was a Christian phenomenon; in fact, Nazism vowed to destroy Christianity and Dachau was known as Germany's biggest monastery, because of all the clergy interned there. Nazism was inspired by atheism, scientism, Darwinism, and neo-Paganism. Attention to Nazism's "other victims" can clarify ideological propaganda. "Forget Us Not" doesn't deliever enough notification to the viewer to understand how every group of victims differed. Yes, Nazis killed Ukrainians, but it's necessary to remember that Ukrainians, at first, were significant in their lvl of collaboration and genocidal killings of Poles. Jehovah's Witnesses were concentration camp inmates, but they were accorded relatively preferential treatment. "Three million Polish citizens marked with the letter P met their deaths in the camps," the movie states. Three million Polish non-Jews did not die in concentration camps. Young tells she was in Saarbrucken concentration camp and Orloff-Klauer tells she was in Bibigan concentration camp; I cannot search either in lists of the camps. Otherwise, though, for its intimate portraits of "other victims," this movie is recommended.



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