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Fog 1933
Description: The murders are committed in swift succession on board a liner crossing the Atlantic in a dense fog, and many of the passengers come under suspicion before the current assassin is purchased to justice with the aid of a very substantial "ghost."
Released: 11 Nov 1933 Director: Albert S. Rogell Writers: Ethel Hill (screenplay), Dore Schary (screenplay), Dorothy Rice Sims (story), Valentine Williams (story) Actors: Mary Brian, Donald Cook, Reginald Denny, Robert McWade Genres: Adventure, Crime, Drama
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Fog Reviews:

This rarely-seen 1933 mystery movie definitely toes the line on classifying as horror. If you think early 30s movies such Double Door, The Ninth Guest, and Six Hours to Live fall into the category, you will accept this belongs. Tending to be liberal with the horror label, I would throw it in too.As some readers may remember, TCM teased us by listing it on its schedule and abruptly removing it a several years back. I saw the print that was digitized at the Library of Congress. It runs 70 mins and despite digital glitches in viewing it on their pc screen, it was a solid print. The movie has, as you would expect, perfect atmosphere. Only the final stage is devoid of fog. The art deco sets are unbelievable (cabins of passengers seem to be tailored to the eccentricities of its guests). There's a brief, but gruesome shot of a victim hanging by a noose; a standard 30s séance; the constant blare of a foghorn; and of course, some great low-key lighting. The movie is devoid of a musical score, has lots of fade outs to end scenes and overall has a grim and somewhat distanced feel to the viewer. There's no one to really root for in this film. For those of you who follow 20s, 30s and 40s mystery films, I often search what I call the "2 True Suspect" films. You often see the many obvious recurring red-herrings such as ex-cons hiding behind aliases, jealous ex-husbands and ex-wives and suspicious-acting servants. This movie has all of them and after discarding these stereotypical characters, there are really only two viable suspects and they are the two male leads in this one. As they both need to look suspicious, we really don't have that "go to" lead that this kind of movie does better with. The audience doesn't identify with either man.As the leads are dry and distant and as there is no hero development in these category films, FOG suffers when compared to better contemporary films. That being said, there is still much to recommend. Samuel S. Hinds is terrific in an atypical servant role in which he summons some genuine pathos. The cinematography by long-time Hollywood veteran Benjamin Kline is excellent. There's terrific test of close-ups and medium close-ups throughout. The ship setting also lends itself to a great claustrophobic feel complemented by all that engulfing fog. The plot is straightforward. An old, rich, mid-western oil tycoon (Robert McWade) has a lot of terrible relationships. His treats his two aides poorly, is hounded by a semi-phony mystic (nicely overplayed by Helen Freeman), and has an unknown long-lost son who may become the heir to his fortune. They are all on board a cross-Atlantic sea voyage. Naturally, the old boy is the murder victim, and after his death, the ship's captain (the everytime fine, Edwin Maxwell) and Brown (Donald Cook) take over and start investigating all the suspects. Madame Alva (Freeman) is named in to keep a séance (with the entirety of the ship's passengers attending!) and…..well, when the lights go out…..take a guess what happens next. There's a rumor that there's a ghost in this movie – there isn't. At the end, they test to summon the "ghost" of Holt (the murdered oil tycoon), but there is nothing supernatural about this moment. FOG has variety and variety of fog and this is an asset. Completists of 30s horror/mysteries will wish to check it out.



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