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Fleur de tonnerre 2017
Description: In 1800, Brittany is on its knees, overwhelmed by the regime in zone and by the omnipotent clergy. It founders in an economic slump without end in sight and, in the middle of all this, a young, suffering woman pushes back as greatest she can. She is known as the "Poisoning Angel," an isolated child, mistreated by life and rocked by morbid thoughts. She will become one of the world's most notorious serial assassins and will sow death, perhaps merely to be looked at and loved.
Released: 18 Jan 2017 Director: Stéphanie Pillonca Writers: Gustave Kervern (adaptation), Gustave Kervern (dialogue), Gustave Kervern (screenplay), Stéphanie Pillonca (adaptation), Stéphanie Pillonca (dialogue), Stéphanie Pillonca (screenplay), Jean Teulé (novel) Actors: Déborah François, Benjamin Biolay, Jonathan Zaccaï, Catherine Mouchet Genres: Biography, Drama, History, Thriller
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See Livre: Jean Teulé "Fleur on youtube.

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Fleur de tonnerre Reviews:

You have here the portrait of an current French female serial killer, a sort of old fashioned Poison Ivy, who lived in the nineteenth century, in Brittany. It is well known that the girls serial assassins are killers most of the time for financial reasons, on the contrary of boys who slay because they are simply crazy, psychopaths or lunatics. The girls slay the wealthy husbands whom they marry with only to receive the cash from their deaths. In this moving film, it is not the same. The young girl poisons nearly each one whom she meets kills because she had a very hard childhood, after her mother died, after her father allow her know that he did not love her - very intense moment - and after she was raised by her god mother, whom she killed. And this was the very beginning of her deadly odyssey. Yes, it is a very desperate and poignant film, although some points are rather a tiny low in the script, and some scenes corny, maybe because of a terrible Benjamin Biolay's performance, not convincing at all. I highly appreciated the fact that it is never explained why the lead hero makes so much effort to allow the folks know that she kills, and present so many evidences of her lethal behaviour. The sequence with the old man, played by Jean-Claude Drouot, is unforgettable. The old boy has understood that the woman killed many folks before and he accepts the fact that she prepares a cup pf tea for him, and he even thanks her for this. And then don't miss the assassin's face. Outstanding performance. Only for these several seconds, I will watch the movie again.


It is the cinematographic adaptation of a novel by Jean Teulé. The trouble starts there, in the scenario: while the ebook describes the romance storyline of Hélène Jégado, a serial poisoner of the nineteenth century, the movie takes the form of a biography. Too many freedoms for a documentary (acute arsenic death is described as a peaceful death!), not enough audacity for a romance. The societal and historical context are sloppy, in a Britain caricatured as a haunt of superstition. Thank God, Déborah François saves the movie by a remarkable game, especially in terms of facial expressions. Finally, the movie depicts Hélène Jégado's tortured personality better than it explains it. Each time "Fleur de Tonnerre" tries to explain why Helen Jégado became what she was, it fails miserably. On the another hand, it succeeds in introducing us into daily life and hidden madness of a distracted mind.



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