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Description: A man and a woman are locked in an enormous abandoned building in a rundown area. She is a prisoner and the local guild leader has forced him to be her warder. Despite their youth, both of them have grown up too fast. Veronica acts like a mature and open-minded girl whilst Salvatore is like a boy who wants to keep on to his job and lead a quiet life. Thus, when faced with the violence of this incarceration, the two young folks have various reactions: Veronica is restless and rebellious; Salvatore is more remissive and accommodating, either out of fear or realism. They are both victims but it is almost as though every blames the another for their reclusion. However, as the hours go by, their mutual hostility is transformed into an inevitable intimacy, consisting of reciprocal discoveries and confessions. Between the walls of that isolated and frightening place, Veronica and Salvatore fi nd a method to rekindle those adolescent dreams and concepts place aside too soon.
Description: A Bosnian immigrant who fled to Toronto after the civil fight returns to his homeland in find of a missing mate who has been implicated in fight crimes, in this quietly chilling and finely surreal meditation on confronting traumas of the past. (TIFF)
Description: An unexpected heroine is plunged into a globe of forged identities, corporate intrigue and organized crime in this lively, genre-bending caper from award-winning Quebec director Manon Briand (2 secondes, La turbulence des fluids). (TIFF)
Description: The most popular Museum in Vienna appears in the movie as a mysterious intersection where the characters discover their own lives, the town and how art reflects the world.
Description: A finely tuned, emotionally raw portrait of a woman’s conflicted entry into adulthood, Once Upon a Time Veronica is a thoroughly modern anti–fairy tale. Director Marcelo Gomes shows a rare ability to receive under the skin — and slash close to the bone — of his emotionally vulnerable but resilient main character. Anchored by a tour de force performance from the fearless Hermila Guedes, this sensual, psychologically complex hero study charts the private and professional growth of one young girl in Recife.
Description: After meeting at a party, two young Parisians, Theodore and Anna, spend the night together in the city’s Parc des Buttes Chaumont. They return the next night, and the night after that, waiting for the park to empty of its daytime visitors so they can discover its familiar landmarks in solitude.
Description: Two young boys — a Palestinian grad student and an Israeli lawyer — meet and fall in love amidst private and political intrigue in this striking debut detail from Israeli director Michael Mayer.
Description: A girl in an unnamed, war-torn Middle Eastern country delivers an engrossing, emotional monologue to her comatose husband, in novelist and filmmaker Atiq Rahimi's poetic and politically charged allegory based on his award-winning novel. (TIFF)
Description: The only zone in the globe where tango is sung as it was 60 years ago. In Buenos Aires, a large town with a present-day lifestyle, there is a neighborhood where time has come to a standstill: Pompeya, one of the territories where tango was born. Here there is a bar, a special bar: El Chino. A group of veteran artists has kept their friendship alive throughout the years. With their songs they express a particular method of seeing and enjoying life. Solidarity and loyalty are show in the magic environment of El Chino. This unique feeling is transmitted by the artists through tango, and the audience can perceive it. The documentary shows the experience of those who visit El Chino bar, which has remained exactly the same since 1950. They share a night of happiness among artists who reflect the true spirit of tango, its essence, without commercial tricks, or marketing policies.
Description: This first detail movie from Indian playwright Anand Gandhi, says three stories about persons forced to think about the ethics and moral problems raised by medical advances: a visually impaired Egyptian photographer, who after a cornea transplant has problem adjusting to her newfound sense of sight; a devout Indian monk fighting vs animal testing, who has to confront his beliefs when he is diagnosed with liver cirrhosis; and an Indian stockbroker, who after having a kidney transplant learns about the illegal trade in stolen organs and decides to support a terrible victim of such theft - even though it means travelling all the method from India to Sweden. The movie was first shown at the 2012 Toronto International Movie Festival, where it received nice critical acclaim and was touted as "the hidden gem of the year". It was released in India in July 2013, and was awarded Greatest Detail Movie of 2013 at the Indian National Movie Awards in 2014.
Description: A sly riff on the Prodigal Son story, Mika Kaurismaki's recent — about a joyless workaholic concert pianist who ends up on a wild ride with his long-lost rapscallion father — is a funny and cogent analysis of machismo, abandonment problems and the value of reconnecting with one's roots. (TIFF)
Description: In this poetic, richly allegorical debut by Colombian director William Vega, a teenage woman flees to a rundown inn after being driven from her home in the Andean highlands by civil war, as the violence engulfing the country creeps ever closer to her remote refuge. (TIFF)
Description: The lives of four twenty-somethings collide one fateful Fresh Year's Eve in this twisty, blackly comic crime thriller set amidst the ancient walls of Derry, Northern Ireland, in a night of quick talk, accidents and intrigue. Johnny, a small-time crook, and Marie, a dissatisfied store assistant, are both looking for a new start. Greta is on the verge of taking her own life and Pearse has a bounty on his head for asking hard questions about his missing brother Eddie Kelly. As the clock ticks down to midnight and the night's happenings expertly fall into place, Jump weaves an existential portrait of the characters' lives as their hopes, fears and secrets are revealed
Description: Haunted by his dark past, a boy takes a job as a fire warden in a remote turret in the wilderness, and is inexorably drawn towards a young girl with a poor secret of her own. (TIFF)
Description: 1975, Mozambique’s rebirth as an independent nation. The young revolution sweeps the roads of Maputo clean of prostitutes and terrible habits. The prostitutes are sent to re-education camps deep in the countryside, where they will become “new women” – loyal comrades of the fresh nation. As the “clean-up” takes place, Margarida, a 16-year-old woman from the countryside, is mistakenly taken. Drawing on the stories of true women, Virgin Margarida is a dramatic exploration of a tiny known chapter in Mozambique’s history. A chapter that made no allowance for individuality and enshrined male domination as an ideology.
Description: Algeria's entry for a Greatest Foreign Language Movie Oscar, "Zabana" chronicles the life of Ahmed Zabana, a boy who fought for Algerian freedom in the War of Algiers. This movie chronicles Zabana's war to gratis his country to independence, and his death at the hands of French authorities.
Description: An unforgiving sun, a parched earth, and a failed economy have left a tiny Texas city desolate. For ten years Promise, Texas has known nothing but one curse after another. It's barren, broken, and dying, leaving a city full of despair. When a couple finds a man walking along a dusty road, alone in the middle of nowhere, with nothing but a mat tucked under his arm, they pick him up in hopes of supporting him. What they don't realize is that he has come to support them and the residents of Promise. No one knows who he is or where he came from. Some think he's an respond to prayer. Others think he's a runaway or a false prophet. And the only thing this man will tell about himself is that he's here to help. The town's sheriff, Brody, is determined to uncover the truth. But Brody has his own issues trying to keep a dying city together. Miracle after miracle takes zone and the residents of Promise embrace the boy... Written by Mike Norris
Description: A crime thriller/family drama set vs the backdrop of southern organized crime and Nashville royalty where music, love, hope and tragedy collide. Created as a pilot for a TV Series which was not taken up, this has actually been aired as a TV Movie.
Description: O Nosso Homem (Our Man) is a short variation in the line of the trilogy Pedro Costa has devoted to the habitants of the Fontainhas quarter, which has been destroyed in the meantime. It can be considered as a sort of appendix to the third part, Juventude en Marcha (Colossal Youth), in which the hero, Ventura, reappears as one of the four characters of this dialogue of hopelessness.
Description: Eva Bergh works as a bank clerk, but dreams of becoming an artist. At a party she meets the rich Harald Ribe and he immediately falls in love with her. When he proposes to marry her she has no work or zone to live and she accepts. At Harald's estate she can live comfortably, but she misses her old friends. Plot by Mattias Thuresson.
Description: On Iran's northern frontier with Turkmenistan, the land of "heartbreak and tractors", director Babak Jalali mines absurdist humour and quiet pathos from the immutable routines of a stranded group of men.
Description: A family of kids decide not to say anyone their father has died, and to live on their own in the backwoods of rural North Carolina. If the state finds out they are on their own, they will be split up and sent to live in foster homes.
Description: The rebel leader Jose True is allowed to leave prison for one day to visit his family. But it is a ruse to create him reveal the whereabouts of his rebel gang. This existential drama disguised as a saga about the proletarian struggle presents a lonely and insecure individual who is challenged to act more heroically than he is prepared to, but who constantly questions his confidence and loyalties.
Description: As Globe Fight II is going on in Europe, a conflict arises between the French and the Diola-speaking tribe of Africa, prompting the village girls to organize their boys to sit beneath a tree to pray.
Description: Three mates embark on a street trip like in high school, but things have changed - Gregor is going to fight mission, Ziva is going to study abroad, while Andrej is still the same. There are secrets left unsaid. Can their friendship survive?
Description: A darkly humorous short documentary about a preschool-age man ostracised from interactions with his classmates until a woman who has become interested in his pet crow provides the url to social acceptance.
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I love this film. That is not to tell that it doesn't have flaws. The dialogue, the camera-work, the lighting, all these things sometimes seem clunky and amateurish. However, the target of the movie is to place a romantic relationship under a microscope and portray it as naturally and honestly as possible. In order to achieve that, some things gotta be sacrificed: secondary characters, production design, revelation of plot. Audiences often see plot and storyline as the same. Actually, storyline is the street along which we travel (i.e. this happens, then this happens, then this...), where as plot equals two seemingly unrelated happenings that result every other. Most movies have more plot than story. That is to say, they slash to the chase, saying us what THIS has to do with THAT. FP does the opposite. It compresses plot in order to focus as much as possible on it's main character: the relationship. FP is not about the method Nicole and Stuart result every other, or about the method outside forces result them, it is simply about the fact that this relationship occurred. It began, eventually it ended, and if that can be portrayed honestly, without pulling punches or cutting to the chase, then why would a movie need to be anything more?FP has been compared to Scenes From A Marriage. After seeing FP I've realized that Bergman is a huge presence in SFAM and that may be a problem. Bergman shows us Johan and Marriane from a distance, carefully pointing out their foibles as if to say, "look at how absurd human relationships are." Lipsky never does that. He never judges his characters or analyzes them, he simply puts the camera in their faces and says, "this is what a relationship looks like." In regard to the ending, I am compelled to mention the most effective ending in movie history: Anthony Quinn's epiphany on the beach in La Strada. The end of FP could work the same. We've watched Stuart create one mistake after other and just as he realizes how closely he came to an current human connection and how foolish he was to allow it go, we realize that we've made the same mistakes and there is no easy respond as to how to live our lives. Through this we could search sympathy for Stuart and that makes FP more engaging and complex than many movies out there. If FP fails to result it's audience, well then, at least Mr. Lipsky is film-literate, because not enough working directors are. With all of it's flaws and awkward moments, I can't support but fall for a movie that challenges me and refuses to assure me that everything will be alright in the end.
Just saw this at Cinema Arts in Huntington NY and I wonder why the negative comments are so nasty. This movie is exactly what it claims to be - an independent film, made with limited resources by hardworking actors who give it their all. While all the characters may not be appealing, they are all interesting and have something to say. The younger brother (Jordan), for example, was fascinating. The two leads were perfect and had chemistry that is difficult to search in so named major movies. Nicole may have had one or two too many nude scenes, but that's OK. Justin Kirk really caught his hero and his dialogue and delivery was excellent. The movie should be 20 mins shorter with tighter editing and might be more enjoyable and have fewer head-scratching scenes. What was the conversation between the mother and the husband in the hospital cafeteria all about and where did it lead to? All in all a six or seven and worth seeing, in my opinion.
"Flannel Pajamas" opens with the meeting of Stuart and Nicole at a convivial dinner party. Despite Stuart trumpeting his life philosophy in a narcissistic monologue, the romantic portents seem promising, and by the end of the evening they are clearly besotted with every other. The film's Indie credentials are established over the next half hour with some fairly explicit love scenes, which unfortunately add tiny to either plot or hero development. In due course the lovers marry, place on their clothes and begin criticizing every another - instantly transforming the erotic intimacy of their bedroom into a zone of estrangement. Nicole gripes that Stuart doesn't listen to her and won't talk about his problems - while remaining secretive about her own. With communication and tenderness in short supply, the marriage turns rancid as they persist with their complaints and evasions, until their faces turn sour with resentment.A troupe of peripheral characters come and go, priming the audience for plot-lines that never materialize, leaving "Flannel Pajamas" full of loose threads and soggy with irrelevant material. The script fails to define the couple's essential trouble - and while such ambiguity may be commonplace in marriage, it's a questionable recipe for drama. Most viewers will probably have had enough of this tiresome twosome and their unlimited duplicity long before the curtain falls.
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