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Filmový dobrodruh Karel Zeman 2015
Description: A biographical movie looking back at the life, work and significance of the genius of globe cinema. It reveals the inspiration sources of his work and looks into the kitchen of the movie tricks pioneer. As an absolute solitaire in his field, he created his own globe based purely on his imagination. He was a finished autodidact and is therefore not easy classifiable into any movie wave or direction. This extremely hardworking, resourceful boy and a perfectionist, yet everytime preserving the ability to see the globe from a child's perspective is without any doubt one of the most successful and celebrated Czech filmmakers in the world. Thanks to their inner poetry and sincerity, his movies do not age.
Released: 01 Jul 2015 Director: Tomás Hodan, Tomás Hodan Writers: Ondrej Beránek, Ondrej Beránek, Tomás Hodan, Tomás Hodan, Ludmila Zeman Actors: Tim Burton, Tony Dalton, Kamil Fila, Terry Gilliam Genres: Documentary, Biography
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Filmový dobrodruh Karel Zeman Reviews:

A loving look at Karel Zeman, an iconoclastic Czech animator, made by the museum dedicated to preserving his work. There has been nobody else like Zeman in the history of motion pictures, although if you were able to make a fresh person by mashing together Ray Harryhausen and Georges Melies you might receive a close approximation. Zeman made a number of animated shorts and details as well as a number of live action films with animation that are utterly charming and still keep up well today.The documentary is made up of three components: clips from his movies, interviews with collaborators and fanatics (such as Terry Gilliam and Tim Burton), and sequences of animation students trying to replicate his effects. The clips are wonderful (although there aren't enough of them) and the interviews are informative. The bits with the students didn't work for me and dragged the movie down, but folks who are interested in how animation works would probably receive a lot out of them.Watching the clips of his work in this film made me wonder if maybe animation didn't take a wrong turn somewhere along the line. The trend actually is for hyper reality, while Zeman reveled in animation's artificiality. It is fun to speculate as what an animator should do with CGI to create a purposefully artificial looking movie, but I don't suppose any Hollywood studio would green light that. This documentary gives us a glimpse of what we are missing.



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