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Description: Documentarian Paul Kelly returns to the festival with his recent collaboration with the band Saint Etienne, following the loose trilogy of London movies Finisterre, What Have You Done Today, Mervyn Day and This Is Tomorrow, all recently published on BFI DVD. In the decade since Finisterre Kelly has built a reputation as a distinctive voice in British cinema, developing a lyrical style that draws on the psychogeography and folks of the town and its culture. How We Used To Live is effectively a prequel to Finisterre, a meditation on London life today and a glance back at a receding Britain. Using colour footage from the 1950s to the 1980s, taken from the BFI National Archive, the movie covers the ‘New Elizabethan’ age from the optimism of the post-war era to the dawn of Thatcherism. Soundtracked by Saint Etienne’s Pete Wiggs and scripted by the band’s Bob Stanley with Travis Elborough, the movie is for anyone who has ever tried to understand their city. (Source: LFF programme)
Description: This is the last movie produced by the Lumiere Brothers, a variation on the Butterfly Dance recorded by few companies, released in hand-colored or stenciled versions, some as early as 1894 and Lubin's Argentine ver coming out a couple of years earlier.
Description: Off The Beaten Track is the documentary that says the wonderful storyline of four unlikely musicians over the past year, as they travel to Luanda, Caracas, Paris, India, London and the Lisbon suburb of Amadora to present how these cities, as well as their sounds, people, colours and movement helped make the phenomenon that is Buraka Som Sistema. With the full help of Red Bull Melody Academy and the talented illustration work of artist Kate Moross, join Lisbon’ most unusual band on a trip around the globe and back to the studio. Directed by João Pedro Moreira, Off The Beaten Track brings together all of the elements that create Buraka’s storyline so special and blends them with exclusive international, never-before-seen footage for an incredible, wild ride that offers an insiders view of life in one of the most colorful and innovative bands around. (Source: LFF programme)
Description: A battalion, preceded by three riders and a military marching band, parades in front of the crowd. A boy is manoeuvring a handcart bearing the inscription "Sunlight Soap" in the foreground.
Description: The Kingdom of Survival explores modern skepticism in America, challenges the status quo and uncovers provocative urls between survivalist philosophy, ecumenical spirituality, radical political theory, and outlaw culture. The audience is invited into a thoughtful conversation with the likes of Prof. Noam Chomsky, Dr. Tag Mirabello, Ramsey Kanaan, and the riveting final interview with beloved author, Joe Bageant. These special thought leaders cast a rare shadow of doubt over our most blindly agreed American traditions.
Description: To the Australian media Kenja is a 'secretive cult', their leader described in Parliament as a 'seedy conman'. Despite preparing to war yet other court situation Ken Dyers and Jan Hamilton let a movie team unprecedented access to the 'spiritual evolvement centre' they founded in 1982. How can the view from inside Kenja be so various to the one outside? Through remarkable verite footage and candid interviews, Beyond Our Ken explores the anatomy and ambiguity of the 'cult' enigma.
Description: Coach W. Hickenbotham takes "Newhaven" out of his box and territories the horse at the center of the paddock. Gardiner, the jockey, saddles up the horse, rides it and starts to spin, slowly.
Description: A group of ten infant women are on a playground. They are in pairs, matched in height. They are doing an organised dance. Every pair twirls simultaneously, while all five pairs rotate in a circular sequence. They often stop their circular rotation so that every pair can perform the same manoeuvre as the another four simultaneously. (IMDb)
Description: Nagieb Khaja is a Danish journalist of Afghan origin and he believes that the West makes decisions on Afghanistan based on an uninformed view of the country and its people. Nagieb a boy with a mission. A several years ago Nagieb traveled to Afghanistan in order to refine the simplistic media photo of the country, but he ended up as a prisoner of the Taliban and barely escaped. On the next trip, Nagieb brought 30 android cameras and asked Afghan civilians to movie themselves. For the first time, we are invited into life in the forbidden territory with all the joys and sorrows, victories and defeats associated with living in the shadow of war.
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