See Volailles fermières Label Roug.
See Fermières (bande-annonce offic.
See Volailles fermières Label Roug.
See Volailles fermières Label Roug.
See La petite fermière devenue Châ.
See 1969-La Belle fermière.
See Souper de Noël - 2013 des Cerc.
See La Belle Fermière 2013 - Pas q.
See Il était une fermière.
Description: Develops from the life, work and memory of Gianfrancesco Guarnieri, one of the most necessary names in the history of Brazilian theater, to examine the courses of dramaturgy and politics in the last decades. Guarnieri, besides being a TV star, was also seen as the synthesis of the politically engaged artist in Brazil. His sons, also actors, saw a separation between art, work, and politics. As he investigates the portraits of two generations, grandson and director Francisco aims to understand the zone of his own generation in history, in art and the globe as a whole.
Description: From what was to me a gift of friendship day: a ebook makes some of Rosa Luxemburg's prison letters written by her mates Sonia Liebknecht and Mathilde Wurm between July 1916 and October 1918. And all the jingles who composed this period: songs of birds, plants, colors and sounds passages. Those for happenings in the happenings of the being-locked. As for the outside: October, Globe Fight Revolution, The emigrant and Chaplin The Adventurer, The affliction flowers and Klee's zoological garden. Appearances / disappearances, show stories, their intertwined. Destinies.
Description: In 1948, four large, wealthy Belgian families sell all their belongings and embark on a voyage to Patagonia. Slowly most of them return, but Gabriel, one of the fathers, stays until his death in 1988.
Description: This movie is constructed from the diary movies of Zoltan Bartos, amateur filmmaker and composer of famous dance music. Shot from the 1920s through the middle of the 1950s, the movie reflects both personal and official history.
Description: Angelos Papanastassiou, the boy behind the camera, a storyline of a Greek patrician of WW2 times Athens. In the very first days of the Nazi occupation Angelos decided to record and document the Greece motherland's sufferings. Using a clandestine 16-mm movie camera risking everyday his own, and his families life, filmed, documented the Nazi atrocities in Athens all through the German-Italian occupation. Meanwhile his daughter, Loukia was born and we follow her first steps as the family life photos juxtaposed over the tragic chapter of modern Greek history. Angelos Papanastassiou secretly developed, edited and saved the films, which soon become one of the principal evidence of the Nazi atrocities at the Nuremberg Trials 1947. The Angelos’ Movie composed from a special movie journal of wartime Athens and offers a fresh insight to Greece’s past, with the melody of Tibor Szemzõ.
Description: An experimental documentary on Reverend L.O. Taylor, a Black Baptist minister from Memphis, Tennessee who was also an inspired filmmaker with an overwhelming interest in preserving the social and cultural fabric of his own community in the 1930′ s and ‘ 40’ s . I combine his movies and melody recordings with my own photos of Memphis neighborhoods and religious gatherings, 1989 .
Description: In the fall of 1986, Richard Fung made his first visit to his father's birthplace, a village in southern Guangdong, China. This experimental documentary examines the method kids of immigrants relate to the land of their parents, and focuses on the ongoing subjective construction of history and memory. The Method to My Father's Village juxtaposes the son's find for his own historical roots, and his father's avoidance of his cultural heritage.
Description: My Mother's Zone is an experimental documentary focusing on the artist's mother, a third-generation Chinese-Trinidadian who at 80 still has vivid memories of a history lost or quickly disappearing. She conveys these with a storytelling style and a frankness that is distinctly West Indian. A tape about memory, oral history, and autobiography, My Mother's Zone interweaves interviews, private narrative, home movies, and verité footage of the Caribbean to discover the formation of race, class, and gender under colonialism.
Description: A heinous crime unleashes a media firestorm trial that lands Scott Peterson on death row for the murder of his wife and unborn child. Ten years soon it is clear that not everything in this situation is what it seems, raising the question: was justice truly served? Using evidence and fresh notification that was never presented to Peterson’s jury at the time, This movie re-examines the facts of the situation and the affect the intense media attention had on justice.
Description: Vs the broader backdrop of modern India's political and social history, this lyrical documentary says the storyline of the life of Krishna Sikand, the filmmaker's mother, from childhood to maturity. A rich mosaic of memory and impressions, DON'T FENCE ME IN captures the fragmented method in which we adventure back through time. Evoking Krishna's earliest years in pre-independence Bombay as the daughter of a well-to-do Bengali family, the movie also traces her post-colonial experiences--from marriage to a Punjabi units officer in the face of fierce family opposition, through the raising of two daughters and successful careers as an academic, tiny business entrepreneur, media consultant, journalist, and poet.
Description: Named "an elegant documentary" by Sundance and "eloquent and deeply moving" by the LA Times, Toyo Miyatake: Unlimited Shades of Gray is a penetrating portrait of this photographer's find for truth and beauty in a globe of impermanence. Los Angeles' Tiny Tokyo's foremost studio photographer, Miyatake smuggled a lens and movie holder into the U.S. WWII camp he was incarcerated in and captured life behind barbed wire with a makeshift camera made of scrap wood. Yet it was his little-known artistic pursuits before the fight that honed his discerning eye.
Description: Filmmaker Abraham Ravett attempts to reconcile problems in his life as the kid of a Holocaust survivor in this experimental non-narrative film. Ravett reflects upon his relationships with his family, from his now-deceased father (who survived both the Lodz Ghetto and Auschwitz) to his own young children. He utilizes family photographs and movie footage, archival movie footage from the Ghetto Fighters' House in Israel, cell animation by Emily Hubley, and pc graphics to make a movie about memory, death, and what critic Bruce Jenkins calls "the power of the photographic photo and sound to resurrect the past."
Description: In this non-narrative, meditative, and poignant film, footage of life from the Lodz Ghetto is juxtaposed with the chanting of "Kel Maleh Rachamim," a plea to God to allow the souls of those "slaughtered and burned" search peace.
Description: Defending Globe Rally Winner Colin McRae was back behind the wheel of his Subaru Impreza, but faced a war to retain his crown. The threat posed by Finland's Tommi Makinen brought out the very greatest in the celebrated Scot's performance, and actually you can relive all the greatest action on DVD. This extensive review of the 1996 season is packed with quick and furious rallying, magnificent in-car footage and explosive entertainment.
Description: It's nighttime in Prague, 21 August 1968. Soviet units and tanks are occupying the town - random attacks, troops shooting, bodies lying dead on the sidewalk. With an impromptu crew, the director (Karel Roden) captures some special evidence - material which is, however, worthless in occupied Prague; it has to be shown to the rest of the world. So, while the Soviets are concocting false reports of heartfelt receptions without military resistance for propaganda purposes, the director sets off on a dangerous trip across the closed Czech-Austrian border to Vienna.
Description: Sometime in the 1980s, Caspar Salmon's grandmother was invited to a gathering on the Welsh island of Anglesey, attended exclusively by folks with fish surnames. Or so he says. Thirty years later, film-maker Charlie Lyne attempts to sort myth from reality.
Description: A neon heart installed above Prague Castle illuminated the town for the last three months of Václav Havel’s presidency in an artist’s tribute to his extraordinary service. His last major undertaking was hosting the NATO summit in 2002 and Němec was granted extraordinary access to movie it. Set to create a “special poetic film”, it took Němec years to process what he had witnessed – George W. Bush creating an alliance to invade Iraq. It may then be the director’s revenge to mission his camera lens democratically at everyone involved with the summit, giving the same screen time to kitchen and waiting staff, musicians, safety feature and NATO protesters, as to the heads of states and attending dignitaries. Havel however, became as much of a topics as the president on screen, and the film’s narrator, providing commentary in his own voice from the distance of a several years after he left the office.
Description: This documentary captures the sounds and photos of a nearly forgotten era in movie history when African American filmmakers and studios created “race movies” exclusively for black audiences. The greatest of these movies attempted to counter the demeaning stereotypes of black Americans prevalent in the famous culture of the day. About 500 movies were produced, yet only about 100 still exist. Filmmaking pioneers like Oscar Micheaux, the Noble brothers, and Spencer Williams, Jr. left a lasting influence on black filmmakers, and inspired generations of audiences who finally saw their own lives reflected on the silver screen.
Description: Traces the lives of the Hartings, a blind Montreal family of three who create their living singing in the city's subway stations. The Hartings lost their only sighted kid Hassan in a tragic drowning accident, and have since turned to the teachings of Russian mystic Grigori Grabovoi, hoping to resurrect their son. Resurrecting Hassan is an exploration of this family's legacy of grief, tragedy and abuse; the movie will follow them on their path to redemption.
Description: This is the storyline of Val and Clare: a mother and a daughter. After the tragic death of her eldest daughter, Val left her children and family behind and escaped into the Colombian jungle in order to find for her identity. Clare was only 11 years old when her mother left and couldn't understand what she was looking for. A son who became an addict, three break-ups and a fractured family remained behind. Actually Clare is pregnant and decides to confront her mother, heal the wounds of the past and test to define motherhood on her own terms. Together they go on an intimate adventure exploring the boundaries between responsibility and freedom, the power of love and the meaning of family.
Description: A revealing, impartial, yet sometimes shocking look into the history, traditions and practices of the dying art of Korean shamanism, chronicling the lives of living, practising "hereditary" and "possessed" shamans.
Description: María Luisa is a transgender girl living in a staunchly catholic town. The horrors of rural life in Colombia with all its morality have done nothing but increase the power of this solitary soul. Shunned from birth, from the womb, she has found in the secrets she holds, in her love of animals, in the labyrinth of her faith, a method of dealing with a globe that has done nothing but despite her for reasons beyond her control, reasons that have victimized her from the start. But our Miss is as mighty as a stalk of wheat, impervious even to earthquakes, and although she has known much sorrow, there is none strong enough to exhaust her tears or wipe away her smile.
Description: The movie says the astounding life storyline of San Francisco living legend Vicki Marlane, America's oldest professional transgender drag entertainer. It explores the theme that constructive expression is a transformative experience that allows one to overcome virtually insurmountable obstacles -- social, biological, economic and personal.
Description: In the middle of the Jordanian desert, a fresh tent city, Zaatari, has arisen. Through the eyes of four children, this exceptionally intimate and poetic movie sees and feels what it is like to grow up in this special locale.
Description: France’s Henri-Francois Imbert is a constant presence in his short movie Sur la plage de Belfast – both in voice-over and on-camera. His point is to track down the family that he found captured on a roll of Super-8 movie in a used camera.
Description: Shifting Positions is a semi-autobiographical/fictional trilogy exploring becoming queer soon in life, my father's dementia, and our mid- and end-of-life crises. The selling of our family home of forty years prompted the making of the first section, entitled 'Last Home', which investigates the methods memories and spirits inhabit a house. In the remaining two sections— 'Napping' and 'Behavior Of Fascination'—the relationship between father and daugther is looked at through 'home movies' and documented intimate moments of personal life
Description: This surreal, free-form autobiography is concerned with childhood and adult rituals, and the longing for meaning and connection during the often wildly absurd happenings of early life. Obsessive Becoming returns to Reeves’s early exploration of private narrative forms, poetry, and his interest in creating a more spontaneous and direct fusion between language and video. Words and photos of the expectations and disappointments of coming of age break down the boundaries of both mediums. Reeves draws from a wealth of photos created since the 1940's in his family’s enthusiasm for capturing time, featuring Polaroids and 16mm film. The essence of the work is insight, compassion, and healing. It suggests that we abandon memories that have created emotional barriers, and deal with the past without letting it limit our passage through life. In Reeves’s words, you “stand long enough and place off all that guards your heart.”
Description: From 1968-1984, 60 mins worth of history, on Super 8 film, were recorded. Out of this footage there were forty mins of weddings and in every situation it was the bridge that was similar to our family. In reviewing this public record of interpreted events, I found myself living within memories of happenings that should not be seen. While watching these familiar faces represented in this official history, I recalled another versions of the happenings recorded, as well as another happenings that didn't receive recorded but had occurred at the same time. I began to ask what else was being recorded here and whose histories were these photos claiming to represent?
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