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Face of the Screaming Werewolf 1965
Description: Experimenting in hypnotic regression to past lives, Dr. Edmund Redding of the Cowan Institute in Pasadena has discovered that Ann Taylor is a reincarnated Aztec woman. Via her recovered memories, she is able to lead Redding and his associates to a hidden chamber in the Nice Pyramid of Yucatan, where they hope to search the lost treasure of the Aztecs. Instead, they search two mummified bodies - one of a modern man, quite dead, and the another of an ancient Aztec, quite alive. They are able to return safely to Pasadena with both finds, but a rival professor, Janney, kills Redding and steals the body of the modern man-mummy. This he topics to a resurrection experiment, which works - only the mummy proves to be a werewolf. Two supernatural menaces roam the town that night. This movie is composed of footage from two unrelated Mexican horror movies, LA CASA DEL TERROR and LA MOMIA AZTECA, plus fresh footage shot in the U.S. by Jerry Warren.
Released: 03 Mar 1965 Director: Gilberto Martínez Solares, Rafael Portillo, Jerry Warren Writers: Juan García, Gilberto Martínez Solares (werewolf sequences), Alfredo Salazar (mummy sequences), Jerry Warren, Fernando de Fuentes (werewolf sequences) Actors: Lon Chaney Jr., Yerye Beirute, George Mitchell, Fred Hoffman Genres: Horror
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Face of the Screaming Werewolf Reviews:

Well, this was a fabulous as might be expected. A real mess featuring footage stitched together from two another movies, an Aztec Mummy film and a werewolf movie. It begins with footage from the Aztec Mummy- loooooog, sloooooow footage. As the hardy band of adventurers eventually dodge all the flashbacks and enter the tomb, they slash in a shot of Lon Chaney in terrible mummy makeup (his face is just done in white makeup). Then la momia azteca blunders in and is quickly overcome by a flashlight and a plywood sigil-thingy (the flashlight in the eyes caused him to shout and stagger back. Then a scientist throws the plywood sigil-thingy which knocks him over.) Quick slash to a press symposium where they announce that two mummies were now found (not shown). Here's where the werewolf film footage kicks in. The scientists take the Mummy-Werewolf-Thing to a lab where they proceed to place him into what looks like a huge pants press and then some sort of mummyfuge twirly tube thing. The effect is the white makeup all falls off and behold—Lawrence Talbot! Then late that night he wakes up and goes to the window where he faces the moon and turns into the werewolf. His first victim is one of the scientists. The Mummy-Werewolf-Thing grabs the scientist from behind, and (from the evidence of a close-up of the victim's face after), apparently yanks his nose until it bleeds. Then just when you wonder how in the globe anyone's nose will be secure from this unstoppable horror, the Mummy-Werewolf-Thing clutches his chest like he has terrible heartburn and topples over. Soon he wakes up and kills other scientist, this time while the scientist's colleague looks on without lifting a finger to support his friend. Once the victim is dead, the peeper overcomes the Mummy-Werewolf-Thing with the time-honored, all-purpose flashlight-in-the-eyes gambit. He locks the Mummy-Werewolf-Thing up and the plot sort of shambles back into the Aztec Mummy movie. Ole Popica hisself is actually seen entering the house of the cute broad from the Aztec Mummy movie. Apparently she has a pretty tiny woman and apparently they gave the tiny woman a 3,000 year old solid gold Aztec breastplate to test as a teddy bear. Ole Popica carefully extracts the breastplate from the tiny woman without waking her, then stomps in to carry off the mother (no further sign of the breastplate). They walk right down the middle of a highway and receive run over (not shown). Thus endeth the momia azteca portion of the show. Actually back to the Mummy-Werewolf-Thing who is stalking around the town at night looking for noses to yank. Eventually, after climbing things and slinking around awhile, there is the large showdown scene. Once more, just when you thought no nose can escape the yanking horror of the Mummy-Werewolf-Thing, he clutches his chest and falls down, turning back into human form. At this mission his clothes catch fire, and two policemen present up. The police stand around watching the guy burn up while making "ironic" comments like "All this fuss about a werewolf and turns out he's just a man." Just a boy on fire and burning horribly right in front of your unyanked noses. One of the cops then looks at his watch and begins writing in a notepad. End of movie. Joy.


Can a movie, that now consists scenes from two mexican monsterthrillers plus extra scenes from US for commersial interests, be successful? - Yes! This is a dreamlike and incoherently edited oddity that says a storyline of a centralamerican mummy found at the excur- sions of a pyramid. Also there is a angry scientist who in his experiments with revivification, succeeds in waking the mummy. And there´s a thunderstorm! The mummy is transformed into a werewolf played by Lon Chaney jnr! Its wild, suspenseful, trancendental, poetic in its "silents" looks and pace and there is a musical number of exotica style too, with an Yma Sumaclike vocalist in a "flashback" Aztec ritual scene! I was overwhelmed of the total impact of this film as seen through the eyes of someone who value uniqueness and improvised quality in lowbudgetfantasy that really works as avantgarde poetry. The photos and atmosphere of Ancient Civilisation, Pyramids, detectiveworks, a scary rotten walking mummy, a terrifying werewolf,terrified womens faces and all these mysterios cuts between scenes from one movie to other creates a nightmare with no another logic than the dream´s own. I suggest this for all who has a vivid imagination and for all of you who trust that insanity can be genial!


Seriously, I know the B-movie globe is a strange zone ... but have you honestly ever heard anything quite so preposterous and pointless? Here, filmmaker Jerry Warren (who soon made Frankenstein Island) threw together two Mexican horror movies, "La Casa Del Terror" and "La Momia Azteca". No, really. He took two movies, and edited them together into one. He recorded his own scenes in order to combine them in some plot about a girl leading a squad of archaeologists to search two ancient and evil mummies, one of whom is a mummified werewolf ... and it all makes absolutely no sense.A bunch of scientists using mental regression hypnotise a girl and she describes a pyramid. When they take her to visit the pyramid, she has a flashback to a song-and-dance tribal ritual. And the ritual stage goes on. And it goes on. And it goes on. Just when you're beginning to wonder if Warren can't receive more than THIS out of two entire movies, they finally venture inside the pyramid. And they venture. And they venture. Oh sweet Jesus, when is this film going to start? Then they're attacked by stock footage of a mummy. Eek! And from here on, it only becomes even more of a big, stinking mess.What is there to tell about this movie? The script is unbearable. The acting is amateur (don't be surprised if you see them glancing right at the camera). The soundtrack is ludicrous and intrusive. While the production values of the original Mexican films keep up, Warren's sets are far from convincing. The method the different scenes are edited together is often hilariously bad. There is no narrative flow whatsoever. Scenes drag on and on, while the viewer has no concept what's supposed to be happening. They tell if something's worth doing it's worth doing well, but this film was never worth doing. It's a terrible idea, badly executed, and I feel sorry for the innocent cinema-goers back in 1964 who gotta have wondered what the hell they were being subjected to."Face of the Screaming Werewolf" stands among the worst films ever made. If you wish to see Lon Chaney's final big-screen performance as a werewolf, test and search the original "La Casa del Terror". And if you're looking for anything resembling quality, ignore this piece of trash. If you like terrible movies, however, by all means check it out ... but hold your finger on the 'fast forward' button.



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