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Exhibition 1975
Description: A documentary about the French porn industry, focusing on French porn superstar Claudine Beccarie.
Released: 25 Jun 1975 Director: Jean-François Davy Writers: N/A Actors: Claudine Beccarie, Benoît Archenoul, Noëlle Louvet, Béatrice Harnois Genres: Documentary, Adult, Biography
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Exhibition Reviews:

EXHIBITION may not have been the first porn (star) documentary to hit theaters. That distinction probably belongs to the ill-fated Mitchell Brothers with INSIDE MARILYN CHAMBERS. Presumably, Jean-François Davy's motivation was a bit more noble than theirs as he really tried to show his topics as a totally rounded human being who just happened to be working in the sex industry. The effect was a large commercial hit in France where it played regular cinemas packed to capacity, before the 1976 "X"-law relegated it to more specialized venues until 1983 when Minister of Culture Jack Lang removed the X-rating which enabled Davy to re-release the movie with added footage, again with nice success.Unlike his simultaneously shot LES PORNOCRATES, which took a more general view of the French f*ck movie industry circa 1975, EXHIBITION is entirely constructed around actress Claudine Beccarie, the first French hardcore superstar who paved the method for the likes of Brigitte Lahaie and Marilyn Jess. Though she didn't appear in that many nice ones (the Italian CALDE LABBRA was one of her more interesting cars and I rather enjoyed Claude Pierson's good-natured FEMMES IMPUDIQUES which teamed her with nice mate Ellen Earl, also prominently displayed in EXHIBITION), which may acc for her somewhat diminished fandom status nowadays, she certainly deserves to be remembered for breaking down the barriers.The movie consists of three sections that are continuously inter-cut throughout. Davy interviews Claudine on her life and experiences, both inside the sex industry and those that led her into it. He visits her apartment, meets her mother (with a nice confrontation concerning the latter's absence while her daughter was in juvenile detention hall for four years) and boyfriend (fellow sex performer Didier Faya, ten years her junior), questions her colleagues, etc. There's a set report from Paul Vecchiali's CHANGE PAS DE MAIN, one of the first French art-house films to incorporate hardcore footage, produced by Davy and where he met Beccarie for the first time. Finally, there is a entire lot of sex shot specifically for this film that has the star interacting with few of her contemporary colleagues like Ellen Earl, Béatrice Harnois (Max Pécas' FELICIA), Frédérique Barral and Benoît Archenoul. These sequences serve as considerably more than purely "commercial content" as they alternately demonstrate boredom, annoyance (as in her exasperating encounter with young Marc whom she berates for his lack of sexual savoir-faire and subsequent failure to perform) and a genuine intimacy and camaraderie like in the group stage near the end that has Claudine evolving from "director" guiding the others from the sidelines to active participant. The star's lengthy and much-discussed masturbation routine ranks as one of the greatest of its kind, right up there with Susannah French in THE OTHER SIDE OF JULIE or Ginger Lynn in WHITE LIGHTNING. Folks who think the sex in this film is not erotic (nor even intended to be) are definitely in for a (pleasant) surprise as far as these last two scenes are concerned.Davy was a "real" filmmaker who had made few famous soft porn comedies (BANANES MECANIQUES, PRENEZ LA QUEUE COMME TOUT LE MONDE, Q) by the time he "took the plunge" with what was proudly labeled as France's first hardcore movie (it wasn't) and his muddled motives for doing so are examined in depth in the DVD's superlative extras. While attracted to the topics matter – to which he would return many times – his middle class background prevented him from admitting to that. Practically, this meant that there everytime had to be some type of "cultural alibi" for the flesh he so eagerly wished to display. Seeing the director both in his younger incarnation in TV present segments from 25-30 years ago and as the older and wiser boy he is today allows for conflicting and contrasting comments to rival Claudine's almost puritanical (yet therefore not necessarily hypocritical, which you'll understand once you've seen the film) denunciation of porn and orgies while participating enthusiastically in both.


This movie is essentially a documentary about a famous French adult movie star of the early 1970s. It depicts her as powerful, intelligent, and sensual. Although the movie includes graphic sexual scenes, they are not gratuitous. The movie is worthwhile for anyone interested in feminism, the adult movie industry, or the documentary genre.


The film named EXHIBITION was the first hard-core pornographic movie to be shown at the Fresh York Movie Festival, in 1975. It is a French film directed by Jean-Francis Davy and has boring and unconvincing pretensions to sociological significance. Much of it emanates from an interview with Claudine Beccarie, the Linda Lovelace of French Cinema of the period. We hear her views on sexual liberation, her childhood fantasies, but not on politics. ("Too personal!") We see her mates in the porno business. Occasionally we watch her in action. Hard-core buffs will search the film tedious. Documentary fanatics will search it spurious.



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