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Ermione 1995
Description: Recorded at the Glyndebourne Festival Opera in 1995, this acclaimed presentation of composer Gioachino Rossini's epic opus ERMIONE is based on Jean Racine's enjoy "Andromache." Set in Troy after the town fell to the Greeks, the production recounts the rancorous war between widow Andromache and Helen of Troy's green-eyed daughter, Ermione for the love of Pyrrhus
Released: 03 Jun 1995 Director: Humphrey Burton Writers: Andrea Leone Tottola (libretto), Jean Racine (after: "Andromaque") Actors: Anna Caterina Antonacci, Diana Montague, Jorge Lopez-Yanez, Bruce Ford Genres: Drama, Music
Trailers and related videos:

See Ermione/G. Rossini-Brussels-19 on youtube.

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See ERMIONE BBC Glyndebourne (1995 on youtube.

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See Rossini: Ermione - Glyndebourn on youtube.

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See Ermione-Rossini-Anna Caterina on youtube.

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See Rossini - Ermione Con Montser on youtube.

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See Gianluca Floris - Balena in ma on youtube.

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See Margaret's Museum Trailer on youtube.

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See Tyrone Power Memorial--Linda C on youtube.

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See Sonia Ganassi & Gregory Ku on youtube.

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See ERMIONE - Cavatina "Balen on youtube.

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Ermione Reviews:

At the moment, this production of Ermione is the only one on DVD at the moment. That is a shame, because while Ermione is not one of Rossini's greatest it really has some really ingenious melody especially in the ensembles, so whilst it is not a favorite it does deserve more recognition. This production more than does it justice, there are some bits with Pyrrhus that come across as vague but nothing too drastic. The production values are more modern than the ones of Rossini productions I am more used to, but they still have lushness and a sense of vividity. The staging does at least have elegance and coherency and that's what matters, incomprehensible or static staging would have allow things down considerably I think. The orchestral testing is ellegant and lyrical, and Andrew Davies' tempos keeps things going very nicely. The performances are perfect though Diana Montague does lack intensity at times in her scene presence despite her magnificent singing and while Jorge Lopez-Yanez has the scene presence, the looks, the voice and most of the time technique for Rossini, some of the rapid passage-work should have done with more excitement. Bruce Ford however is wonderful, his performance is as vivid and as vocally virile as it was in Mozart's Mitridate, Re Di Ponto. Paul Austin Kelly is pretty and sings wonderfully, his voice and technique are right at home in Rossini and in Bel Canto generally. Anna Caterina Antonacci is the one that is most impressive, she sinks her teeth into the role and takes full command of it and the stage, scary and tragic at the same time. Her singing is agile and has both edge and beauty of tone. In conclusion, stellar in so many ways. 9/10 Bethany Cox



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