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El hombre de arena 2007
Description: Two love birds fly out of the cuckoo's nest in a stirring Spanish romance of angry love and doomed passion.
Released: 09 Nov 2007 Director: José Manuel González Writers: José Manuel González Actors: Hugo Silva, María Valverde, Irene Visedo, Alberto Jiménez Genres: Drama
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El hombre de arena Reviews:

THE SANDMAN (EL HOMBRE DE ARENA) was made in Spain in 2007, written and directed by José Manuel González: for some reason the DVD has not been released in USA format but the movie can be seen courtesy of the foreign films' section on On Demand on television. It is such a well crafted and written movie that surely that exposure will effect in the release of a ver accessible to wider audiences here on Amazon.com. There is a preamble to this film: an old tramp (Juan Llaneras) is found to carry a photograph that matches a photograph of a woman's mother holding the woman as a child. She takes the photograph to her guardian (Mercedes Sampietro) who then relates the history of the girl's birth and history. This takes us back to Spain in the 1960s in a 'hospital' (aka asylum for mentally unsuitable patients), a prison like atmosphere controlled by Burgos (Alberto Jiménez), the head physician whose obsession with control and order has resulted in a 'method' of keeping the patients/inmates manageable. Burgos' assistant is a physician Carmen (Irene Visedo) who is compassionate and who is vs the cruel treatment of the patients - especially the sexual freedom nurse/guard Luis (Héctor Noas) has with the girls 'patients'. A young, handsome young boy Mateo (Hugo Silva) is brought in as a patient because of an inappropriate fight, and when Mateo meets Burgos an instant inimical relationship forms: Mateo has the courage to criticize Burgos' hobby - creating model ships - and Burgos' revenge is to place Mateo in solitary confinement 'to set him straight about the guidelines and regulations of the hospital.' Mateo is unjustly confined and upon release from solitary he finds the living conditions deplorable: his roommates contain an odd hero named Frenchy (Samuel Le Bihan) who gradually becomes his friend. His only reliable mate is the delivery boy Joao (Miguel de Lira) who bonds with Mateo as he brings meal supplies of the hospital - and cigarettes to Mateo. Among the many girls patents is on Lola (María Valverde) who has a long history of physical and sexual abuse as a kid and committed a crime of passion to gratis herself from the mother who did not protect her from the father's cruelty. She is pretty but almost mute and resigned to spend the rest of her life in the hospital. She captures Mateo's eye and he becomes her protector, even after she is assaulted by the lusty Luis and becomes pregnant as a result. Burgos blames Mateo for the pregnancy and punishes him further but gradually Carmen softens the case and becomes close to both Mateo and Lola. Mateo, through a number of heroic acts proves himself to the inmates and to Burgos and plans to escape with Lola with the assistance of Joao. At the last moment Mateo gotta leave alone and Lola remains behind, cared for by the gentle Carmen. The rest of the storyline is fairly simple to guess as the movie ends with Carmen being the guardian who has raised Lola's daughter everytime insisting that the actually grown girl was deeply loved by both her mother Lola and by Lola's real love, Mateo - who has become an old 'tramp' in the streets. These are not spoilers because the storyline is in the telling, not in a series of surprises that should not be shared from the beginning. The depiction of life in the mental institution is harsh and there are many secondary secrets we learn about that create both the patients and the staff three-dimensional people. Hugo Silva gives notice as a most impressive screen presence and fine actor: his future in movie seems very bright. The whole cast is perfect and the pacing of the storyline and the manner in which the features of the happenings at the hospital are shared is with minimal dark shadows. This is a very fine Spanish movie that deserves a wide audience. Grady Harp



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