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Dwaj ludzie z szafa 1958
Description: A short Polish black and white silent film directed by Roman Polański. The movie details two boys who emerge from the sea carrying a huge wardrobe, which they proceed to carry into a town. Carrying the wardrobe, the two encounter a series of hostile events, including being attacked by a group of youths (one of whom is played by Polanski himself). Finally, they arrive back at a beach and then disappear in the sea.
Released: 17 Mar 1961 Director: Roman Polanski Writers: Roman Polanski (scenario) Actors: Jakub Goldberg, Henryk Kluba Genres: Short
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Dwaj ludzie z szafa Reviews:

Roman Polanski's short movies made between 1957 and 1963 in Poland, plus the French-made "Le Gros et le Maigre" (1961), are accessible in the 2-disc set Criterion release of "Knife in the Water" (his landmark first feature, 1962). It's a nice occasion to explore his early work and confirm how uniquely talented he was from the very beginning. My two private favorites: the masterpiece "Le Gros et le Maigre" (q.v.), a Beckettian satire on despotism and humiliation; and this fascinating "Two Boys and a Wardrobe", which says the surrealistic storyline (without dialog -- Polanski seldom used dialog in his shorts) of two boys who come out from the sea carrying a huge, massive wardrobe (symbolic interpretations are welcome, of course) and land on a seaside village only to be rejected and humiliated by everyone they meet.Mixing tones of Absurd Theater (Beckett, Ionesco), silent comedies (Keaton especially), surrealism (Magritte comes to mind), and Kafka with a very sophisticated visual style (those fabulous framings!), his very peculiar sense of (black) humor, nice rhythm and K.Komeda's excellent score, Polanski manages in 15 mins to build an exhilarating, original tale about intolerance, hypocrisy, selfishness, cowardice, violence, and prejudice -- but also about bonding friendship, about acknowledging your background and standing up for who you are (check out the ending). This is the type of work that proves that short movies can be a fully satisfying movie format.P.S.: The role Polanski plays here is a sort of "prequel" to his Chinatown thug.


One of his earliest films, at 25 years old, Polanski is still exploring the greatest method to shock the audience, engross the audience, AND serve them a feast of the unconventional. Perceptive, witty and occasionally downright nasty (see the theatrical 'murder' in the river as the two heroes blithely carry the wardrobe along the bank), Polanski's trademark weirdness is still embryonic but ultimately satisfies. An oddity, yes, and a gotta see for anyone who cherishes dreams of movie school.


I saw this Roman Polanksi short on the Criterion collection DVD set, and it's definitely one of my favorites of his. It shares a lot with silent comedy, but it's a tiny more peculiar within its own conventional quirkiness. It's all about two men, and a wardrobe, as the game all too blatantly makes clear. But what ends up being surprising, funny, and even touching to an extent is where the wardrobe gets taken around to. They can't seem to receive it really anywhere, and the destination of the wardrobe seems to be undetermined. It's really all a large excuse to showcase a mixture of silent-film comedy with an underlying message that should be read into. What's it like to bring along something or someone that is just very out of place? This becomes all the more evident as the two boys test to rest it down at some places, only to search they have to take it back up again and hold walking. I loved the bits of business that happened, but even just as much the light whimsy that's given to such a strange scene. What's more surreal than two boys carrying a wardrobe along a beach? And the melody by the nice composer (who's greatest work is in Knife in the Water) Komeda, gives the picture just that excellent quality that lends itself to being memorable still. It's 14 mins of cinematic bliss for Polanski fans, and for a student movie it's got a genuine lot of creativity, humor, and a mission that is not lost amid the tact of entertaining to no end.



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