See Duplicate Jaani Dushman II Eng on youtube.
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See Gabbar singh makes Amitabh Bac on youtube.
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See sholey Duplicate Sholey Chin on youtube.
See "Patli Kamar Bali Umar&qu on youtube.
See Duplicate Jaani Dushman डुप्ली on youtube.
See Aag Ke Sholay | Hemant Birje, on youtube.
See AAG KE SHOLAY on youtube.
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Description: This movie revolves around Election Day, a day on which Jay R. and Joe are fighting to receive votes. They warn the children that they'll be socked in the jaw if they don't vote for them, but the children are just trying to go about their business, namely Farina. His mother wants him to deliver laundry to her clients, but he can't go anywhere without being harassed by the gang. To escape them, he dons few costumes including that as an older woman, a dancer, and a scarecrow.
Description: Alex and his girlfriend Anna have a problem: Anna couldn't be more pregnant, and neither can search an affordable flat. The only one who can support is Anna's father, Commander Reiker, a sweet but screwy military boy who owns an empty house. Reiker, however, to whom the Swiss Units means everything, has issues of his own: how can Switzerland, nation of fabled fighters that even exports its units to protect the Pope, maintain its fear-inspiring reputation with all the cost-cutting measures? The Units is being forced to save, to restructure, and to take itself seriously. To prevent his ramshackle units from being axed, Reiker urgently needs help. And just about anyone will do. Like his future son-in-law Alex, the least capable boy one should imagine. As a yoga teacher, house-husband and pacifist, Alex has what it takes to be discharged, not place in charge. The pact he concludes with Reiker will not only shake up the Swiss Army, but also Alex's relationship with Anna...
Description: The doltish but self-confident and self-congratulatory Personal Snafu is in possession of a military secret during Globe Fight II. Over the course of the day, spouting rhymed couplets, he divulges the secret a tiny at a time to listening Axis spies. He says his mom some of the secret when he calls her from a smartphone booth; the rest he spills to a dolly dolly spy who plies him with liquor. Snafu's loose lips place himself at risk.
Description: Charlotte is getting a divorce. Leonard is her attorney and her partner. He's already divorced. Nickname is the fresh guy at the firm, a young stud on the prowl. Will these middle-aged specialists search love in the private ads, of all places?
Description: A tiny entry from the RKO shorts department serving also as an audition-type (stick 'em in one of these and see if they appeal to a true audience, and create a buck or two at the same time)film for studio contractees and budding starlets. And, surrounded and supported by veteran hero actors, such as Jack Norton, Jack Rice and Harrison Green, the likes of Tony Martin, Phyllis Brooks and Lucille Ball usually looked cute good. And later made for themselves, with studio help, rather great Hollywood careers.
Description: An innocent college couple unknowingly become involved in their Professor's illicit research into the manipulation of love and his recreation of the elusive "Cupid's Arrow".
Description: A seriocomic look at the life of Julie Walker. Bored with her marriage, and encouraged by her friends, she contemplates an affair. Fantasy and reality mix often, leading to complications and headaches.
Description: So, what’s the deal with Comic Relief Zero!? Sit down and shut up, so we can say you! But seriously folks, sit down and shut up, because those dumb-faced, giggle-grabbin’ goof-troupers at Everything Is Terrible! are dishing out a stand-up comedy special! This unique is the opposite of special; featuring today’s hottest ventriloquists, racists, prop comics, sexists, impersonators, homophobes, and talk present hosts in their hate-filled prime! Are you oppressed and underrepresented in society? Well then, watch out! Let’s pull back the banana peel and take a head-first descent into the brick wall of our own mind! Take my life... please!
Description: To prove they're still 'with it' and 'urban,' Everything is Terrible! has taken the whole history of co-opted cool, and bashed it together into one continuous mix that will not only please your earballs, but also your eyelobes. Can we B true 4 a second? Everyone knows rap melody is greatest when performed by white folks promoting reasonably-priced hammed-burgers. So doesn't it create sense to witness and celebrate the REAL birth of hip-hop? You know, the one involving kid actors rappin' 'bout stamps, and claymation doughboys spittin' rhymes 'bout crescent rolls! And you'd never in a billion years think old ladies can rap- BUT THEY TOTALLY CAN! After EIT! Does The Hip-Hop!, you’ll never need to listen to melody again! For different reasons! ...And it don’t stop! Word!
Description: A sincere provincial young man, Frantisek Koudelka leaves to work in Prague. For the trip he buys a pc made horoscope with biorhythms charts, marked according to his date of birth, there are trappy, precarious, unsuccessful and even critical days and several successful days. The clumsy luckless person Frantisek has finally a guidance for his life.
Description: Method out in space, on other globe whose population is contented, one of its folks decides that travel broadens the mind and relieves boredom. So, he flies to World in hope of supporting the alien Earthlings improve their lot, only to cause panic and be declared a creature just because he looks different. So, he decides to return home, where, at least, he can search love.
Description: Jerry Cummings, a mining engineer, has pledged a huge diamond on a short-term note to a pair of crooked loan sharks, Crone and Jan Jaffin, and heads for Mexico. His daughter Betsy, posing as a jewel thief named Mary Layton, is working to hold the crooks from absconding with the jewel, and her efforts are hindered greatly by an artist, Jimmy Baxter, who thinks she is a crook and Crone and Jaffin the nice guys.
Description: The film stars Mammootty as Machu, an orphan who became rich by selling scrap. The prime zone for the movie is in a huge hall at a bottle recycling factory in Kochi. Machu begins off rather humbly but later gets rich. A possibility meeting with Andrews Perreira (Nedumudi Venu), a high-flying businessman based in Singapore, changes Machu’s life forever. Perreira invites him to Singapore to begin a dealership. Before long Machu develops a flair for international business
Description: A pudgy but tough-guy cat recruits Sylvester as his stooge to catch a mouse for his dinner, under the pretense of training Sylvester to be a winner mouser. Sylvester enters a warehouse and runs into the baby kangaroo, Hippety Hopper, and thinks, as usual, that Hippety is a giant mouse that gotta be fought.
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Low-budget impresario Kanti Shah takes on the all-time classic of Indian cinema in DUPLICATE SHOLAY, a low-budget rehash so proudly derivate it flirts with post-modernism. The plot, as expected, is largely cribbed from the source, India's still-reigning cultural touchstone. What I failed to note going in was the precise nebulous wording of Shah's title. It's not COMEDY SHOLAY (another movie entirely), nor is it PARODY SHOLAY (to my knowledge still available), but DUPLICATE SHOLAY, a term which - correctly - implies no change whatsoever.Unfortunately, duplication is largely be Shah's MO, and if the game refers to anything broader, it's what appears to be the strange Indian cinematic practice of actor "duplicates" - essentially celebrity impersonators who build careers around their near-perfect resemblance to idols. Here we receive Duplicates Dharmendra and Amitabh Bachchan (as the original's Veeru and Jai), along with Duplicate Sunny Deol as Tara Singh (a hero imported from GADAR: EK PREM KATHA) and probably few others (I was in method over my head regarding cultural references). For Western audiences, this would be akin to mashing up STAR WARS and JAWS in terms of cultural significance, or perhaps STAR WARS and THE MATRIX, given the time jump (GADAR, produced in 2001, was also a SHOLAY-sized hit).The plot largely adheres to the source, though it's been sliced, diced, and reconfigured with tiny rhyme or reason. Shah makes one of the original bandit henchmen into a "eunuch" (essentially portrayed as a transgender or transvestite character) for some reason, and also throws in a raped female dacoit (Sapna) seeking revenge. References to GADAR and probably few another films are tossed in as well, but the SHOLAY highlights take center stage: there's the opening train robbery (staged as a particularly shoddy attack on a jeep), the talking statue scene, the water turret suicide attempt, the bandits' raid on the village, etc. For the most part, nothing is changed - characters simply wander on-camera and loudly announce "Something very related to this happened in the 1975 hit movie SHOLAY," then are usually corrected by other hero assuring them that things don't have to be that way, since "this is the 2002 movie DUPLICATE SHOLAY." Nevertheless, they largely are.The only true moments of inspiration are found during the film's rare deviations from its source. The largest laugh, for example, comes during the popular reveal at the end of SHOLAY's first part (SPOILER FOR THE ORIGINAL), where mysterious ex-police officer Thakur Singh, after failing to pick up a rifle and support the heroes in a fight, tosses off his late-period-Brando shawl to reveal an armless torso, the byproduct of an earlier encounter with the villain. Here, when our duplicate heroes call him on his cowardice, one stops to wonder whether he might not be armless as well, given that his counterpart was in SHOLAY. "No," Thakur avers, tossing off the shawl to reveal two perfectly nice arms, "but I'm blind." It's a hilarious, fully unexpected twist on one of the original film's signature moments, and it shines like a beacon of hope in a movie otherwise content to march as lazily through recreations of its source material as a Freidberg-Seltzer parody. (END SPOILERS)While the movie Is nowhere near as terrible as those cinematic abominations, Shah, a director of special lunatic creativity, is certainly capable of far better. My hope is that I'm simply missing a huge number of references - that there's some lvl of metatext evading me which renders the whole exercise more than just an exhaustingly laborious recapitulation. There are glimmers of creativity in here somewhere - the random addition of the female dacoit, the bewildering staccato gunfights that enjoy like structuralist parodies of themselves - but they're largely lost amongst all the pro forma recreations and empty posturing. While it may be a nice 60 mins shorter than its inspiration, DUPLICATE SHOLAY is, unfortunately, the movie that feels three hours long.
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