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Description: When Carlos (Eduardo Antuña) invites his father (Boris Ruiz) and his brother (David Pareja) to spend a pleasant Fresh Year in a strange house isolated in the forest with him and his wife Ana (Itziar Castro). But what promised to be a quiet family dinner, suddenly is interrupted by the presence of a peculiar vagabond, dwarf and very terrible man, who claims to be God (Emilio Gavira).
Description: A guy spends an additional year studying for college entrance exams but ends up at a second-rate university, and becomes a musician after randomly getting involved with a misguided university rock ‘n roll club. Eventually the guy gets married, has a child, and builds an ordinary life for himself, but he hasn’t been able to break off his college romance with Kaoruko, his S&M dominatrix. When he and Kaoruko go off to one especially shitty gig, existential angst erupts and the trajectory of weirdness goes parabolic.
Description: Married to a wealthy meat dealer, Mojca (45) is worshiper of fine art and mother of two grown-up kids. Desperate for love and passion, she becomes an object of video installation which her ex-lover and actually renown conceptual artist Milos is completing with a support of her daughter Nika. Mojca’s hunt for love becomes a wild adventure for everyone involved in this film, including the team shooting the movie Installation of Love…
Description: A teenage man causes issues on an daily basis. He falls in love with a transfer student and becomes close to her, but he keeps thinking about his first love from early childhood that he couldn't confess his feelings to.
Description: The UK's top comedian Michael McIntyre hosts a jam-packed night of entertainment and tons from London's biggest theatre, the stunning Coliseum. In this Easter special, Michael presents the world's leading comedians, melody superstars and jaw-dropping speciality acts as well as his own record-breaking comic talents. Michael says: "When I heard the BBC were making a present named Michael McIntyre's Easter Night At The Coliseum, I knew I had to be involved. The London Coliseum is a truly superb theatre and I will be hosting an array of talent befitting this superb venue. This will be a real tons present for all the family to enjoy. I can't wait..."
Description: In this Christmas Day special, Michael presents leading comedians including Dara O Briain, the fabulous Dame Edna Everage, and ventriloquist and champion of America's Got Talent Paul Zerdin. Featuring melody superstars Ellie Goulding and Tom Jones plus Michael's own inimitable style of comedy, the present promises a night packed with festive treats and surprises.
Description: Ricardo and Miguel, are two young friends, who form a musical duo. Convinced that they have nice potential, they decide to show themselves to a casting for fresh musical talents and present the virtues of their group. In casting, they do not wish the duo. They only wish Ricardo, who betrays Miguel, leaving him out of the band. 20 years later, Ricardo alias ¨Richie¨ will be the Pop Latino Artist number one, and Miguel a melody teacher with several students. But Miguel will start his musical career, and will unleash among them the most outlandish, delirious and fun tournament ever seen.
Description: Paul is an unmarried middle-aged boy who runs an insurance company in which his employee, Manolis Petichakis, presents his sister Eve for the post of secretary. Paul's friend, Tasos, convinces him to reply to a sentimental ad. Finally, he makes an appointment with a girl signing "The Rose of Isfahan". But the appointment evolves into a blaze..
Description: In her first stand-up unique filmed at the Nate Holden Performing Arts Center, Los Angeles native and rising star Tiffany Haddish tackles topics ranging from her early days in foster care and being bullied on the playground to getting revenge on ex-boyfriends and introducing Will and Jada Pinkett Smith to Groupon.
Description: Lambros Konstantaras performs a wealthy gossip that has never worked, and all he has to do is create fun and jokes to others. But when he suddenly finds himself in the street, he realizes that life is not just fun and is forced to look for a job. In the end, it turns out he had not lost his fortune as it was an concept his father had invented shortly before he died to be
Description: Despite their age difference, Lesbian couple Olivia and Alex are very much in love. But as the question of pregnancy rears its head and their neighbour John befriends them, they both begin making some truly disastrous decisions.
Description: Cholai is a black comedy based on the 2011 hooch fatalities in Bengal, India. Country liquor, commonly known as 'Cholai' is a flourishing business in rural Bengal It is cheap and highly addictive. A sudden turn of happenings is triggered when a batch of Cholai gets toxic during the brewing process. Later folks who had consumed the Cholai begin falling ill and the death toll rises to 172. Media turns the incident into a political drama. To pacify the outrage, the Government launches compensation for the family members of the victims. A gold-rush ensues following the announcement, everyone wants their share. Deaths due to another causes should be become 'entitled' for compensation if the right palms are greased with their share. The mourning later transforms into greed and corruption.
Description: ‘Ninnu Kori’ is essentially a love storyline but set vs an unusual backdrop. Circumstances tear a much-in-love couple apart and they have to receive used to the reality — until fate intervenes to present them life’s full of surprises.
Description: Mehtab Khagga and his family have had generation old ties of love and friendship with Bebojee and her family despite them belonging to 2 various worlds. These relations are place in jeopardy when Fawad Khagga, grandson of Mehtab Khagga, falls in love with his beloved Bebojee’s granddaughter, Amal. Amal is a modern woman and is horrified at the prospect of leaving the town life behind. Fawad is heartbroken but his faith in love is unshakeable. He vows to victory Amal through the sheer strength of his love. What follows is a use of love, friendship and family and Fawad’s ultimate quest to bring Amal with him to Punjab.
Description: Raising every other’s kid as their own was a decision that Raju and Rao made when they swapped their newborns at the hospital. But what happens when they grow up is beyond the control of their respective fathers.
Description: Estelle, 34, wife and mother of the family without history, sinks into a tidy, predictable life. But a series of happenings puts her identity in question. Worse, she realizes that the crux of the crisis is sexual. She decides to organize a "threesome". Challenge away from his comfort zone. She plunges into this angry quest, resulting with her spouse who feels just as incompetent.
Description: With only a week before his departure, Alex, a 17 year old tax-write-off of a kid, teamed with his two greatest mates Paul and Ellie, attempt tie up loose ends while simultaneously untying old ones. Whether it be as involved as writing an ending to his film or being caught in a Western-Showdown, or being forced to simply become a spectator, watching his family fall apart or having his feelings towards his greatest mate unravel, Alex's globe is being turned upside down. With a week left, Alex's largest obstacle is and has everytime been himself. All Those Friendly Folks is the first no-budget detail movie from writer and director Tristen Stafford. Co-written by Jake Oshins and produced by Eric Hahn.
Description: Aging professor of mathematics completes his life's work, a research project that has taken him decades, and climbs up from the boiler room (his study) and back to true life. He can hardly recognize his rebellious teenage children and materialistic wife who hardly seem to notice his existence. The only person who is interested in the professor's work is Marja, his son's girlfriend and freshman at the university. An innocent infatuation flares up between the old boy and the young girl, while the professor's family is only interested in the prize cash awarded to the professor by an international jury for his academic achievements.
Description: Darby finds herself in problem with the law, and is sentenced to house arrest. Actually she gotta serve thirty days in the home she used to share with her ex-boyfriend, that he actually shares with his fresh fiancee.
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Low-budget impresario Kanti Shah takes on the all-time classic of Indian cinema in DUPLICATE SHOLAY, a low-budget rehash so proudly derivate it flirts with post-modernism. The plot, as expected, is largely cribbed from the source, India's still-reigning cultural touchstone. What I failed to note going in was the precise nebulous wording of Shah's title. It's not COMEDY SHOLAY (another movie entirely), nor is it PARODY SHOLAY (to my knowledge still available), but DUPLICATE SHOLAY, a term which - correctly - implies no change whatsoever.Unfortunately, duplication is largely be Shah's MO, and if the game refers to anything broader, it's what appears to be the strange Indian cinematic practice of actor "duplicates" - essentially celebrity impersonators who build careers around their near-perfect resemblance to idols. Here we receive Duplicates Dharmendra and Amitabh Bachchan (as the original's Veeru and Jai), along with Duplicate Sunny Deol as Tara Singh (a hero imported from GADAR: EK PREM KATHA) and probably few others (I was in method over my head regarding cultural references). For Western audiences, this would be akin to mashing up STAR WARS and JAWS in terms of cultural significance, or perhaps STAR WARS and THE MATRIX, given the time jump (GADAR, produced in 2001, was also a SHOLAY-sized hit).The plot largely adheres to the source, though it's been sliced, diced, and reconfigured with tiny rhyme or reason. Shah makes one of the original bandit henchmen into a "eunuch" (essentially portrayed as a transgender or transvestite character) for some reason, and also throws in a raped female dacoit (Sapna) seeking revenge. References to GADAR and probably few another films are tossed in as well, but the SHOLAY highlights take center stage: there's the opening train robbery (staged as a particularly shoddy attack on a jeep), the talking statue scene, the water turret suicide attempt, the bandits' raid on the village, etc. For the most part, nothing is changed - characters simply wander on-camera and loudly announce "Something very related to this happened in the 1975 hit movie SHOLAY," then are usually corrected by other hero assuring them that things don't have to be that way, since "this is the 2002 movie DUPLICATE SHOLAY." Nevertheless, they largely are.The only true moments of inspiration are found during the film's rare deviations from its source. The largest laugh, for example, comes during the popular reveal at the end of SHOLAY's first part (SPOILER FOR THE ORIGINAL), where mysterious ex-police officer Thakur Singh, after failing to pick up a rifle and support the heroes in a fight, tosses off his late-period-Brando shawl to reveal an armless torso, the byproduct of an earlier encounter with the villain. Here, when our duplicate heroes call him on his cowardice, one stops to wonder whether he might not be armless as well, given that his counterpart was in SHOLAY. "No," Thakur avers, tossing off the shawl to reveal two perfectly nice arms, "but I'm blind." It's a hilarious, fully unexpected twist on one of the original film's signature moments, and it shines like a beacon of hope in a movie otherwise content to march as lazily through recreations of its source material as a Freidberg-Seltzer parody. (END SPOILERS)While the movie Is nowhere near as terrible as those cinematic abominations, Shah, a director of special lunatic creativity, is certainly capable of far better. My hope is that I'm simply missing a huge number of references - that there's some lvl of metatext evading me which renders the whole exercise more than just an exhaustingly laborious recapitulation. There are glimmers of creativity in here somewhere - the random addition of the female dacoit, the bewildering staccato gunfights that enjoy like structuralist parodies of themselves - but they're largely lost amongst all the pro forma recreations and empty posturing. While it may be a nice 60 mins shorter than its inspiration, DUPLICATE SHOLAY is, unfortunately, the movie that feels three hours long.
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