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Description: In honor of the twentieth anniversary of Andrei Tarkovsky's death, student filmmaker Dmitry Trakovsky sets out in find of his favourite director's legacy. His adventure leads him to fifteen moving interviews in California, Italy, Sweden, and finally, Russia as he attempts to come closer to the meaning of one of Tarkovsky's most enigmatic beliefs... that death doesn't exist.
Description: Professor Richard Fortey delves into the fascinating and normally-hidden kingdom of fungi. From their spectacular birth, through their secretive underground life to their final explosive death, Richard reveals a remarkable globe that several of us understand or even realise exists - yet all life on World depends on it.
Description: Minerita is the storyline of three women, Lucia (40), Ivonne (16) and Abigail (17), working as guards inside the potosi mine in Bolivia and struggling to survive in a hell unsuitable for life when they have to defend themselves from boys converted into vermin. Their only weapons, courage... and dynamite.
Description: The first full-length portrait of the town of German movie history shows how peaceful and modern, but also hectic busy and satisfied at the same time sentimental Berlin was in 1925.
Description: Over 150 moments when powersport's heroes wished they'd stayed home in bed, condensed from thousands of hours of world-wide powersport action footage. Featuring single seater destruction derbies, bicycle riders who stagger away from seemingly horrendous prangs, truck racers who don't care if it's race track, trackside barriers or other truck under their 120mph juggernaut's wheels, professional stunts, experience crashes with in-prang cameras, 3000 horsepower dragsters, out of control and heading for disaster, and the Knutters of Norwegian rallying performing some wonderful 10 out of 10s ..and no-one gets seriously hurt!
Description: Soviets Plus Electricity is a cinematic adventure through Russia to Magadan, a town popular in Soviet times for being synonymous with deportation. Based on excerpts from his acoustic diary, documentary footage and some autobiographical insights given on the way, the roving reporter searches for imaginary roots and its historical and political implications. The movie was shot in August and September 1999 - Los Angeles Filmforum
Description: Rey's first detail movie starts as a ellegant quasi-verité documentary about daily life in a modest French ski resort. Gradually the film's attention shifts and discovers the dominant presence of the aluminum industry in the zone steadily reshaping the region and threatening the resort itself. Shot on grainy 16mm treated with extreme photochemical techniques, the fable about industry and capitalism is an exploration of landscape as a hidden set of signifiers of power. - Harvard Movie Archive
Description: Exile - Never Mind Reality depicts a growing phenomenon: young folks developing an obsession with online gaming (MMORPG). Emil (34) from Oslo, Daniel (16), Morten (14) and Rasmus (15) from Lillehammer are all fully hooked. This has had serious consequences for them and has led to them dropping school, mates or jobs. At the same time, gaming is fun and gives them a sense of mastery.
Description: An experimental documentary short about the terrorism in Peru in 1986. Using archive footage, the director deconstructs the massacre in a successive historical actions choreography and an atmospheric sound mix alternating the imminence of both the massacre and the oblivion.
Description: Lolita, a fashion movement imported from the roads of Harajuku, Tokyo, has a thriving group of followers in Los Angeles. We follow four Lolitas and investigate their motivations for taking on the extreme style; from self expression, to the questioning of identity and body image.
Description: "Outside the Law: Stories from Guantánamo" says the storyline of Guantánamo, extraordinary rendition and secret prisons, examining how the Bush administration turned its back on domestic and international laws, rounding up prisoner in Afghanistan and Pakistan without adequate screening (and often for huge bounty payments), and why some of these boys may have been in Afghanistan or Pakistan for reasons unconnected with militancy or terrorism; for example as missionaries or humanitarian aid workers
Description: In 1988, the centenary of Abolition of Slavery in Brazil, Zózimo Bulbul made this strong historical analysis of racial problems in his country. This documentary provides an in-depth look through extensive archival researching and interviews of key figures who were involved in preserving black culture. Aside from historical testimony, this epic documentary also points to the actual relevance of facing the racism that still confronts the black population in Brazil.
Description: Interviews with a procurer and with nineteen men and young boys who are prostitutes in Prague. The youths range in age from 14 to 19. They hustle at the central train station and at clubs. Most of their clients are foreign tourists, many are German. The youths talk about why they hustle, their first trick, prices, dangers, what they know about AIDS, their fears (disease and loneliness), and how they imagine their futures. The film's title, its liturgical score, much of it elegiac, and shots of the city's statues of angels underline the vulnerability and callow lack of sophistication of the young men.
Description: "BLOW THE NIGHT!" Let's Spend the Night Together is a 1983 Japanese docu-drama shot on 16mm movie starring current Yanki gang members as many of the main characters. The primary storyline is split into two parts... It starts with fifteen-year-old troublemaker Namie Takada moving from the suburbs of Tokyo to a regional town in rural Japan and coming up vs the local Yanki gang at her fresh school. After some initial suspicion from both sides, she finds her niche - and her shaved eyebrows, long Sukeban skirt, red permed hair and general terrible ass attitude victory her acceptance with the local contingent of young Bosozoku bikers... This is contrasted with the latter half of the movie which takes zone over a 24 hour period, as things quickly escalate from general name calling, teenage boredom and rebellion in the classroom into an out-an-out riot where the students proceed to beat their teachers and the police attempt to lock down the school.
Description: Movie directors with hand-held cameras went to the roads of Lisbon from April 25 to May 1, 1974, registering interviews and political happenings of the Portuguese "Carnations Revolution", as that period would be soon known.
Description: This immersive eight-hour documentary follows workers in a Virginia factory over the course of an whole day, from clock-in to clock-out. Long, unbroken sequences of assembly and fabrication focus on the bodies of African American and Vietnamese American workers, while both android and fixed cameras transform their acts into pure movement. Everson’s “shift-film” adjusts the frame on race, class, and labor, celebrating the daily and imbuing working bodies with fresh dimensions.
Description: Rotterdam 2040 is a movie about the city’s future, departing from the principle of Gyz La Rivière that you can’t look ahead without considering your past (something that hasn’t everytime been Rotterdam’s strongest feature). At high speed, La Rivière reconstructs the history of Rotterdam from the time before the bombings until now, and expands the developments to the year 2040 (100 years after the bombing and the 700th anniversary of the city). La Rivière made a specific choice to expose his private vision, which is sometimes radical or a tiny absurd. So no experts and no talking heads, but an assault of old and fresh imagery, held together by La Rivière as the narrator of the film. Although Rotterdam 2040 deals with architecture and urban renewal, it is now a movie about people. The subjective experience of the town by its (future) occupants mainly determines the parade of architectural blunders and recommendations for the future. All tongue-in-cheek of course.
Description: "In Re-entry he successfully synthesizes the Yogic and the cosmological elements in his art for the first time by forcefully abstracting and testing down both of them..." P. Adams Sitney
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