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Down from the Mountain 2001
Description: On May 24, 2000, the historic Ryman Auditorium was booked to offer Nashvillians an evening of sublime beauty. Label executives and soundtrack producers so loved the melody of O Brother, Where Art Thou? that they brought it to life as a benefit concert for the Country Melody Hall of Fame. Filmmakers Joel and Ethan Coen loved it so much that they hired famed documentary filmmaker D.A. Pennebaker to record the present for posterity. The concert that unfolded that night was one of the best musical moments in the annals of Melody City. Performers: John Hartford, Alison Krauss, Emmylou Harris, Gillian Welch, Chris Thomas King, The Cox Family, Fairfield Four, Union Station, Colin Linden, The Nashville Bluegrass Band, The Peasall Sisters, Ralph Stanley, David Rawlings, The Whites.
Released: 26 Oct 2001 Director: Nick Doob, Chris Hegedus, D.A. Pennebaker Writers: N/A Actors: Evelyn Cox, Sidney Cox, Suzanne Cox, Willard Cox Genres: Documentary, Music
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Down from the Mountain Reviews:

It's almost impossible to describe the colorful quality of this film, not because it has or lacks unique merit in the normal measures of cinema, nor could it be so evaluated, but because it comes out of nowhere to reach parts of you that you don't expect a film to reach.Co-incidentally, last June I drove to Charlottesville, VA to visit Monticello and see UVA. On that evening I stumbled into a performance of Gillian Welch and David Rawlings at a local brewpub and had a very related experience to that of the film. The melody was just so nice that it almost brought tears to my eyes. Like the firsthand joy of getting a glimpse into the souls of Welch and Rawlings, the footage of Down from the Mountain, especially the unpretentious commentary and dialogue between the performers, both onstage and behind the curtains, revealed their genuinely nice nature. This greatly enhanced the earthy loveliness of some brilliant bluegrass.I would love to have been at this stunning concert, but sadly was not. Having missed it, I can perhaps take some comfort in the film's extra insights and experience that the live audience did not have. The camera work backstage might not victory an Oscar, but accomplished much in capturing some of the hero of its subjects. This added dimensions of warmth and appreciation to their performances which would be hard to imagine that the audience should have shared.This is a movie for melody aficionados, not cinema buffs. Doubtless a movie critic should search some artistic merit in the work, but it seems much safer to simply wholeheartedly suggest it as pure musical ecstasy.


This is a movie for melody lovers. Here we have some of the most talented performers of folk/bluegrass/blues in America today doing some of the most enduring songs ever written. It is the melody that is the star, not the performers or the filmmakers. In fact, I think the filmmakers knew that and deliberately played down the cinematic tricks. What you see (and hear) is what you get. The introductory documentary is more a mosaic than a story. It sets the mood of the whole movie, showing the performers as ordinary folk who might as well be gathering for a neighborhood picnic. The performances are all excellent. Standouts contain Ralph Stanley, John Hartford and Alison Krauss. If you have even a passing interest in American Roots melody this is a movie not to be missed.


I am watching this on DVD for the 5th time. I usually don't watch films over and over again in a stretch, but this is a video album. This is down to world video, introducing stars as folks who become stars on scene but a bunch of talented folks who give you a feeling they are you next door neighbors, approachable. The melody is superb!I just feel there could have been more melody on this though, but heck, it is great. Perhaps we can receive more items like this. I like listening to CDs but I do like being brought close to the show, which is possible with todays set ups.



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