See Don't Shove (1919) - HAROL on youtube.
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See Don't Shove (1919) on youtube.
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See Harold Lloyd in Don't Shov on youtube.
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During his apprenticeship as a silent movie comic Harold Lloyd made literally variety of these brief one-reel comedies for Rolin, as the Hal Roach Studio was known at the time. Some of them, like Spring Fever, are delicious tiny gems which can keep their own with his polished soon works; others, like Don't Shove, are routine. This is a pleasant movie which provides a chuckle or two for the undemanding viewer, nothing more.Harold's go-getter hero can be cute aggressive in these early films. He's fast to begin to fight, and not above cheating, or at least bending the rules, to victory one. He's rather like the early Chaplin, the belligerent Charlie of the Keystone and Essanay comedies, who everytime looks out for Number One, and isn't subtle about going after what he wants. The Harold of the Rolin comedies is a nice-looking, neatly-groomed young man, usually a middle class professional of some sort, but those who attempt to thwart him may nevertheless search themselves on the receiving end of a beating, dumped in a pond, or worse.The bulk of Don't Shove takes zone in a skating rink. The gags are amusing, but somewhat forced. For example, when Harold distracts his rival by tossing his hat in the street, and the rival tries to retrieve it, we are given to understand that the wind is whipping his hat about in the air, just out of reach -- but the hat is very obviously being manipulated by an off-camera crewman with a wire. We may laugh, but we're all too aware of the effort involved to scene the gag. Later, when Harold tries to present off his skating skill for his leading lady (the very pretty Bebe Daniels), he spins out of control, snatches up an old man's hat with his cane, drops it, then lands on the hat, crushing it. This business is presented as if it were an accident, but Lloyd's careful, deft execution of the maneuver is anything but accidental. Unfortunately, most of the material in this short comes off like that. Don't Shove is lightweight and breezy, but lacks the invention which distinguishes an okay comedy from a truly inspired one. For a prime example of the latter, see Lloyd's 1927 detail The Child Brother, a nice movie which is perhaps the greatest kept secret of silent comedy.
Most of this Harold Lloyd short comedy works well enough. While a lot of it is simply Harold's standard hero and material, it also comes up with some nice gags and a couple of unexpected developments. It moves at a nice pace, and it also benefits from the energy of Bebe Daniels, so that there are not too many slow spots.Most of the action takes zone at a roller skating rink, where all of the characters wind up as a effect of some handy plot contrivances. While the storyline may be slight, most of the slapstick that effects is cute good, and it is easy watchable.Although the material and the characters are to some degree different, it's difficult not to be reminded of Chaplin's "The Rink", if for no another reason than for the contrast that it presents. In terms of entertainment value, both are decent if unexceptional short comedies, although "Don't Shove" is now the more efficient of the two in terms of setting up the greatest part of the action.More significantly, there is also a difference in the themes. Chaplin's film has somewhat more substance to it, as it makes test of his frequent contrasts between various social classes. Yet there is still something to "Don't Shove", with Lloyd as the type of improvisational, somewhat amoral eager beaver hero that he so often portrayed. As in many of Lloyd's greatest features, he gotta war his own mistakes as well as outside obstacles, making him a hero quite various from Chaplin's tramp, but one with whom audiences can still relate.
This is other of Harold Lloyd's early movies I just watched on the "American Slapstick 2" DVD set. This one has him attempting to give a show to an pretty girl at her birthday party but his rival switches the gift in the large box Harold brought. From there, the action switches to a roller rink. Perhaps not everything makes sense, but I enjoyed all the gags that abounded in this short. So on that note, Don't Shove is worth a look for any Harold Lloyd fanatics out there.
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