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Don't Let Him In 2011
Description: Two couples spend a weekend in the country, only to cross paths with a brutal serial killer. As the body count rises, suspicion spirals into paranoia, climaxing in a terrifying war for survival.
Released: 09 Aug 2011 Director: Kelly Smith Writers: Kelly Smith, Chris Andrews Actors: Sophie Linfield, Sam Hazeldine, Gordon Alexander, Gemma Harvey Genres: Horror, Thriller
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Don't Let Him In Reviews:

I don't take any pleasure in sticking the boot in on a movie so woeful, but I have to write this purely for selfish reasons. See, what keeps event is this: I see a movie named Don't allow Him In listed, and it captures my attention. So, my interest piqued – I play even below average horror films, mostly – I look at the synopsis. And I think, "Sounds good." So I set it to record, and look forward to watching it. Then, when the mood takes and I have the two hours set aside, I sit down to watch it. Receive a several snacks ready. A drink. Lights down. And then I enjoy the movie.The first several seconds are fine. But then: a vague gnawing in my stomach. Not the nice type of edginess a decent horror might give you; rather, an uneasy feeling that I'm an idiot who doesn't learn from previous mistakes. But I'm unsure, and hold watching, hoping vainly that maybe I'm wrong. But the opening sequence ends, and I see that shot of houses. And it sinks in. The dread and discomfiture spread through me. Then, the next shot of the house. I'm still not absolutely convinced, but in my heart, I know. Then the assassin blow: the shot – THAT shot – in the kitchen. The skewiff, seemingly rushed framing. The ropey sound recording. The stiff acting from miscast folks who seem unsure about what they're doing. I can't ignore the truth anymore: I've been here before – few times. Because, like my own personal horror movie, this keeps event to me.I hold recording Don't Allow Him In, having forgotten that I've seen it, and that it was – truly – one of the worst things I've ever sat through. And I seem to block it from my mind (that perfectly generic game is so simple to separate from the movie it belongs to) and forget that it ever happened, and record it again, and sit down to watch again, and I am swamped with anger and disappointment. I stop the movie as the woman is doing her greatest to act like someone coughing in bed, and delete it, promising to never allow this happen again. A several months later, I see a movie listed named Don't Allow Him In, and think, "Hmm, that might be interesting..." So: enough. This ends, now, here. As told above, I take no satisfaction in trashing these folks' movie, which I'm sure they worked difficult on. Plenty of others here have gone into the features of what makes it so terrible (as well as some shameless shills giving it 9 and 10...seriously: at least test and be cleverer about lying on behalf of your friends/employers), so I won't do that.All I wish to do is tell to myself: Please. Remember. You have seen the British horror movie named Don't allow Him In. You gave it 1/10 on IMDb. Learn. Stop forgetting that you've been here before. See the warnings earlier. Recognise the title. Do not set to record.Make this the last time. Burn the game into your mind: DON'T LET HIM IN. You can't hold doing this to yourself.Here's hoping.


I was given the nice occasion to attend this screening last night of 'Don't Allow Him In' at the BAFTA Theatre in London & will tell I was truly privileged to have been there & thankful indeed to Kelly & Mike for the invite. I truly mean that.But on the basis of the film: I have to tell I was very disappointed with the final effects after 80 minutesFirstly I found the sound to be very boomy (cheap sounding) in parts & the mix should have been a lot better, considering the time spent on the movie & in my opinion the premise itself although promising on the tag-line lacked somewhat in terms of storyline & characterisations.I really did not connect with ANY of the characters on screen or cared if they were hacked to bits. I feel no matter what category it is, there has to be some audience connection with the characters, even with weak budget classics such as Halloween or Friday 13th etc, all had cute much wooden characters there true, but there was something elusive or tangible about them or the atmosphere show in the movie itself which this movie sadly lacked in abundance...sorry!I am truly sorry to write this, but I trust in giving my own 'personal opinion' & is nothing more &..of course I will have many others who may or may not accept with me..C'est La vie.I will positively tell that the editing was cute much spot on & some of the visual results were quite nice for this category but I just did not feel any 'real' atmosphere or feel on the edge of my seat. A couple of jumps here & there but they're quite simple to pull of in any horror movie really.So to conclude: A nice concept for a synopsis/treatment but unfortunately was not conceived well. Shame!


Since my viewing of "Don't Allow Him In", I deliberately waited two days to write this comment, allowing for the movie to sink in a bit deeper. My very first impression wasn't overly positive, but there were a several aspects that I felt were worth pondering about. For example, some of the principal characters are very identifiable and sympathetic, but the killings are cruel and extremely sadistic. This combination leaves a rather unpleasant aftertaste in your stomach just after finishing the film, but the memory that sticks permanently is that "Don't Like Him In" is a fresh horror film that dares to shock and provoke the audience perhaps? The premise of the movie is rather basic. Calvin and Paige, a joyous young couple, have planned a weekend in the Southern British countryside where Calvin grew up. They also invite Calvin's baby sister Mandy, a tiny troublemaker who everytime picks the wrong guys to date. She just spend the night with the extremely arrogant and obviously up- to-no-good bloke Tristan; who reluctantly accepts the invitation but mainly because he has to hide from authorities. Upon arriving in the cottage, the foursome also instantly receives warning that the neighborhood is under the reign of terror of a crazed serial assassin with a peculiar modus operandi. The aptly nicknamed "Tree Surgeon" dismembers his victims and hangs the body parts in trees. Obviously they will confront the assassin eventually, but there's a fair possibility the group will already be traumatized by then. Director/co-writer Kelly Smith – usually an editor – assures a logical unfolding of the plot, finished with some clichés and red herrings, and she (at least I assume Kelly is a female) often even manages to generate a morbid and deeply uncomfortable ambiance. The acting is remarkably good! As stated above, the good- natured characters are genuinely amiable and the ill-tempered ones are, in fact, very despicable. The murder sequences and make-up results are raw and grisly, but I guess that should also be seen as an extra suggestion for horror fanatics.



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