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Description: Unfolding through a course of a night in Mumbai, Kaalakaandi showcases three parallel tracks — a boy who discovers he has terminal disease decides to allow go of his principles and live a little; a girl involved in a hit-and-run seeks redemption and two goons gotta decide if they can believe every other.
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Description: Director Srinivas Raju’s globe of Dandupalya, as seen in the first two movies of the series, will finally come to an end. The third movie in the series will tag the end of the franchise, which has received a nice deal of critical acclaim in both Kannada and Telugu.
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Description: Adapted from the Seicho Matsumoto storyline "Tazutazushi". Ryohei Suzuki, a manager at a travel company, is married to his superior's daughter, but tires of their authority over his life. A possibility encounter with Yukiko Hirai one rainy night brings a fresh romance into Ryohei's life, and he and Yukiko fall deeply in love. Yukiko, however, reveals that she has a violent husband in prison for blackmail - with only a week left until his release. Ryohei, desperate to maintain his social standing, brings Yukiko to the mountains in Nagano and sets in motion an unthinkable, tragic chain of events.
Description: "Between life and death" - Dr Brinck and his assistant Inger Holm spend days and nights in his laboratory to experiment with a revolutionary medical cure for poisoning. Inger Holm is deeply in love with his boss. When the two scientists one day go to bed and visit an outdoor server, Brinck's manufacturer will meet Warren and his daughter Elsa and receive an occasion to support Elsa with a damaged foot. Thanks to him, he is invited to a party in the manufacturer's luxurious home...
Description: Thriller about a former preacher, actually a professional gambler, who heads down Fresh Mexico method to visit an old buddy, only for him to be killed. It is not long before the Preacher is uncovering a hotbed of corruption and murder in the seemingly peaceful town, aptly called Farewell.
Description: During a walk along the cliffs not far from Marseille, Elisa Langerot sees her husband slip and fall to his death. Inexplicably, Elisa flees the stage of the accident, stops a passing driver and says him a made-up storyline about a stolen car, concealing her husband's death. Feeling sorry for the girl, the driver, Philippe Morçot, gives her a lift and soon lets her stay at his house. The nice deed, however, doesn't go unpunished, and later Philippe is drawn into Elisa's twilight globe of fantasies, lies and paranoia.
Description: Matt Miller has spent his whole life living in the shadows of his brother. He believes if his brother were to disappear then so would all his problems. So one deadly night Matt decides to take matters into his own hands.
Description: Inspired by real events, THE CUTLASS is a dramatic thriller set in the tropical wilderness of Trinidad and says the storyline of a young girl who falls into the grasp of a risky sociopath. She finds herself isolated and musters the courage to emotionally war the unsettled mind of her abductor.
Description: After leading a jury to wrongly sentence a man, Abigail enters her fresh teaching job at the law school with a newfound commitment to ethics. When she takes over her fresh class, it contains Vincent, an intensely ambitious student who will do anything for an A. When Abigail fails him for academic dishonesty, Vincent threatens that he will stop at nothing to receive what he wants. As Vincent's devious plot starts to unravel, she gotta take her life into her own hands, or Vincent will take it himself.
Description: Dr. Ivan has found two radical cures for unhappiness: the diagnosis of fake terminal cancers and the temporary elimination of some of the 5 senses. But will the therapies effect or will they have unforeseeable side effects?
Description: Summer is usually a time for fun and games, but some teens receive much more danger than they bargained for after beginning to suspect their neighbor is a serial murderer.
Description: Rotten Love is the Brain Kid of Swedish/Polish Horror Queen Sarah Giercksky and First Time Director Xander Turian. After a difficult day of work, a visibly stressed young boy by the name of Leo, heads home to search that something is disturbingly wrong.
Description: A high school senior, Alex Lainey, has an encounter with mysterious lights that appear over her tiny town. She later develops dangerous, supernatural abilities and turns to her childhood mate Sean Terrel. The authorities goal them and a chase ensues as officials test to explore the truth behind Alex's transformation.
Description: Self condemned to the immense and boundless prison of the Mojave desert, Phoenix leads a life of forced isolation, living by himself in a house as far away as possible from the rest of the world. Phoenix does one thing and one thing only: he digs holes. Each month he digs a hole in the middle of nowhere and buries something. The last stronghold of society stands with the boy that frequently delivers his mail. When one day the delivery doesn't happen by the hand of his trustworthy mailman, but by that of the pretty and quizzical Ariel, Phoenix's life derails in an escalation that leads him to risky consequences which will be impossible to escape.
Description: A fragile young boy suffers a mental breakdown following the mysterious robbery of his apartment and, at the behest of his doting mother, finds himself the unwanted houseguest of his estranged sister.
Description: Euthanizer says the storyline of a mechanic who euthanises sick and old pets as a side job. Despite the grim work, he has a soft spot for the animals. Problem stirs when the owner of a dog he was supposed to end realises that the canine is still alive. The only innocent party in the drama that ensues is the dog itself.
Description: In a morgue, the corpse of a young boy that suddenly died on the roads probably due to a heart attack will be examined by the coroner Elizabeth (Letícia Spiller). She questions with her colleague the death of a person so young and handsome, but the brain of the dead boy somehow is working and he falls in love for her. Meanwhile, a deranged boy invades the morgue and threatens Elizabeth with a gun, with the witness of the dead man, who is immobilized (since he is dead) and unable to support her.
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I don't take any pleasure in sticking the boot in on a movie so woeful, but I have to write this purely for selfish reasons. See, what keeps event is this: I see a movie named Don't allow Him In listed, and it captures my attention. So, my interest piqued – I play even below average horror films, mostly – I look at the synopsis. And I think, "Sounds good." So I set it to record, and look forward to watching it. Then, when the mood takes and I have the two hours set aside, I sit down to watch it. Receive a several snacks ready. A drink. Lights down. And then I enjoy the movie.The first several seconds are fine. But then: a vague gnawing in my stomach. Not the nice type of edginess a decent horror might give you; rather, an uneasy feeling that I'm an idiot who doesn't learn from previous mistakes. But I'm unsure, and hold watching, hoping vainly that maybe I'm wrong. But the opening sequence ends, and I see that shot of houses. And it sinks in. The dread and discomfiture spread through me. Then, the next shot of the house. I'm still not absolutely convinced, but in my heart, I know. Then the assassin blow: the shot – THAT shot – in the kitchen. The skewiff, seemingly rushed framing. The ropey sound recording. The stiff acting from miscast folks who seem unsure about what they're doing. I can't ignore the truth anymore: I've been here before – few times. Because, like my own personal horror movie, this keeps event to me.I hold recording Don't Allow Him In, having forgotten that I've seen it, and that it was – truly – one of the worst things I've ever sat through. And I seem to block it from my mind (that perfectly generic game is so simple to separate from the movie it belongs to) and forget that it ever happened, and record it again, and sit down to watch again, and I am swamped with anger and disappointment. I stop the movie as the woman is doing her greatest to act like someone coughing in bed, and delete it, promising to never allow this happen again. A several months later, I see a movie listed named Don't Allow Him In, and think, "Hmm, that might be interesting..." So: enough. This ends, now, here. As told above, I take no satisfaction in trashing these folks' movie, which I'm sure they worked difficult on. Plenty of others here have gone into the features of what makes it so terrible (as well as some shameless shills giving it 9 and 10...seriously: at least test and be cleverer about lying on behalf of your friends/employers), so I won't do that.All I wish to do is tell to myself: Please. Remember. You have seen the British horror movie named Don't allow Him In. You gave it 1/10 on IMDb. Learn. Stop forgetting that you've been here before. See the warnings earlier. Recognise the title. Do not set to record.Make this the last time. Burn the game into your mind: DON'T LET HIM IN. You can't hold doing this to yourself.Here's hoping.
I was given the nice occasion to attend this screening last night of 'Don't Allow Him In' at the BAFTA Theatre in London & will tell I was truly privileged to have been there & thankful indeed to Kelly & Mike for the invite. I truly mean that.But on the basis of the film: I have to tell I was very disappointed with the final effects after 80 minutesFirstly I found the sound to be very boomy (cheap sounding) in parts & the mix should have been a lot better, considering the time spent on the movie & in my opinion the premise itself although promising on the tag-line lacked somewhat in terms of storyline & characterisations.I really did not connect with ANY of the characters on screen or cared if they were hacked to bits. I feel no matter what category it is, there has to be some audience connection with the characters, even with weak budget classics such as Halloween or Friday 13th etc, all had cute much wooden characters there true, but there was something elusive or tangible about them or the atmosphere show in the movie itself which this movie sadly lacked in abundance...sorry!I am truly sorry to write this, but I trust in giving my own 'personal opinion' & is nothing more &..of course I will have many others who may or may not accept with me..C'est La vie.I will positively tell that the editing was cute much spot on & some of the visual results were quite nice for this category but I just did not feel any 'real' atmosphere or feel on the edge of my seat. A couple of jumps here & there but they're quite simple to pull of in any horror movie really.So to conclude: A nice concept for a synopsis/treatment but unfortunately was not conceived well. Shame!
Since my viewing of "Don't Allow Him In", I deliberately waited two days to write this comment, allowing for the movie to sink in a bit deeper. My very first impression wasn't overly positive, but there were a several aspects that I felt were worth pondering about. For example, some of the principal characters are very identifiable and sympathetic, but the killings are cruel and extremely sadistic. This combination leaves a rather unpleasant aftertaste in your stomach just after finishing the film, but the memory that sticks permanently is that "Don't Like Him In" is a fresh horror film that dares to shock and provoke the audience perhaps? The premise of the movie is rather basic. Calvin and Paige, a joyous young couple, have planned a weekend in the Southern British countryside where Calvin grew up. They also invite Calvin's baby sister Mandy, a tiny troublemaker who everytime picks the wrong guys to date. She just spend the night with the extremely arrogant and obviously up- to-no-good bloke Tristan; who reluctantly accepts the invitation but mainly because he has to hide from authorities. Upon arriving in the cottage, the foursome also instantly receives warning that the neighborhood is under the reign of terror of a crazed serial assassin with a peculiar modus operandi. The aptly nicknamed "Tree Surgeon" dismembers his victims and hangs the body parts in trees. Obviously they will confront the assassin eventually, but there's a fair possibility the group will already be traumatized by then. Director/co-writer Kelly Smith – usually an editor – assures a logical unfolding of the plot, finished with some clichés and red herrings, and she (at least I assume Kelly is a female) often even manages to generate a morbid and deeply uncomfortable ambiance. The acting is remarkably good! As stated above, the good- natured characters are genuinely amiable and the ill-tempered ones are, in fact, very despicable. The murder sequences and make-up results are raw and grisly, but I guess that should also be seen as an extra suggestion for horror fanatics.
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