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Disoriented 1999
Description: Twenty-something West Cordova is trapped in a waking nightmare. His overbearing mother is bent on molding him into a MD. His crazy, "wannabe-a-supermodel," Japanese girlfriend craves blonde hair and round eyes. And his long lost, jock brother just returned home having traded his high tops for high heels. If young "Doctor" Cordova can pass pre-med, mend his fractured family and revive his romance, he may just explore the cure for his own unraveling identity.
Released: 07 Mar 1999 Director: Francisco Aliwalas Writers: Francisco Aliwalas, Douglas Bachman Actors: Francisco Aliwalas, Wayland Quintero, Potri Ranka Manis, Jojo Gonzalez Genres: Comedy, Drama
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Disoriented Reviews:

***SPOILERS*** ***SPOILERS*** If we're to trust what the films say us, drama only comes in a several shapes and forms, with those being on really large scales and of happenings and emotions so major and strong they're the type that can only happen in movies. But then there's "Disoriented," a movie that's cute tiny in just about each way, but has a quaint charm to it, showing that strong drama (or sometimes melodrama) can be found at the local level. Drama is probably the easiest category to work with as a first-time filmmaker on a tight budget because it doesn't require unique results or a lot of props or wonderful scenery (and yes, that old cliche is real - it's harder to do comedy than drama). Rookie filmmaker Francisco Aliwalas probably realized this and place together a storyline that should be said and filmed entirely in the Capital District of Albany, N.Y.Aliwalas himself stars as West Cordova, a 20-something-year-old Filipino-American who's a struggling pre-med student living at home with his overbearing, conservative, traditional Catholic mother (Manis) who obviously hasn't so much guided him in life as she has pushed him. The two live in a section of their town that's not where the folks well-off would live, but isn't the crack slums either. West works part time as a deliverer of Chinese take-out while his mother is a maid at a sleazy motel. Aliwalas is fast to establish the setting of the story, giving us that feeling that things haven't been and probably won't be simple for this family. We also learn that Mr. Cordova left the family 10 years ago for a younger girl and the another son, Eduardo "Danger" (Quintero), who was a sports prodigy in high school, hasn't been seen in a while either. The film's first act does a fine job in establishing all the issues and conflicts in West's life, and most of them will pale in comparison to what will happen to him soon on in the story. The first thing the movie is able to convey well, and what is one of the most necessary aspects of the theme and atmosphere, is just how overbearing West's mother is. Some might tell she's in a state of denial about the family and the issues she faces on a everyday basis, but it's not so much that factor as it is her upbringing. She comes from a various culture and can't really comprehend modern American society, so she sticks to the traditions and values she knows. Mrs. Cordova's hero is surprisingly simple to relate to because she doesn't just represent culture clash but generational clash, which is something everyone can relate to.And with clash comes conflict and in the situation of this movie it comes in the form of the return of Danger who is still as seemingly jocular as ever, but with one major change - he's gay.Instead of launching right into emotional wars between Danger, West and Mrs. Cordova, the movie decides to take it slow as West convinces his brother to remain closeted while he stays at home for a week or so. There are a several occasional outbursts between Danger and his mother, but they serve mostly as transitions from stage to stage and remind us there's a massive dramatic tone to the mostly-lighthearted film.And yes, the movie is rather lighthearted in the midst of the drama. Although the tensions between the Cordova family are the largest thematic element, a several another sub-plots crop up which are at least interesting. The greatest of these is a friendship which develops between West and other Filipino boy called Speedy Sparkles, who owns and runs a vehicle wash. The two seem to have a natural bond instantly and when Speedy starts offering West pieces of sage tip it doesn't seem out of the ordinary. However, their mentor/protege relationship seems to transport a bit too fast. It's difficult to trust that two strangers would be so great to every other, especially in the method it's filmed here which seems like something out of "Sesame Street." Another interest sidebar is West's meeting and fascination with a Japanese woman called Miniko, who also meets and gets to know just by being very nice. Minniko doesn't have much direction in life either another than she wants to be a model and more American. She even puts up with an obnoxious, almost racist boyfriend called Manny which doesn't seem to create sense. Later, when West tries to victory her over, the two never really seem attracted to every other. Their friendship or allegedly romantic relationship has a very forced feeling to it. Perhaps they come together out of loneliness, yet there's still an absence of chemistry.For a movie that has such a nice mix of characters, conflicts and overall situations, the execution of the storyline is surprisingly weak. Perhaps Aliwalas gets in over his head by having so many dramatic sub-plots and another sidebars that the only method to resolve each conflict is through melodrama (specific examples of this would serve as spoilers to those who haven't seen the film, but let's just tell they're things that have been done before and seem out of zone here).Every hero is so perfectly poised to knock down at least one another hero it's just a bit too much to swallow. And when things do finally come to their individual climaxes the drama, which had been tight, believable and realistic all along, takes a turn for the melodramatic in what seems to be efforts just to please the audience. The [happy] ending is cute much proof of this.Although "Disoriented" has some problems, they are forgivable for the most part. Even during the times of sheer and pure drama for the sake of drama, the movie consistently remains interesting to watch and does through in a several surprises here and there.


A nice light-hearted comedy coming from the novice. A family mate and an ambitious young fellow, Francis has the best help from his family and mates back home.When I saw this film, I found that it was just too hard not to laugh. As the plot deals heavily on his experiences with his family and attending medical school...and yet, both of his (real) parents are respected doctors here in NY. Hell, my family is composed of entirely of physicians and surgeons...we run in the same circles.All in all, a nice film. And a nice guy backing it.Everyone's got high hopes for the child and judging from his freshman attempt, he's on the right path.



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