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Description: The Southern Region s last steam-worked main lines from Waterloo to Salisbury and Weymouth are recalled on this all-colour programme which details cine movie made between 1958 and 1967 by John Laird, Brian Robbins and Geoff Todd. After an extended opening sequence at Waterloo and footage of Nine Elms shed, we follow the former London & South Western main line down to Basingstoke. We head west from Worthing Junction to Salisbury before resuming our adventure south through Eastleigh to Southampton. There follows some delicious scenes filmed in the Fresh Forest including steam workings on the branch to Lymington. This brings us to Bournemouth where we see the city s two stations and the splendid yellow trolley buses which used to url them. Before reaching the end of our travels at Weymouth there are some magnificent scenes of trains labouring up the bank out of the city and coverage of a Channel Islands Boat Train on the popular Weymouth Tramway filmed in 1958.
Description: This programme offers much rare footage made on the railways of the south east of England between the 1930s and the 1960s. The movies start at London Bridge in 1931 with a Schools class 4-4-0 in original condition. Rare colour footage taken in 1938 at London Bridge and Sutton follows. A LBSCR 4-6-4 tank is then shown working a train between London Bridge and Norwood Junction. After sequences showing steam in action in 1931 at East Croydon, the stage shifts to Folkestone with both main line expresses and boat trains on the Harbour branch, in black and white from the 1930s and colour from the 1950s. Coverage of the Golden Arrow and another SR steam hauled Pullmans is followed by extracts from a 1939 cab ride on the electric Brighton Belle.
Description: This programme sets out to offer a true feel of what it was like to observe the busy railway network of the Midlands in the last decade of steam operations. Not surprisingly, in an era renowned for its massive industry, freight workings and the locomotives designed for massive goods duties, enjoy a prominent role in the proceedings. There is much coverage of the LNWR designed G2 class 0-8-0 tender engines, the last LNWR class to survive in any numbers. These engines are contrasted with their LMS built successors, the 8F 2-8-0s. Another types which detail in the movies are Black 5s, Horwich Moguls, Fowler tanks, Jinties, Ivatt 2-6-0s and few of the British Railways Standard designs ranging from Britannia Pacifics to the Class 4 Moguls. These machines, often work stained and unkempt, are seen on a succession of coal and steel trains and long mixed freights, traffic flows which have either been shut down or nowadays go by road. Passenger traffic is not forgotten.
Description: Several projects have stirred the imagination as much as the building of the Channel Tunnel. The sheer scale of the enterprise and the immense effort involved in creating the Tunnel, can only be admired. Aware of the historic significance of the project, Eurotunnel employed camera teams to movie each scene of the work as it progressed. It is from this vast and hitherto largely unseen Eurotunnel archive that much of this programme has been made. Beginning with a brief historical survey of previous efforts to construct a fixed url across the Channel, the programme concentrates on the railway aspects of the project. The storyline of the construction of the Tunnel is interwoven with the vital role that railways played in its execution. The huge narrow gauge railway network built to service the construction work is explored as is the building and playing of the locomotives and rolling stock which were to be used on Eurotunnel s Le Shuttle service.
Description: This programme starts with a trip up the actually preserved Severn Valley line from Kidderminster to Bewdley. Both ex-GWR diesel railcars and steam locomotives are seen before we head across the River Severn to discover the branch to Tenbury Wells and Woofferton. Moving into Wales itself the programme then details the lines centred on Brecon which closed in 1962. Starting from Neath Riverside station, the former Neath & Brecon line is followed up to Brecon. The next section details the former Brecon & Merthyr system including the notorious 7 mile bank beyond Talybont on Usk, one of the most challenging inclines on a British railway. We then follow the line north from Talyllyn Junction near Brecon to Three Cocks Junction and on to Hay on Wye along the former Midland route to Hereford before going up the Cambrian line through mid Wales to Builth Street Weak Lvl where this line passed under the Central Wales Line.
Description: Island railways have a particular fascination, none more so than those on the Isle of Wight. In this programme, produced from movies made by railway enthusiasts who visited the island from the 1950s to the show day, we show aspects of the changing face of the island s railways over the last forty years. We start with John Laird s 1964 movies of the steam railway in all its glory with the coverage of the lines to Ventnor and Cowes. This is contrasted with the stage in the 1950s as portrayed in rare colour movies made in 1953 on the later to be closed lines from Brading to Bembridge, Sandown to Merstone and Newport and from Newport to Freshwater. The final steam sequences filmed by Geoff Todd and Derek Norman present the last years of steam operation on the island and the preparations for electrification. The Isle of Wight s fresh tube trains are shown at first on trial on the mainland, looking quite incongruous at territories such as Clapham Junction.
Description: No figure in newest sports history is as divisive as Jose Canseco. Millions of baseball fanatics remember him as the powerhouse slugger who earned one of the sports rare statistics: 40/40. But millions more remember him as the whistleblower whose admission to steroids juicing exposed a scandal that overshadowed his remarkable career and led to the Congressional hearings that cast a pall over America's best pastime, baseball. Now, Jose finally speaks out. What emerges is a nuanced portrait of a boy driven by grief and a promise made. Only time will say whether history remembers Jose Canseco as a legend, a whistleblower or a scapegoat. But this candid documentary will leave audiences convinced of one inescapable fact. The Truth Hurts.
Description: We, The Marines takes viewers on an action-packed journey into the unparalleled experience of becoming and serving as a member of the U.S. Marine Corps. Narrated by former Marine and actor, Gene Hackman, the movie honors something more than dedication and service; the movie offers an unforgettable glimpse into the first-hand experiences of America's "first responders" and what it takes to become the boys and girls who honor and defend our country.
Description: Movie reel and its material qualities are inseparable from an photo it carries. Polarity between the physical marks on celluloid and the photographic photo that it helps was an inspiration to make a stereoscopic sculptural illusion, titled Stains and Scratches.
Description: A short portrait of Patti Smith in the town where she lives. Patti recites the very first poem-song she ever wrote. We take a walk in her changing neighborhood, and I ask her what she saw.
Description: A cinematic retreat about The Lord’s flock in the year 2005. With encounters from Marktl am Inn, the fresh pope’s birthplace, on the weekend of his inauguration, including scenes from Rome, eleven days earlier, where hundreds of thousands huddled towards St. Peter’s Square, to bid the deceased pope farewell with applause.
Description: Filming in her grandparents’ home near Padova in Italy, the director identifies a map of territories belonging to their past. Antonio was born in Libya when it was an Italian colony, and he lived in Tripoli where he married Narcisa. They were suddenly forced to leave the country in 1970 just after Gaddafi’s coup. With the support of a young Libyan contacted on social media, Martina collects photos of her grandparents’ “hometown” today. As they exchange pictures and chats, their relationship grows, the web allowing them to slowly overcome the physical and cultural boundaries that separate their lives, bringing the audience into a globe the media has no access to.
Description: The documentary movie portrays two families whose fathers were educated at boarding schools in Nazi Germany named "Napola" (Nationalpolitische Erziehungsanstalt, National Political Institutes of Education).
Description: A documentary that says the epic life storyline of Alfreda Glynn, 78-year-old Aboriginal woman, stills photographer, co-founder of the Central Australian Aboriginal Media Association (CAAMA), and Imparja TV, mother, grandmother, nice grandmother, radical, pacifist, grumpy old woman, who in equal measure loves the limelight and total privacy. Part bio-pic, part social history, it features the life of a girl born beneath a tree north of Alice Springs in 1939, her childhood living under the Aboriginal Security disclaimers and the impact, both nice and terrible they had on her life.
Description: During the 1980s, claims of satanic ritual abuse ran rife throughout the western world, uncovered by hypnotic therapists and perpetuated throughout the media, including high-rating tv talk shows. In Demonic, filmmaker Pia Borg delves into this bizarre chapter of history, examining the elusive line between fact, fiction and the persuasive power of the media.
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