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It's finished art-house fare but since the source material is one of Austria's nice novels of the 20th century (it was written in the early 1960s) they gave this movie a semi-wide release here in Austria. It's a last-woman-on-Earth-story - think about Robinson Crusoe, The Road, I am Legend, but very naturalistic except for the wall which traps the protagonist in a secluded alpine area. It was a bit toned down from the ebook - some of the more violent or disgusting passages were missing, I guess not to alienate the audience too much since the storyline is intense enough already. This seemed to work as WOM is quite good, everybody was discussing it on our method out. My son (who didn't know the book) was impressed too. Also left out were any references to the cold fight which were not that necessary in the ebook to start with; here the wall is more like a natural catastrophe and the storyline is much more timeless this way. From a technical POV this was excellent, filmed with a RED-to-35mm and much natural light I think. Most of the team hail from TV productions but it's clearly visible how much fun they had with the wide format. Sound design was nice too. Melody was sparse, a several Bach sonatas. And I liked how they didn't color-grade the thing to death as happens sometimes (The Road, Kids of Boys ...) - the storyline is bleak enough without much fiddling - we receive the message. The landscape, wood and winter sequences are just beautiful. Highly suggested if you're able to see this. Maybe it gets a foreign run; there's nearly no dialogue, most spoken text is just off-screen-quoting from her diary so subtitles or dubbing won't really take away much.
What a pretty storyline this is. I can understand why Julian Pölsler wanted to movie his favourite ebook of Marlen Haushofer, a ebook that I've actually added to my to read list.The scenery of Austria is so beautiful. Experiencing the country through all the seasons would have been enough for me to watch the movie. But the film is so much more than just pretty scenery. The plot made me profoundly think about humanity, nature, life... and if a film succeeds in doing that it deserves merit. I also like that multiple interpretations can apply to the movie, since it has a certain symbolical feel to it, rather than being a science fiction or utopian/dystopian story. I for example see a lot of parallels with someone who has a depression, not being able to war an invisible wall, struggling to do daily tasks in order to survive, feeling alienated. It's nice how the connectedness with nature is illustrated. How we depend on nature and how nature depends on us. How we humans are gods who are able to select to slay or allow live, who can select to slay the very nature that makes us survive. Perhaps for folks who have read the book, the film doesn't add more than pretty scenery and a nice acting performance by Martina Gedeck and not to forget dog Luchs, but for me it's definitely worth the 8*.
A woman, a dog, one of the most pretty territories of the world. It's difficult to tell more about this film without telling too much.It has a very well crafted, tight script, well selected melody and nice cinematography, both in plain light and in deep darkness, in launch land and closed quarters.There is no waste in this film, everything fits. The acting is nuanced, controlled. The sense of menace is achieved with lighting and camera work. No false scares, no misleadings, no cheap shocks.This tale of survival and endurance, ultimately about the meaning of humanity, is a moving masterpiece that will stay with me a long time.
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