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Der Schatz der Azteken 1965
Description: Dr. Karl Sternau, the private physician of the count Bismarck, who spent much of his youth in Mexico, is sent back to that country during the occupation by French units in the service of the Austrian 'Emperor' Maximilian, to carry an encouraging letter from U.S. President Lincoln to the nationalist Mexican president Benito Juarez.
Released: 03 Aug 1966 Director: Robert Siodmak Writers: Karl May (novel), Ladislas Fodor, Robert A. Stemmle, Georg Marischka Actors: Lex Barker, Gérard Barray, Rik Battaglia, Michèle Girardon Genres: Adventure, Western
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Der Schatz der Azteken Reviews:

TREASURE OF THE AZTECS (1965) is a German/Italian western based on a novel by Germany's famed western novelist Karl May, whose fanciful view of the American west spawned a entire series of movies, including few starring former Tarzan (1949-53) Lex Barker, who is seen here in the role of Dr. Sternau. Barker, who was, for a time, the most famous film star in Germany, is directed here by old Hollywood hand Robert Siodmak, well-known for a career which included such movie noir classics as PHANTOM LADY, THE KILLERS, and CRISS CROSS.Set in Mexico at the time of the American Civil War, TREASURE features Dr. Sternau's efforts to receive financial help for deposed president Benito Juarez's efforts to overthrow Emperor Maximilian, installed as Mexico's ruler by the French government. A host of characters is involved, including one of Juarez's treacherous captains (Rik Battaglia); a wealthy landowner sympathetic to Juarez's cause (Friedrich Ledebur); the landowner's wastrel son (Gerard Barray); Kara, an Aztec princess (Theresa Lorca) who holds the key to a source of Aztec wealth; a Bavarian clockmaker serving as comic relief (Ralf Wolter); and an American cowboy (American actor Kelo Henderson) assisting Dr. Sternau. Different parties are trying to receive their hands on a cache of hidden Aztec gold, either for themselves or for the cause, and there is constant back-and-forth motion--battles between one faction and another, duels and fistfights, and the wastrel son's romancing of the Indian princess in a bid to learn the whereabouts of the treasure. It all culminates in a free-for-all inside a Mexican pyramid and a find for the gold inside an active volcano.Plot and characterization tend to receive lost amidst all this activity and one can play the Spanish and Yugoslavian landscapes where this was filmed while lamenting the lack of any reason to care too much about what happens. The movie is ultimately undone by awkward war scenes, B-movie plotting, and a sub-par English dub job. The production was originally planned as a three-hour epic, and then released in two parts, with the second installment titled PYRAMID OF THE SUN GOD (1965), with the same cast and crew. For the American release version, however, both movies were compressed into one 105-minute feature, accounting for the choppy editing and continuity lapses in the print accessible for review. The VHS edition distributed in the U.S. also has serious soundtrack problems, with the English dub track laid down twice, but seriously out of sync so that each line of dialogue sounds like someone's off-camera repeating every line a beat later.The Indians on view look nothing like the current Indian tribes of Mexico but are decked out in fight paint and headbands adorned with feathers. When we first see them, they've got two dark-haired beauties, one of them the Aztec princess, tied to a stake, while the Indian braves dance around in a circle. Sternau and his party of three come and rescue the girls from variety of braves without suffering a scratch.As a German/Italian western directed by a German director who'd excelled in Hollywood, with a French/Italian/Spanish/German cast headed by an American star and shot in Spain and Yugoslavia, it is not without interest for those Euro-cult fanatics curious about such hybrids. It's got an odd tone about it, not quite stylized enough to compare with Italian westerns, but a bit too cartoonish to be taken seriously as a western. It's probably closer in spirit to the cliffhanger serials of old than to any classic westerns. This is particularly evident in the preposterous, but action-packed finale. The bombastic melody score deliberately recalls certain well-known Hollywood western scores.Of unique note is the participation of Hollywood actor Jeff Corey in the role of President Abraham Lincoln in a brief stage with Dr. Sternau at the beginning. Corey had worked for Siodmak back in 1946 in THE KILLERS. Neither Corey nor Barker dub their own voices on the English track. Barker had previously worked for Siodmak in the German-produced THE SHOOT (1964). Fausto Tozzi plays Benito Juarez and offers a striking resemblance to the nice Mexican leader.


This is a 50-year old western film starring Lex Barker and in the soon years of his career, he now starred in quite a several German films. There is lots of cowboy and Indian action in here, but that is a bit of a given looking at how this is adapted from a Karl May novel. It took no less than 4 writers to adapt this piece and for that, the outcome is a bit weak. The director is Robert Siodmak, now one of Germany's more known directors in Hollywood. He also has a nomination for directing and also scored a nomination in the Foreign Language Movie category. He worked with Lancaster, Gardner, de Havilland, Peck, Stanwyck and Lollobrigida to name only a few.I thought this movie didn't begin too bad, but I have to tell the action wasn't nice enough to hold me interested for 100 minutes, or even for 50 minutes. The drama is fine occasionally, but the story from very early with the woman and her mentor saying her who to marry fully disappears until near the end. There's a Swiss guy in here obviously for comedy reasons, but his shtick got old so quickly and later stopped being funny. Also the method he was such a brave warrior at the end was truly unrealistic. The thing I was most disappointed with was probably the method the characters were written. There is really only nice and evil, black and white, nothing in-between. No shades at all. This is really only a movie for hardcore western movie lovers. Everybody else could give it a pass. But if you enjoyed it, take a look at its sequel which came out only roughly 50 days after this movie here.



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