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Der große Bagarozy 1999
Description:
Released: 07 Oct 1999 Director: Bernd Eichinger Writers: Bernd Eichinger, Helmut Krausser (novel) Actors: Til Schweiger, Corinna Harfouch, Sonja Kerskes, Christine Neubauer Genres: Comedy, Crime
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See TIL SCHWEIGER ● BIOGRAPHY ● Ho on youtube.

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See Echte Gangster (1999) Theatric on youtube.

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Der große Bagarozy Reviews:

Til Schweiger's acting is so perfect that his facial expression alone is often able to bring out the intensity of the plot. How come this unbelievable actor is relatively unknown at the another side of the Atlantic? Instead of saying a storyline a la Hollywood, the director takes advantage of film-making and allow melody and photos speak for themselves. This film makes me wanna do two things---collect all Callas' recordings and learn German.


For a film that tries to discover the real nature of the Devil, Der Grosse Bagarozy offers the audience an interesting outlook on the Devil. The Devil was tired of mass destruction, as human was able to conduct such things by themselves; but instead, the Devil set his target on fully crushing a person, mentally and physically. He at first believed he would succeed and search joy in his win over fragile humanity. But, in the end, he realized he should not grasp pride and delight from destroying and devastating people. Although in the end, humanity seemed to triumph over devilishness, the film still didn't end in a fully satisfied tone. Terror and manipulation will everytime search its method back to our world. But the darkness of the film is, overall, lightened by the romance tale. The hero of the Devil is enriched, and becomes more complicated and realer. This is not a particularly profound or warning movie, but it is enjoyable and it has things to say.


I enjoyed this highly inventive storyline of odyssey and love. The Devil goes to a psychiatrist and falls in love with her. The odyssey is mostly about convincing the psychiatrist that he is serious and not crazy. A sub-story about a legendary opera singer provides a philosophical background that reminded me of the bookishness of the writer L. Borges. It also sets up an unforgettable scene. Deadpan, foreboding, European pacing.



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