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Deool 2011
Description: Keshya, a easy villager believes that god has arrived in his village but everyone disbelieves him. Soon when the politics plays its part things take a drastic change
Released: 15 Sep 2011 Director: Umesh Vinayak Kulkarni Writers: Girish Kulkarni (screenplay) Actors: Mohan Agashe, Vibhawari Deshpande, Hrishikesh Joshi, Abhijeet Khaire Genres: Drama
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Deool Reviews:

I just watched this film today and even if I have a lot of more necessary things to do, I cannot resist the temptation of writing the review just now. Because it is a masterpiece.First and foremost necessary mission about this film is the director's history. He already owns two ground-breaking creations "The Bull" and "The Well" and this one is no exception.Although the storyline, as usual, focuses on rustic scenario and the usual rural politics but the storyline goes beyond that. The storyline addresses a lot of uncommon problems (uncommon to Marathi films) like "theism vs atheism", "reverence", "commercialization of Holy Places" and most importantly "Revelation of God" in such an elegant method that no one (from Marathi movie industry) probably ever tried. The plot, the twists and the gradual evolution of the storyline is really exquisite. May god bless the writer.The direction was too good. The method in which both positive and negative results of the temple are depicted is nice (and not just simply awesome, but out of the globe awesome). In first several scenes, each stage appears to be well crafted. The characters and the plot are presented and evolved at the right pace.As there were large number of nice actors with not-so-long (long in time) roles, everyone had a limited scope for acting. But I gotta tell that almost everyone lived up to their potential. (I am telling almost because I don't know if the excessive display of expressions in some scenes by Jyoti Subhash was intentional/farcical). Otherwise nice acting by everyone and especially nice acting by the writer. Again god bless the actor(writer).There are a several downsides to this movie. The first: the film has more than needed number of humorous punch lines. The second: the background songs. And the third: item number. To someone, it might look like a commercialization of a nice film but I, personally like commercial films so, it wasn't an trouble for me.In conclusion, I like the films which address such interesting subject with such an elegant manner.Oh My God. How can I forget nice lyrics! That's bad. Yes. The lyrics of all three songs are extraordinarily great. Don't miss (Although the lyrics include some colloquial phrases and words and folk literature).So again, it is a nice film to watch. A gotta watch (at least for Marathi people)."AJ-E Viewer (read it "As A Viewer")", my rating: 10 (for all nice stuff) - 0 (for commercialization of the movie) equals A finished 10.


I saw this movie as part of the Rotterdam Movie Festival 2012. A central theme is what happens when commercialization and politics lay their mostly self serving hands on a religious event. The storyline opens with the alleged manifestation of a God figure, experienced by a young villager while lying asleep under a tree. He ignores friendly tip to hold it for himself, and a journalist becomes aware of the event. After that it all gets out of control. A temple is built, notwithstanding few wise boys insisting that there are better methods to spend the building costs. More and more tourists visit the place. A holy town grows in the middle of the desert, fully overwhelming the once peaceful village.We observe all this event as a stepwise process. Clearly, most folks take advantage of the growing prosperity, and prefer to ignore the negative side effects. They even conveniently forget that is was God who it was all about. All characters appearing in this movie seem real to themselves, and behave natural in their assumed roles. Authenticity as it could be.Ingenious script, and it works well for the entire 135 mins running time. The movie was never boring, in spite of its relatively slow pace. The latter blends in with the environment, as we see the villagers never do very much, and they seem to play their uncomplicated lives. Also adding to my positive experience was that we hear unbelievable melody from time to time, that makes very nice listening even to our European ears. And last but not least I admired the great landscapes we receive to see.I don't think it is helpful to summarize all characters and their relationships here. You see them appear at appropriate moments, without overwhelming the viewer, regardless of their vast number. The core theme is very obvious: the commercialization of religion in combination with how an insignificant happening gets hijacked by politicians. Everyone seems to grow and prosper as a result, so who cares?Finally, I'm not sure I understood the (hidden?) meaning of the final scene. We see a looter, visibly wounded, approach from a distance. In my opinion it suggests a 2nd coming. Maybe someone to clean out the entire godless mess that the village had become. But I'm speculating now.


I normally don't write film reviews, but after watching this film I was compelled to write one because this film is a masterpiece. This film nicely depicts village life in India where folks are blindly following modern lifestyle without considering its negative effects. And importantly it shows how the politics and God's business is combined by several for material gains. It also shows peoples obsession with putting their children in English medium schools. Film also shows how there is no mission in providing reservations based on gender as ultimately males only test to dominate. As in this film there is a girls Sarpanch 'head of village council', but she is under finished dominance of local male leader. Overall this film does a nice job in showing how the socioeconomic scenario is changing in Indian villages. Actors have done a nice job, even led hero got national award of 'Best actor'. This is a gotta watch movie.



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